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clouds upon the town, and amused it.

Nobody knew where Dicky Maloney hailed from or how he reached Coralio. He appeared there one day; and that was all. He afterward said that he came on the fruit steamer Thor; but an inspection of the Thor’s passenger list of that date was found to be Maloneyless. Curiosity, however, soon perished; and Dicky took his place among the odd fish cast up by the Caribbean.

He was an active, devil-may-care, rollicking fellow with an engaging gray eye, the most irresistible grin, a rather dark or much sunburned complexion, and a head of the fieriest red hair ever seen in that country. Speaking the Spanish language as well as he spoke English, and seeming always to have plenty of silver in his pockets, it was not long before he was a welcome companion whithersoever he went. He had an extreme fondness for vino blanco, and gained the reputation of being able to drink more of it than any three men in town. Everybody called him “Dicky”; everybody cheered up at the sight of him⁠—especially the natives, to whom his marvellous red hair and his free-and-easy style were a constant delight and envy. Wherever you went in the town you would soon see Dicky or hear his genial laugh, and find around him a group of admirers who appreciated him both for his good nature and the white wine he was always so ready to buy.

A considerable amount of speculation was had concerning the object of his sojourn there, until one day he silenced this by opening a small shop for the sale of tobacco, dulces and the handiwork of the interior Indians⁠—fibre-and-silk-woven goods, deerskin zapatos and basketwork of tule reeds. Even then he did not change his habits; for he was drinking and playing cards half the day and night with the comandante, the collector of customs, the Jefe Politico and other gay dogs among the native officials.

One day Dicky saw Pasa, the daughter of Madama Ortiz, sitting in the side-door of the Hotel de los Estranjeros. He stopped in his tracks, still, for the first time in Coralio; and then he sped, swift as a deer, to find Vasquez, a gilded native youth, to present him.

The young men had named Pasa “La Santita Naranjadita.” Naranjadita is a Spanish word for a certain colour that you must go to more trouble to describe in English. By saying “The little saint, tinted the most beautiful-delicate-slightly-orange-golden,” you will approximate the description of Madama Ortiz’s daughter.

La Madama Ortiz sold rum in addition to other liquors. Now, you must know that the rum expiates whatever opprobrium attends upon the other commodities. For rum-making, mind you, is a government monopoly; and to keep a government dispensary assures respectability if not preeminence. Moreover, the saddest of precisians could find no fault with the conduct of the shop. Customers drank there in the lowest of spirits and fearsomely, as in the shadow of the dead; for Madama’s ancient and vaunted lineage counteracted even the rum’s behest to be merry. For, was she not of the Iglesias, who landed with Pizarro? And had not her deceased husband been comisionado de caminos y puentes for the district?

In the evenings Pasa sat by the window in the room next to the one where they drank, and strummed dreamily upon her guitar. And then, by twos and threes, would come visiting young caballeros and occupy the prim line of chairs set against the wall of this room. They were there to besiege the heart of “La Santita.” Their method (which is not proof against intelligent competition) consisted of expanding the chest, looking valorous, and consuming a gross or two of cigarettes. Even saints delicately oranged prefer to be wooed differently.

Doña Pasa would tide over the vast chasms of nicotinized silence with music from her guitar, while she wondered if the romances she had read about gallant and more⁠—more contiguous cavaliers were all lies. At somewhat regular intervals Madama would glide in from the dispensary with a sort of drought-suggesting gleam in her eye, and there would be a rustling of stiffly-starched white trousers as one of the caballeros would propose an adjournment to the bar.

That Dicky Maloney would, sooner or later, explore this field was a thing to be foreseen. There were few doors in Coralio into which his red head had not been poked.

In an incredibly short space of time after his first sight of her he was there, seated close beside her rocking chair. There were no back-against-the-wall poses in Dicky’s theory of wooing. His plan of subjection was an attack at close range. To carry the fortress with one concentrated, ardent, eloquent, irresistible escalade⁠—that was Dicky’s way.

Pasa was descended from the proudest Spanish families in the country. Moreover, she had had unusual advantages. Two years in a New Orleans school had elevated her ambitions and fitted her for a fate above the ordinary maidens of her native land. And yet here she succumbed to the first red-haired scamp with a glib tongue and a charming smile that came along and courted her properly.

Very soon Dicky took her to the little church on the corner of the plaza, and “Mrs. Maloney” was added to her string of distinguished names.

And it was her fate to sit, with her patient, saintly eyes and figure like a bisque Psyche, behind the sequestered counter of the little shop, while Dicky drank and philandered with his frivolous acquaintances.

The women, with their naturally fine instinct, saw a chance for vivisection, and delicately taunted her with his habits. She turned upon them in a beautiful, steady blaze of sorrowful contempt.

“You meat-cows,” she said, in her level, crystal-clear tones; “you know nothing of a man. Your men are maromeros. They are fit only to roll cigarettes in the shade until the sun strikes and shrivels them up. They drone in your hammocks and

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