The Mill on the Floss George Eliot (ereader android .txt) 📖

the old fitness between her fingers and the keys remained, and revived, like a sympathetic kinship not to be worn out by separation; to get the tunes she had heard the evening before, and repeat them again and again until she had found out a way of producing them so as to make them a more pregnant, passionate language to her. The mere concord of octaves was a delight to Maggie, and she would often take up a book of studies rather than any melody, that she might taste more keenly by abstraction the more primitive sensation of intervals. Not that her enjoyment of music was of the kind that indicates a great specific talent; it was rather that her sensibility to the supreme excitement of music was only one form of that passionate sensibility which belonged to her whole nature, and made her faults and virtues all merge in each other; made her affections sometimes an impatient demand, but also prevented her vanity from taking the form of mere feminine coquetry and device, and gave it the poetry of ambition. But you have known Maggie a long while, and need to be told, not her characteristics, but her history, which is a thing hardly to be predicted even from the completest knowledge of characteristics. For the tragedy of our lives is not created entirely from within. “Character,” says Novalis, in one of his questionable aphorisms⁠—“character is destiny.” But not the whole of our destiny. Hamlet, Prince of Denmark, was speculative and irresolute, and we have a great tragedy in consequence. But if his father had lived to a good old age, and his uncle had died an early death, we can conceive Hamlet’s having married Ophelia, and got through life with a reputation of sanity, notwithstanding many soliloquies, and some moody sarcasms toward the fair daughter of Polonius, to say nothing of the frankest incivility to his father-in-law.

Maggie’s destiny, then, is at present hidden, and we must wait for it to reveal itself like the course of an unmapped river; we only know that the river is full and rapid, and that for all rivers there is the same final home. Under the charm of her new pleasures, Maggie herself was ceasing to think, with her eager prefiguring imagination, of her future lot; and her anxiety about her first interview with Philip was losing its predominance; perhaps, unconsciously to herself, she was not sorry that the interview had been deferred.

For Philip had not come the evening he was expected, and Mr. Stephen Guest brought word that he was gone to the coast⁠—probably, he thought, on a sketching expedition; but it was not certain when he would return. It was just like Philip, to go off in that way without telling anyone. It was not until the twelfth day that he returned, to find both Lucy’s notes awaiting him; he had left before he knew of Maggie’s arrival.

Perhaps one had need be nineteen again to be quite convinced of the feelings that were crowded for Maggie into those twelve days; of the length to which they were stretched for her by the novelty of her experience in them, and the varying attitudes of her mind. The early days of an acquaintance almost always have this importance for us, and fill up a larger space in our memory than longer subsequent periods, which have been less filled with discovery and new impressions. There were not many hours in those ten days in which Mr. Stephen Guest was not seated by Lucy’s side, or standing near her at the piano, or accompanying her on some outdoor excursion; his attentions were clearly becoming more assiduous, and that was what everyone had expected. Lucy was very happy, all the happier because Stephen’s society seemed to have become much more interesting and amusing since Maggie had been there. Playful discussions⁠—sometimes serious ones⁠—were going forward, in which both Stephen and Maggie revealed themselves, to the admiration of the gentle, unobtrusive Lucy; and it more than once crossed her mind what a charming quartet they should have through life when Maggie married Philip. Is it an inexplicable thing that a girl should enjoy her lover’s society the more for the presence of a third person, and be without the slightest spasm of jealousy that the third person had the conversation habitually directed to her? Not when that girl is as tranquil-hearted as Lucy, thoroughly possessed with a belief that she knows the state of her companions’ affections, and not prone to the feelings which shake such a belief in the absence of positive evidence against it. Besides, it was Lucy by whom Stephen sat, to whom he gave his arm, to whom he appealed as the person sure to agree with him; and every day there was the same tender politeness toward her, the same consciousness of her wants and care to supply them. Was there really the same? It seemed to Lucy that there was more; and it was no wonder that the real significance of the change escaped her. It was a subtle act of conscience in Stephen that even he himself was not aware of. His personal attentions to Maggie were comparatively slight, and there had even sprung up an apparent distance between them, that prevented the renewal of that faint resemblance to gallantry into which he had fallen the first day in the boat. If Stephen came in when Lucy was out of the room, if Lucy left them together, they never spoke to each other; Stephen, perhaps, seemed to be examining books or music, and Maggie bent her head assiduously over her work. Each was oppressively conscious of the other’s presence, even to the finger-ends. Yet each looked and longed for the same thing to happen the next day. Neither of them had begun to reflect on the matter, or silently to ask, “To what does all this tend?” Maggie only felt that life was revealing something quite new to her; and she was