His Masterpiece Émile Zola (e textbook reader TXT) 📖

ware, which Henriette had given her husband on one of his fête days. They ran about to the curiosity shops together; a joyful passion for buying possessed them. Sandoz satisfied the longings of his youth, the romanticist ambitions which the first books he had read had given birth to. Thus this writer, so fiercely modern, lived amid the worm-eaten middle ages which he had dreamt of when he was a lad of fifteen. As an excuse, he laughingly declared that handsome modern furniture cost too much, whilst with old things, even common ones, you immediately obtained something with effect and colour. There was nothing of the collector about him, he was entirely concerned as to decoration and broad effects; and to tell the truth, the drawing-room, lighted by two lamps of old Delft ware, had quite a soft warm tint with the dull gold of the dalmaticas used for upholstering the seats, the yellowish incrustations of the Italian cabinets and Dutch showcases, the faded hues of the Oriental door-hangings, the hundred little notes of the ivory, crockery and enamel work, pale with age, which showed against the dull red hangings of the room.

Claude and Christine were the first to arrive. The latter had put on her only silk dress⁠—an old, worn-out garment which she preserved with especial care for such occasions. Henriette at once took hold of both her hands and drew her to a sofa. She was very fond of her, and questioned her, seeing her so strange, touchingly pale, and with anxious eyes. What was the matter? Did she feel poorly? No, no, she answered that she was very gay and very pleased to come; but while she spoke, she kept on glancing at Claude, as if to study him, and then looked away. He seemed excited, evincing a feverishness in his words and gestures which he had not shown for a month past. At intervals, however, his agitation subsided, and he remained silent, with his eyes wide open, gazing vacantly into space at something which he fancied was calling him.

“Ah! old man,” he said to Sandoz, “I finished reading your book last night. It’s deucedly clever; you have shut up their mouths this time!”

They both talked standing in front of the chimneypiece, where some logs were blazing. Sandoz had indeed just published a new novel, and although his critics did not disarm, there was at last that stir of success which establishes a man’s reputation despite the persistent attacks of his adversaries. Besides, he had no illusions; he knew very well that the battle, even if it were won, would begin again at each fresh book he wrote. The great work of his life was advancing, that series of novels which he launched forth in volumes one after another in stubborn, regular fashion, marching towards the goal he had selected without letting anything, obstacles, insults, or fatigue, conquer him.

“It’s true,” he gaily replied, “they are weakening this time. There’s even one who has been foolish enough to admit that I’m an honest man! See how everything degenerates! But they’ll make up for it, never fear! I know some of them whose nuts are too much unlike my own to let them accept my literary formula, my boldness of language, and my physiological characters acting under the influence of circumstances; and I refer to brother writers who possess self-respect; I leave the fools and the scoundrels on one side. For a man to be able to work on pluckily, it is best for him to expect neither good faith nor justice. To be in the right he must begin by dying.”

At this Claude’s eyes abruptly turned towards a corner of the drawing-room, as if to pierce the wall and go far away yonder, whither something had summoned him. Then they became hazy and returned from their journey, whilst he exclaimed:

“Oh! you speak for yourself! I should do wrong to kick the bucket. No matter, your book sent me into a deuced fever. I wanted to paint today, but I couldn’t. Ah! it’s lucky that I can’t get jealous of you, else you would make me too unhappy.”

However, the door had opened, and Mathilde came in, followed by Jory. She was richly attired in a tunic of nasturtium-hued velvet and a skirt of straw-coloured satin, with diamonds in her ears and a large bouquet of roses on her bosom. What astonished Claude the most was that he did not recognise her, for she had become plump, round, and fair skinned, instead of thin and sunburnt as he had known her. Her disturbing ugliness had departed in a swelling of the face; her mouth, once noted for its black voids, now displayed teeth which looked over-white whenever she condescended to smile, with a disdainful curling of the upper lip. You could guess that she had become immoderately respectable; her five and forty summers gave her weight beside her husband, who was younger than herself and seemed to be her nephew. The only thing of yore that clung to her was a violent perfume; she drenched herself with the strongest essences, as if she had been anxious to wash from her skin the smell of all the aromatic simples with which she had been impregnated by her herbalist business; however, the sharpness of rhubarb, the bitterness of elder-seed, and the warmth of peppermint clung to her; and as soon as she crossed the drawing-room, it was filled with an undefinable smell like that of a chemist’s shop, relieved by an acute odour of musk.

Henriette, who had risen, made her sit down beside Christine, saying:

“You know each other, don’t you? You have already met here.”

Mathilde gave but a cold glance at the modest attire of that woman who had lived for a long time with a man, so it was said, before being married to him. She herself was exceedingly rigid respecting such matters since the tolerance prevailing in literary and artistic circles had admitted her to a few drawing-rooms. Henriette hated