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to whomsoever, induced by the great interest of the narrative, may desire a sight of them. I must not be understood as affirming, that, in the dressing up of the tale, and imagining the motives and modes of passion that influenced the characters who figure in it, I have invariably confined myself within the limits of the old Surveyor’s half a dozen sheets of foolscap. On the contrary, I have allowed myself, as to such points, nearly or altogether as much license as if the facts had been entirely of my own invention. What I contend for is the authenticity of the outline.

This incident recalled my mind, in some degree, to its old track. There seemed to be here the groundwork of a tale. It impressed me as if the ancient Surveyor, in his garb of a hundred years gone by, and wearing his immortal wig⁠—which was buried with him, but did not perish in the grave⁠—had met me in the deserted chamber of the Customhouse. In his port was the dignity of one who had borne his Majesty’s commission, and who was therefore illuminated by a ray of the splendor that shone so dazzlingly about the throne. How unlike, alas! the hangdog look of a republican official, who, as the servant of the people, feels himself less than the least, and below the lowest, of his masters. With his own ghostly hand, the obscurely seen but majestic figure had imparted to me the scarlet symbol, and the little roll of explanatory manuscript. With his own ghostly voice, he had exhorted me, on the sacred consideration of my filial duty and reverence towards him⁠—who might reasonably regard himself as my official ancestor⁠—to bring his mouldy and moth-eaten lucubrations before the public. “Do this,” said the ghost of Mr. Surveyor Pue, emphatically nodding the head that looked so imposing within its memorable wig⁠—“do this, and the profit shall be all your own! You will shortly need it; for it is not in your days as it was in mine, when a man’s office was a life-lease, and oftentimes an heirloom. But, I charge you, in this matter of old Mistress Prynne, give to your predecessor’s memory the credit which will be rightfully due!” And I said to the ghost of Mr. Surveyor Pue, “I will!”

On Hester Prynne’s story, therefore, I bestowed much thought. It was the subject of my meditations for many an hour, while pacing to and fro across my room, or traversing, with a hundredfold repetition, the long extent from the front-door of the Customhouse to the side-entrance, and back again. Great were the weariness and annoyance of the old Inspector and the Weighers and Gaugers, whose slumbers were disturbed by the unmercifully lengthened tramp of my passing and returning footsteps. Remembering their own former habits, they used to say that the Surveyor was walking the quarterdeck. They probably fancied that my sole object⁠—and, indeed, the sole object for which a sane man could ever put himself into voluntary motion⁠—was, to get an appetite for dinner. And to say the truth, an appetite, sharpened by the east wind that generally blew along the passage, was the only valuable result of so much indefatigable exercise. So little adapted is the atmosphere of a customhouse to the delicate harvest of fancy and sensibility, that, had I remained there through ten Presidencies yet to come, I doubt whether the tale of The Scarlet Letter would ever have been brought before the public eye. My imagination was a tarnished mirror. It would not reflect, or only with miserable dimness, the figures with which I did my best to people it. The characters of the narrative would not be warmed and rendered malleable by any heat that I could kindle at my intellectual forge. They would take neither the glow of passion nor the tenderness of sentiment, but retained all the rigidity of dead corpses, and stared me in the face with a fixed and ghastly grin of contemptuous defiance. “What have you to do with us?” that expression seemed to say. “The little power you might once have possessed over the tribe of unrealities is gone! You have bartered it for a pittance of the public gold. Go, then, and earn your wages!” In short, the almost torpid creatures of my own fancy twitted me with imbecility, and not without fair occasion.

It was not merely during the three hours and a half which Uncle Sam claimed as his share of my daily life, that this wretched numbness held possession of me. It went with me on my seashore walks, and rambles into the country, whenever⁠—which was seldom and reluctantly⁠—I bestirred myself to seek that invigorating charm of Nature, which used to give me such freshness and activity of thought the moment that I stepped across the threshold of the Old Manse. The same torpor, as regarded the capacity for intellectual effort, accompanied me home, and weighed upon me in the chamber which I most absurdly termed my study. Nor did it quit me, when, late at night, I sat in the deserted parlor, lighted only by the glimmering coal-fire and the moon, striving to picture forth imaginary scenes, which, the next day, might flow out on the brightening page in many-hued description.

If the imaginative faculty refused to act at such an hour, it might well be deemed a hopeless case. Moonlight, in a familiar room, falling so white upon the carpet, and showing all its figures so distinctly⁠—making every object so minutely visible, yet so unlike a morning or noontide visibility⁠—is a medium the most suitable for a romance-writer to get acquainted with his illusive guests. There is the little domestic scenery of the well-known apartment; the chairs, with each its separate individuality; the centre-table, sustaining a workbasket, a volume or two, and an extinguished lamp; the sofa; the bookcase; the picture on the wall;⁠—all these details, so completely seen, are so spiritualized by the unusual light, that they seem to lose their actual

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