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If there is anything that I have not made clear to you, tell me what it is⁠—and if I can enlighten you, I will.”

“All that you have explained to me,” I said, “I understand perfectly. But I own I am puzzled on one point, which you have not made clear to me yet.”

“What is the point?”

“I don’t understand the effect of the laudanum on me. I don’t understand my walking downstairs, and along corridors, and my opening and shutting the drawers of a cabinet, and my going back again to my own room. All these are active proceedings. I thought the influence of opium was first to stupefy you, and then to send you to sleep.”

“The common error about opium, Mr. Blake! I am, at this moment, exerting my intelligence (such as it is) in your service, under the influence of a dose of laudanum, some ten times larger than the dose Mr. Candy administered to you. But don’t trust to my authority⁠—even on a question which comes within my own personal experience. I anticipated the objection you have just made: and I have again provided myself with independent testimony which will carry its due weight with it in your own mind, and in the minds of your friends.”

He handed me the second of the two books which he had by him on the table.

“There,” he said, “are the far-famed Confessions of an English Opium Eater! Take the book away with you, and read it. At the passage which I have marked, you will find that when De Quincey had committed what he calls ‘a debauch of opium,’ he either went to the gallery at the Opera to enjoy the music, or he wandered about the London markets on Saturday night, and interested himself in observing all the little shifts and bargainings of the poor in providing their Sunday’s dinner. So much for the capacity of a man to occupy himself actively, and to move about from place to place under the influence of opium.”

“I am answered so far,” I said; “but I am not answered yet as to the effect produced by the opium on myself.”

“I will try to answer you in a few words,” said Ezra Jennings. “The action of opium is comprised, in the majority of cases, in two influences⁠—a stimulating influence first, and a sedative influence afterwards. Under the stimulating influence, the latest and most vivid impressions left on your mind⁠—namely, the impressions relating to the Diamond⁠—would be likely, in your morbidly sensitive nervous condition, to become intensified in your brain, and would subordinate to themselves your judgment and your will exactly as an ordinary dream subordinates to itself your judgment and your will. Little by little, under this action, any apprehensions about the safety of the Diamond which you might have felt during the day would be liable to develop themselves from the state of doubt to the state of certainty⁠—would impel you into practical action to preserve the jewel⁠—would direct your steps, with that motive in view, into the room which you entered⁠—and would guide your hand to the drawers of the cabinet, until you had found the drawer which held the stone. In the spiritualised intoxication of opium, you would do all that. Later, as the sedative action began to gain on the stimulant action, you would slowly become inert and stupefied. Later still you would fall into a deep sleep. When the morning came, and the effect of the opium had been all slept off, you would wake as absolutely ignorant of what you had done in the night as if you had been living at the Antipodes. Have I made it tolerably clear to you so far?”

“You have made it so clear,” I said, “that I want you to go farther. You have shown me how I entered the room, and how I came to take the Diamond. But Miss Verinder saw me leave the room again, with the jewel in my hand. Can you trace my proceedings from that moment? Can you guess what I did next?”

“That is the very point I was coming to,” he rejoined. “It is a question with me whether the experiment which I propose as a means of vindicating your innocence, may not also be made a means of recovering the lost Diamond as well. When you left Miss Verinder’s sitting-room, with the jewel in your hand, you went back in all probability to your own room⁠—”

“Yes? and what then?”

“It is possible, Mr. Blake⁠—I dare not say more⁠—that your idea of preserving the Diamond led, by a natural sequence, to the idea of hiding the Diamond, and that the place in which you hid it was somewhere in your bedroom. In that event, the case of the Irish porter may be your case. You may remember, under the influence of the second dose of opium, the place in which you hid the Diamond under the influence of the first.”

It was my turn, now, to enlighten Ezra Jennings. I stopped him, before he could say any more.

“You are speculating,” I said, “on a result which cannot possibly take place. The Diamond is, at this moment, in London.”

He started, and looked at me in great surprise.

“In London?” he repeated. “How did it get to London from Lady Verinder’s house?”

“Nobody knows.”

“You removed it with your own hand from Miss Verinder’s room. How was it taken out of your keeping?”

“I have no idea how it was taken out of my keeping.”

“Did you see it, when you woke in the morning?”

“No.”

“Has Miss Verinder recovered possession of it?”

“No.”

“Mr. Blake! there seems to be something here which wants clearing up. May I ask how you know that the Diamond is, at this moment, in London?”

I had put precisely the same question to Mr. Bruff when I made my first inquiries about the Moonstone, on my return to England. In answering Ezra Jennings, I accordingly repeated what I had myself heard from the lawyer’s own lips⁠—and what is already familiar to the readers of these pages.

He showed

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