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———. Music in the New World. New York: W. W. Norton, 1983.

———. “The Theatre Guild Production of Porgy and Bess.” Journal of the American Musicological Society 40 (1987): 495–532.

———. Putting Popular Music in Its Place. Cambridge: Cambridge University Press, 1995.

———. Irving Berlin: Songs from the Melting Pot: The Formative Years, 1907–1914. New York: Oxford University Press, 1997.

———. “Omnibus Review: Five Recent Books on American Musical Theater.” Kurt Weill Newsletter 23/2: 9–15.

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———. “Porgy and Bess—The Film.” I.S.A.M. Newsletter 28/1 (Fall 1998): 12–13.

———. Kurt Weill on Stage: From Berlin to Broadway. New York: Knopf, 2002.

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Hirschhorn, Joel (see Kasha).

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———. Through the Screen Door: What Happened to the Broadway Musical When It Went to Hollywood. Lanham, Md.: Scarecrow, 2004.

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———. Richard Rodgers. New Haven: Yale University Press, 1998.

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———. Irving Berlin: American Troubadour. New York: Henry Holt, 1999.

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Jowitt, Deborah. Jerome Robbins: His Life, His Theater, His Dance. New York: Simon & Schuster, 2004.

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———. The Complete Lyrics of Ira Gershwin. New York: Knopf, 1993.

———. See also D. Hart.

———. See also Krasker.

Kimball, Robert, and Linda Emmet, eds. The Complete Lyrics of Irving Berlin. New York: Knopf, 2001.

Kimball, Robert, and Steve Nelson, eds. The Complete Lyrics of Frank Loesser. New York: Knopf, 2003.

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Kirle, Bruce. Unfinished Business: Broadway Musicals as Works-in-Progress. Carbondale: Southern Illinois University Press, 2005.

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———. The American Musical and the Performance of Personal Identity. Princeton: Princeton University Press, 2006.

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———. “The Threepenny Opera in America.” In Kurt Weill: “The Threepenny Opera, ed. Stephen Hinton, 78–120. Cambridge: Cambridge University Press, 1990.

———. “Formerly German: Kurt Weill in America.” In A Stranger Here Myself: Kurt Weill Studien, ed. Kim H. Kowalke and Horst Edler, 35–57. Hildesheim: Georg Olms Verlag, 1993.

———. “Kurt Weill, Modernism, and Popular Culture: Öffentlichkeit als Stil,” Modernism/Modernity 2/1 (1995): 27–69.

———. Review essay of A Chronology of American Musical Theatre et al. Journal of the American Musicological Society 60/3 (Fall 2007): 688–714.

———. See also Symonette.

Kowalke, Kim H., ed. A New Orpheus: Essays on Kurt Weill. New Haven: Yale University Press, 1986.

Kowalke, Kim H., and Horst Edler, eds. A Stranger Here Myself: Kurt Weill Studien. Hildesheim, Ger.: Georg Olms Verlag, 1993.

Krasker, Tommy, and Robert Kimball. Catalog of the American Musical: Musicals of Irving Berlin, George and Ira Gershwin, Cole Porter, Richard Rodgers & Lorenz Hart. Washington, D.C.: National Institute for Opera and Musical Theater, 1988.

Kreuger, Miles. “Show Boat”: The Story of a Classic American Musical. New York: Oxford University Press, 1977.

———. “Some Words about ‘Anything Goes’” and “The Annotated ‘Anything Goes.’” Notes to EMI/Angel CDC 7–49848–2 (1989), 9–17 and

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