Short Fiction Selma Lagerlöf (best book club books of all time .txt) 📖

possible to keep alive the memory of the one who had gone away. See, there they have painted her on the wall; there is the whole of her little history represented in every detail. There she is when she cut off her beautiful long hair so that no man could ever fall in love with her, for she would never marry. Oh dear⁠—oh dear! how much ridicule and scoffing she had suffered on that account! It is dreadful to think how her mother tormented her and treated her like a servant, and made her sleep on the stone floor in the hall, and would not give her any food, all because of her being so obstinate about that hair. But what was she to do when they continually tried to get her married⁠—she who would have no other bridegroom than Christ? And there she is when she was kneeling in prayer, and her father coming into the room without her knowing it saw a beautiful white dove hovering over her head whilst she was praying. And there she is on that Christmas Eve when she had gone secretly to the Madonna’s altar in order the more fully to rejoice over the birth of the Son of God, and the beautiful Madonna leaned out of her picture and handed the Child to her that she might be allowed to hold it for a moment in her arms. Oh, what a joy it had been for her!

Oh dear, no; it is not at all necessary to say that our little Caterina Benincasa is dead. One need only say that she has gone away with the Bridegroom.

In her home one will never forget her pious ways and doings. All the poor of Siena come and knock at her door because they know that it is the marriage-day of the little virgin, and large piles of bread lie in readiness for them as if she were still there. They have their pockets and baskets filled; had she herself been there, she could not have sent them away more heavily laden. She who had gone away had left so great a want that one almost wonders the Bridegroom had the heart to take her away with him.

In the small chapels which have been arranged in every corner of the house they read Mass the whole day, and they invoke the bride and sing hymns in her praise.

“Holy Caterina,” they say, “on this the day of thy death, which is thine heavenly wedding-day, pray for us!”

“Holy Caterina, thou who hadst no other love but Christ, thou who in life wert His affianced bride, and who in death wast received by Him in Paradise, pray for us!”

“Holy Caterina, thou radiant heavenly bride, thou most blessed of virgins, thou whom the mother of God exalted to her Son’s side, thou who on this day wast carried by angels to the kingdom of glory, pray for us!”

It is strange how one comes to love her, how the home and the pictures and the love of the old and the poor seem to make her living, and one begins to wonder how she really was, whether she was only a saint, only a heavenly bride, and if it is true that she was unable to love any other than Christ. And then comes to one’s mind an old story which warmed one’s heart long ago, at first quite vague and without shape, but whilst one is sitting there under the loggia in the festively decorated home and watching the poor wander away with their full baskets, and hearing the subdued murmur from the chapels, the story becomes more and more distinct, and suddenly it is vivid and clear.

Nicola Tungo was a young nobleman of Perugia, who often came to Siena on account of the races. He soon found out how badly Siena was governed, and often said, both at the festive gatherings of the great and when he sat drinking in the inns, that Siena ought to rise against the Signoria and procure other rulers.

The Signoria had not been in power for more than half a year; they did not feel particularly firm in their office, and did not like the Perugian stirring up the people. In order promptly to put a stop to it, they had him imprisoned, and after a short trial he was sentenced to death. He was placed in a cell in the Palazzo Publico whilst preparations were being made for his execution, which was to take place the next morning in the Market Place.

At first he was strangely affected. Tomorrow he would no more wear his green velvet doublet and his beautiful sword; he would no more walk down the street in his cap with the ostrich-feather and attract the glances of the young maidens, and he had a feeling of painful disappointment that he would never ride the new horse which he bought yesterday, and which he had only tried once.

Suddenly he called the gaoler, and asked him to go to the gentlemen of the Signoria and tell them that he could not possibly allow himself to be killed; he had no time. He had far too much to do. Life could not do without him. His father was old, and he was the only son; it was through his descendants that the family should be continued. It was he who should give away his sisters in marriage, he who should build the new palace, he who should plant the new vineyard.

He was a strong young man; he did not know what sickness was, had nothing but life in his veins. His hair was dark and his cheeks red. He could not realize that he should die.

When he thought of their wanting to take him away from pleasure and dancing, and the carnival, and from the races next Sunday, and from the serenade he was going to sing to the beautiful Giulietta Lombardi, he became furiously angry, and his wrath was roused against the