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him everything,
Whatā€™s wanted and how much and where it is.
But when Iā€™m goneā ā€”of course I canā€™t stay here:
Estelleā€™s to take me when sheā€™s settled down.
He and I only hinder one another.
I tell them they canā€™t get me through the door, though:
Iā€™ve been built in here like a big church organ.
Weā€™ve been here fifteen years.ā€

ā€œThatā€™s a long time
To live together and then pull apart.
How do you see him living when youā€™re gone?
Two of you out will leave an empty house.ā€

ā€œI donā€™t just see him living many years,
Left here with nothing but the furniture.
I hate to think of the old place when weā€™re gone,
With the brook going by below the yard,
And no one here but hens blowing about.
If he could sell the place, but then, he canā€™t:
No one will ever live on it again.
Itā€™s too run down. This is the last of it.
What I think he will do, is let things smash.
Heā€™ll sort of swear the time away. Heā€™s awful!
I never saw a man let family troubles
Make so much difference in his manā€™s affairs.
Heā€™s just dropped everything. Heā€™s like a child.
I blame his being brought up by his mother.
Heā€™s got hay down thatā€™s been rained on three times.
He hoed a little yesterday for me:
I thought the growing things would do him good.
Something went wrong. I saw him throw the hoe
Sky-high with both hands. I can see it nowā ā€”
Come hereā ā€”Iā€™ll show youā ā€”in that apple tree.
Thatā€™s no way for a man to do at his age:
Heā€™s fifty-five, you know, if heā€™s a day.ā€

ā€œArenā€™t you afraid of him? Whatā€™s that gun for?ā€
ā€œOh, thatā€™s been there for hawks since chicken-time.
John Hall touch me! Not if he knows his friends.
Iā€™ll say that for him, Johnā€™s no threatener
Like some men folk. No oneā€™s afraid of him;
All is, heā€™s made up his mind not to stand
What he has got to stand.ā€

ā€œWhere is Estelle?
Couldnā€™t one talk to her? What does she say?
You say you donā€™t know where she is.ā€

ā€œNor want to!
She thinks if it was bad to live with him,
It must be right to leave him.ā€

ā€œWhich is wrong!ā€

ā€œYes, but he should have married her.ā€

ā€œI know.ā€

ā€œThe strainā€™s been too much for her all these years:
I canā€™t explain it any other way.
Itā€™s different with a man, at least with John:
He knows heā€™s kinder than the run of men.
Better than married ought to be as good
As marriedā ā€”thatā€™s what he has always said.
I know the way heā€™s feltā ā€”but all the same!ā€

ā€œI wonder why he doesnā€™t marry her
And end it.ā€

ā€œToo late now: she wouldnā€™t have him.
Heā€™s given her time to think of something else.
Thatā€™s his mistake. The dear knows my interest
Has been to keep the thing from breaking up.
This is a good home: I donā€™t ask for better.
But when Iā€™ve said, ā€˜Why shouldnā€™t they be married,ā€™
Heā€™d say, ā€˜Why should they?ā€™ no more words than that.ā€

ā€œAnd after all why should they? Johnā€™s been fair
I take it. What was his was always hers.
There was no quarrel about property.ā€

ā€œReason enough, there was no property.
A friend or two as good as own the farm,
Such as it is. It isnā€™t worth the mortgage.ā€

ā€œI mean Estelle has always held the purse.ā€

ā€œThe rights of that are harder to get at.
I guess Estelle and I have filled the purse.
ā€™Tis we let him have money, not he us.
Johnā€™s a bad farmer. Iā€™m not blaming him.
Take it year in, year out, he doesnā€™t make much.
We came here for a home for me, you know,
Estelle to do the housework for the board
Of both of us. But look how it turns out:
She seems to have the housework, and besides,
Half of the outdoor work, though as for that,
Heā€™d say she does it more because she likes it.
You see our pretty things are all outdoors.
Our hens and cows and pigs are always better
Than folks like us have any business with.
Farmers around twice as well off as we
Havenā€™t as good. They donā€™t go with the farm.
One thing you canā€™t help liking about John,
Heā€™s fond of nice thingsā ā€”too fond, some would say.
But Estelle donā€™t complain: sheā€™s like him there.
She wants our hens to be the best there are.
You never saw this room before a show,
Full of lank, shivery, half-drowned birds
In separate coops, having their plumage done.
The smell of the wet feathers in the heat!
You spoke of Johnā€™s not being safe to stay with.
You donā€™t know what a gentle lot we are:
We wouldnā€™t hurt a hen! You ought to see us
Moving a flock of hens from place to place.
Weā€™re not allowed to take them upside down,
All we can hold together by the legs.
Two at a timeā€™s the rule, one on each arm,
No matter how far and how many times
We have to go.ā€

ā€œYou mean thatā€™s Johnā€™s idea.ā€

ā€œAnd we live up to it; or I donā€™t know
What childishness he wouldnā€™t give way to.
He manages to keep the upper hand
On his own farm. Heā€™s boss. But as to hens:
We fence our flowers in and the hens range.
Nothingā€™s too good for them. We say it pays.
John likes to tell the offers he has had,
Twenty for this cock, twenty-five for that.
He never takes the money. If theyā€™re worth
That much to sell, theyā€™re worth as much to keep.
Bless you, itā€™s all expense, though. Reach me down
The little tin box on the cupboard shelf,
The upper shelf, the tin box. Thatā€™s the one.
Iā€™ll show you. Here you are.ā€

ā€œWhatā€™s this?ā€

ā€œA billā ā€”
For fifty dollars for one Langshang cockā ā€”
Receipted. And the cock is in the yard.ā€

ā€œNot in a glass case, then?ā€

ā€œHeā€™d need a tall one:
He can eat off a barrel from the ground.
Heā€™s been in a glass case, as you may say,
The Crystal Palace, London. Heā€™s imported.
John bought him, and we paid the bill with beadsā ā€”
Wampum, I call it. Mind, we donā€™t complain.
But you see, donā€™t you, we take care of him.ā€

ā€œAnd like it, too. It makes it all the worse.ā€

ā€œIt seems as if. And thatā€™s not all: heā€™s helpless
In ways that I can hardly tell you of.
Sometimes he gets possessed to keep accounts
To see where all the money goes so fast.
You know how men will be ridiculous.
But itā€™s just fun the way

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