The Crystal Stopper Maurice Leblanc (top 10 books to read .TXT) 📖

reflected. He would not for anything in the world have thrown up the game at that point or neglected this favourable opportunity of coming to an understanding with his mortal enemy.

The woman sat in her corner, motionless, and watched them both.

Lupin said:

“Let us go outside, sir. That will make our interview easier.”

“No, my lord, here,” grinned the deputy. “It will take place here, presently, during the entr’acte. Then we shall not be disturbing anybody.”

“But⁠ ⁠…”

“Save your breath, my man; you shan’t budge.”

And he took Lupin by the coat-collar, with the obvious intention of not letting go of him before the interval.

A rash move! Was it likely that Lupin would consent to remain in such an attitude, especially before a woman, a woman to whom he had offered his alliance, a woman⁠—and he now thought of it for the first time⁠—who was distinctly good-looking and whose grave beauty attracted him. His whole pride as a man rose at the thought.

However, he said nothing. He accepted the heavy weight of the hand on his shoulder and even sat bent in two, as though beaten, powerless, almost frightened.

“Eh, clever!” said the deputy, scoffingly. “We don’t seem to be swaggering quite so much.”

The stage was full of actors who were arguing and making a noise.

Daubrecq had loosened his grasp slightly and Lupin felt that the moment had come. With the edge of his hand, he gave him a violent blow in the hollow of the arm, as he might have done with a hatchet.

The pain took Daubrecq off his guard. Lupin now released himself entirely and sprang at the other to clutch him by the throat. But Daubrecq had at once put himself on the defensive and stepped back and their four hands seized one another.

They gripped with superhuman energy, the whole force of the two adversaries concentrating in those hands. Daubrecq’s were of monstrous size; and Lupin, caught in that iron vise, felt as though he were fighting not with a man, but with some terrible beast, a huge gorilla.

They held each other against the door, bending low, like a pair of wrestlers groping and trying to lay hold of each other. Their bones creaked. Whichever gave way first was bound to be caught by the throat and strangled. And all this happened amid a sudden silence, for the actors on the stage were now listening to one of their number, who was speaking in a low voice.

The woman stood back flat against the partition, looking at them in terror. Had she taken sides with either of them, with a single movement, the victory would at once have been decided in that one’s favour. But which of them should she assist? What could Lupin represent in her eyes? A friend? An enemy?

She briskly made for the front of the box, forced back the screen and, leaning forward, seemed to give a signal. Then she returned and tried to slip to the door.

Lupin, as though wishing to help her, said:

“Why don’t you move the chair?”

He was speaking of a heavy chair which had fallen down between him and Daubrecq and across which they were struggling.

The woman stooped and pulled away the chair. That was what Lupin was waiting for. Once rid of the obstacle, he caught Daubrecq a smart kick on the shin with the tip of his patent-leather boot. The result was the same as with the blow which he had given him on the arm. The pain caused a second’s apprehension and distraction, of which he at once took advantage to beat down Daubrecq’s outstretched hands and to dig his ten fingers into his adversary’s throat and neck.

Daubrecq struggled. Daubrecq tried to pull away the hands that were throttling him; but he was beginning to choke and felt his strength decreasing.

“Aha, you old monkey!” growled Lupin, forcing him to the floor. “Why don’t you shout for help? How frightened you must be of a scandal!”

At the sound of the fall there came a knocking at the partition, on the other side.

“Knock away, knock away,” said Lupin, under his breath. “The play is on the stage. This is my business and, until I’ve mastered this gorilla⁠ ⁠…”

It did not take him long. The deputy was choking. Lupin stunned him with a blow on the jaw; and all that remained for him to do was to take the woman away and make his escape with her before the alarm was given.

But, when he turned round, he saw that the woman was gone.

She could not be far. Darting from the box, he set off at a run, regardless of the programme-sellers and check-takers.

On reaching the entrance-lobby, he saw her through an open door, crossing the pavement of the Chaussée d’Antin.

She was stepping into a motorcar when he came up with her.

The door closed behind her.

He seized the handle and tried to pull at it.

But a man jumped up inside and sent his fist flying into Lupin’s face, with less skill but no less force than Lupin had sent his into Daubrecq’s face.

Stunned though he was by the blow, he nevertheless had ample time to recognize the man, in a sudden, startled vision, and also to recognize, under his chauffeur’s disguise, the man who was driving the car. It was the Growler and the Masher, the two men in charge of the boats on the Enghien night, two friends of Gilbert and Vaucheray: in short, two of Lupin’s own accomplices.

When he reached his rooms in the Rue Chateaubriand, Lupin, after washing the blood from his face, sat for over an hour in a chair, as though overwhelmed. For the first time in his life he was experiencing the pain of treachery. For the first time his comrades in the fight were turning against their chief.

Mechanically, to divert his thoughts, he turned to his correspondence and tore the wrapper from an evening paper. Among the late news he found the following paragraphs:

“The Villa Marie-Thérèse Case”

“The real identity of Vaucheray, one of the alleged murderers of