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trees about it, too⁠—trees rising behind the chapel and the house. He seemed to be conscious of the scent of a cool still September night. He thought he could hear an occasional stamp and clink from the stables, as of horses stirring. And with another shock he realized that, above the house, he was looking, not at the wall of his room with its pictures, but into the profound blue of a night sky.

There were lights, more than one, in the windows, and he quickly saw that this was no four-roomed house with a movable front, but one of many rooms, and staircases⁠—a real house, but seen as if through the wrong end of a telescope. “You mean to show me something,” he muttered to himself, and he gazed earnestly on the lighted windows. They would in real life have been shuttered or curtained, no doubt, he thought; but, as it was, there was nothing to intercept his view of what was being transacted inside the rooms.

Two rooms were lighted⁠—one on the ground floor to the right of the door, one upstairs, on the left⁠—the first brightly enough, the other rather dimly. The lower room was the dining-room: a table was laid, but the meal was over, and only wine and glasses were left on the table. The man of the blue satin and the woman of the brocade were alone in the room, and they were talking very earnestly, seated close together at the table, their elbows on it: every now and again stopping to listen, as it seemed. Once he rose, came to the window and opened it and put his head out and his hand to his ear. There was a lighted taper in a silver candlestick on a sideboard. When the man left the window he seemed to leave the room also; and the lady, taper in hand, remained standing and listening. The expression on her face was that of one striving her utmost to keep down a fear that threatened to master her⁠—and succeeding. It was a hateful face, too; broad, flat and sly. Now the man came back and she took some small thing from him and hurried out of the room. He, too, disappeared, but only for a moment or two. The front door slowly opened and he stepped out and stood on the top of the perron, looking this way and that; then turned towards the upper window that was lighted, and shook his fist.

It was time to look at that upper window. Through it was seen a four-post bed: a nurse or other servant in an armchair, evidently sound asleep; in the bed an old man lying: awake, and, one would say, anxious, from the way in which he shifted about and moved his fingers, beating tunes on the coverlet. Beyond the bed a door opened. Light was seen on the ceiling, and the lady came in: she set down her candle on a table, came to the fireside and roused the nurse. In her hand she had an old-fashioned wine bottle, ready uncorked. The nurse took it, poured some of the contents into a little silver saucepan, added some spice and sugar from casters on the table, and set it to warm on the fire. Meanwhile the old man in the bed beckoned feebly to the lady, who came to him, smiling, took his wrist as if to feel his pulse, and bit her lip as if in consternation. He looked at her anxiously, and then pointed to the window, and spoke. She nodded, and did as the man below had done; opened the casement and listened⁠—perhaps rather ostentatiously: then drew in her head and shook it, looking at the old man, who seemed to sigh.

By this time the posset on the fire was steaming, and the nurse poured it into a small two-handled silver bowl and brought it to the bedside. The old man seemed disinclined for it and was waving it away, but the lady and the nurse together bent over him and evidently pressed it upon him. He must have yielded, for they supported him into a sitting position, and put it to his lips. He drank most of it, in several draughts, and they laid him down. The lady left the room, smiling good night to him, and took the bowl, the bottle and the silver saucepan with her. The nurse returned to the chair, and there was an interval of complete quiet.

Suddenly the old man started up in his bed⁠—and he must have uttered some cry, for the nurse started out of her chair and made but one step of it to the bedside. He was a sad and terrible sight⁠—flushed in the face, almost to blackness, the eyes glaring whitely, both hands clutching at his heart, foam at his lips.

For a moment the nurse left him, ran to the door, flung it wide open, and, one supposes, screamed aloud for help, then darted back to the bed and seemed to try feverishly to soothe him⁠—to lay him down⁠—anything. But as the lady, her husband, and several servants, rushed into the room with horrified faces, the old man collapsed under the nurse’s hands and lay back, and the features, contorted with agony and rage, relaxed slowly into calm.

A few moments later, lights showed out to the left of the house, and a coach with flambeaux drove up to the door. A white-wigged man in black got nimbly out and ran up the steps, carrying a small leather trunk-shaped box. He was met in the doorway by the man and his wife, she with her handkerchief clutched between her hands, he with a tragic face, but retaining his self-control. They led the newcomer into the dining-room, where he set his box of papers on the table, and, turning to them, listened with a face of consternation at what they had to tell. He nodded his head again and again, threw out his hands slightly, declined, it

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