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room, and was going to dance; but he tottered, and would have fallen again, had he not been supported.

Everybody felt constrained. All looked at him, and no one spoke. The musician’s glance again lost its vivacity; and, apparently forgetting that anyone was looking, he put his hand to his knee. Suddenly he raised his head, advanced one faltering foot, and, with the same awkward gesture as before, tossed back his hair, and went to a violin-case, and took out the instrument.

“It was nothing at all,” said he again, waving the violin. “Gentlemen, we will have a little music.”

“What a strange face!” said the guests among themselves.

“Maybe there is great talent lurking in that unhappy creature,” said one of them.

“Yes: it’s a sad case⁠—a sad case,” said another.

“What a lovely face!⁠ ⁠… There is something extraordinary about it,” said Delesof. “Let us have a look at him.⁠ ⁠…”

II

Albert by this time, not paying attention to anyone, had raised his violin to his shoulder, and was slowly crossing over to the piano, and tuning his instrument. His lips were drawn into an expression of indifference, his eyes were almost shut; but his lank, bony back, his long white neck, his crooked legs, and disorderly black hair presented a strange but somehow not entirely ridiculous appearance. After he had tuned his violin, he struck a quick chord, and, throwing back his head, turned to the pianist who was waiting to accompany him. “Melancholie, G Sharp,” he said, turning to the pianist with a peremptory gesture. And immediately after, as though in apology for his peremptory gesture, he smiled sweetly, and with the same smile turned to his audience again.

Tossing back his hair with the hand that held the bow, Albert stood at one side of the piano, and, with a flowing motion of the bow, touched the strings. Through the room there swept a pure, harmonious sound, which instantly brought absolute silence.

At first, it was as though a ray of unexpectedly brilliant light had flashed across the inner world of each hearer’s consciousness; and the notes of the theme immediately followed, pouring forth abundant and beautiful.

Not one discordant or imperfect note distracted the attention of the listeners. All the tones were clear, beautiful, and full of meaning. All silently, with trembling expectation, followed the development of the theme. From a state of tedium, of noisy gayety, or of deep drowsiness, into which these people had fallen, they were suddenly transported to a world whose existence they had forgotten.

In one instant there arose in their souls, now a sentiment as though they were contemplating the past, now of passionate remembrance of some happiness, now the boundless longing for power and glory, now the feelings of humility, of unsatisfied love, and of melancholy.

Now bittersweet, now vehemently despairing, the notes, freely intermingling, poured forth and poured forth, so sweetly, so powerfully, and so spontaneously, that it was not so much that sounds were heard, as that some sort of beautiful stream of poetry, long known, but now for the first time expressed, gushed through the soul.

At each note that he played, Albert grew taller and taller. At a little distance, he had no appearance of being either crippled or peculiar. Pressing the violin to his chin, and with an expression of listening with passionate attention to the tones that he produced, he convulsively moved his feet. Now he straightened himself up to his full height, now thoughtfully leaned forward.

His left hand, curving over spasmodically on the strings, seemed as though it had swooned in its position, while it was only the bony fingers that changed about spasmodically; the right hand moved smoothly, gracefully, without effort.

His face shone with complete, enthusiastic delight; his eyes gleamed with a radiant, steely light; his nostrils quivered, his red lips were parted in rapture.

Sometimes his head bent down closer to his violin, his eyes almost closed, and his face, half shaded by his long locks, lighted up with a smile of genuine blissfulness. Sometimes he quickly straightened himself up, changed from one leg to the other, and his pure forehead, and the radiant look which he threw around the room, were alive with pride, greatness, and the consciousness of power. Once the pianist made a mistake, and struck a false chord. Physical pain was apparent in the whole form and face of the musician. He paused for a second, and with an expression of childish anger stamped his foot, and cried, “Moll, ce moll!” The pianist corrected his mistake; Albert closed his eyes, smiled, and, again forgetting himself and everybody else, gave himself up with beatitude to his work. Everybody who was in the room while Albert was playing preserved an attentive silence, and seemed to live and breathe only in the music.

The gay officer sat motionless in a chair by the window, with his eyes fixed upon the floor, and drawing long heavy sighs. The girls, awed by the universal silence, sat along by the walls, only occasionally exchanging glances expressive of satisfaction or perplexity.

The fat smiling face of the hostess was radiant with happiness. The pianist kept his eyes fixed on Albert’s face, and while his whole figure from head to foot showed his solicitude lest he should make some mistake, he did his best to follow him. One of the guests, who had been drinking more heavily than the rest, lay at full length on the sofa, and tried not to move lest he should betray his emotion. Delesof experienced an unusual sensation. It seemed as though an icy band, now contracting, now expanding, were pressed upon his head. The roots of his hair seemed endued with consciousness; the cold shivers ran down his back, something rose higher and higher in his throat, his nose and palate were full of little needles, and the tears stole down his cheeks.

He shook himself, tried to swallow them back and wipe them away without attracting attention, but fresh tears followed and streamed down his face. By

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