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off by one of the King’s officers, and then how the little pauper’s consceince troubles him when he remembers the shameful words that were falling from his lips, when she was turned from his side “I know you not woman” and how his grandeurs were stricken valueless, and his pride consumed to ashes. It is a wonderfully beautiful and touching little scene, and papa has described it so wonderfully. I never saw a man with so much variety of feeling as papa has; now the “Prince and the Pauper” is full of touching places, but there is most always a streak of humor in them somewhere. Now in the coronation⁠—in the stirring coronation, just after the little king has got his crown back again papa brings that in about the Seal, where the pauper says he used the Seal “to crack nuts with.” Oh it is so funny and nice! Papa very seldom writes a passage without some humor in it somewhere, and I dont think he ever will.

The children always helped their mother to edit my books in manuscript. She would sit on the porch at the farm and read aloud, with her pencil in her hand, and the children would keep an alert and suspicious eye upon her right along, for the belief was well grounded in them that whenever she came across a particularly satisfactory passage she would strike it out. Their suspicions were well founded. The passages which were so satisfactory to them always had an element of strength in them which sorely needed modification or expurgation, and was always sure to get it at their mother’s hand.

For my own entertainment, and to enjoy the protests of the children, I often abused my editor’s innocent confidence. I often interlarded remarks of a studied and felicitously atrocious character purposely to achieve the children’s delight and see the pencil do its fatal work. I often joined my supplications to the children’s for mercy, and strung the argument out and pretended to be in earnest. They were deceived, and so was their mother. It was three against one, and most unfair. But it was very delightful, and I could not resist the temptation. Now and then we gained the victory and there was much rejoicing. Then I privately struck the passage out myself. It had served its purpose. It had furnished three of us with good entertainment, and in being removed from the book by me it was only suffering the fate originally intended for it.

From Susy’s Biography

Papa was born in Missouri. His mother is Grandma Clemens (Jane Lampton Clemens) of Kentucky. Grandpa Clemens was of the F.F.V.’s of Virginia.

Without doubt it was I that gave Susy that impression. I cannot imagine why, because I was never in my life much impressed by grandeurs which proceed from the accident of birth. I did not get this indifference from my mother. She was always strongly interested in the ancestry of the house. She traced her own line back to the Lambtons of Durham, England⁠—a family which had been occupying broad lands there since Saxon times. I am not sure, but I think that those Lambtons got along without titles of nobility for eight or nine hundred years, then produced a great man, three-quarters of a century ago, and broke into the peerage. My mother knew all about the Clemenses of Virginia, and loved to aggrandize them to me, but she has long been dead. There has been no one to keep those details fresh in my memory, and they have grown dim.

New York, Monday, February 12, 1906

Susy’s biography continued⁠—Some of the tricks played in “Tom Sawyer”⁠—The broken sugar bowl⁠—Skating on the Mississippi with Tom Nash, etc.

From Susy’s Biography

Clara and I are sure that papa played the trick on Grandma, about the whipping, that is related in “The Adventures of Tom Sawyer”: “Hand me that switch.” The switch hovered in the air, the peril was desperate⁠—“My, look behind you Aunt!” The old lady whirled around and snatched her skirts out of danger. The lad fled on the instant, scrambling up the high board fence and disappeared over it.

Susy and Clara were quite right about that.

Then Susy says:

And we know papa played “Hookey” all the time. And how readily would papa pretend to be dying so as not to have to go to school!

These revelations and exposures are searching, but they are just. If I am as transparent to other people as I was to Susy, I have wasted much effort in this life.

Grandma couldn’t make papa go to school, so she let him go into a printing-office to learn the trade. He did so, and gradually picked up enough education to enable him to do about as well as those who were more studious in early life.

It is noticeable that Susy does not get overheated when she is complimenting me, but maintains a proper judicial and biographical calm. It is noticeable, also, and it is to her credit as a biographer, that she distributes compliment and criticism with a fair and even hand.

My mother had a good deal of trouble with me, but I think she enjoyed it. She had none at all with my brother Henry, who was two years younger than I, and I think that the unbroken monotony of his goodness and truthfulness and obedience would have been a burden to her but for the relief and variety which I furnished in the other direction. I was a tonic. I was valuable to her. I never thought of it before, but now I see it. I never knew Henry to do a vicious thing toward me, or toward anyone else⁠—but he frequently did righteous ones that cost me as heavily. It was his duty to report me, when I needed reporting and neglected to do it myself, and he was very faithful in discharging that duty. He is Sid in Tom Sawyer. But Sid was not Henry. Henry was a

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