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at the gaming-table; but he did not like an allusion to those bygone fredaines. Rebecca saw the scowl gathering over his heavy brow.

She rose up from her sofa and went and took his coffee cup out of his hand with a little curtsey. “Yes,” she said, “I must get a watchdog. But he won’t bark at you.” And, going into the other drawing-room, she sat down to the piano and began to sing little French songs in such a charming, thrilling voice that the mollified nobleman speedily followed her into that chamber, and might be seen nodding his head and bowing time over her.

Rawdon and his friend meanwhile played Ă©cartĂ© until they had enough. The Colonel won; but, say that he won ever so much and often, nights like these, which occurred many times in the week⁠—his wife having all the talk and all the admiration, and he sitting silent without the circle, not comprehending a word of the jokes, the allusions, the mystical language within⁠—must have been rather wearisome to the ex-dragoon.

“How is Mrs. Crawley’s husband?” Lord Steyne used to say to him by way of a good day when they met; and indeed that was now his avocation in life. He was Colonel Crawley no more. He was Mrs. Crawley’s husband.

About the little Rawdon, if nothing has been said all this while, it is because he is hidden upstairs in a garret somewhere, or has crawled below into the kitchen for companionship. His mother scarcely ever took notice of him.

He passed the days with his French bonne as long as that domestic remained in Mr. Crawley’s family, and when the Frenchwoman went away, the little fellow, howling in the loneliness of the night, had compassion taken on him by a housemaid, who took him out of his solitary nursery into her bed in the garret hard by and comforted him.

Rebecca, my Lord Steyne, and one or two more were in the drawing-room taking tea after the opera, when this shouting was heard overhead. “It’s my cherub crying for his nurse,” she said. She did not offer to move to go and see the child.

“Don’t agitate your feelings by going to look for him,” said Lord Steyne sardonically.

“Bah!” replied the other, with a sort of blush, “he’ll cry himself to sleep”; and they fell to talking about the opera.

Rawdon had stolen off though, to look after his son and heir; and came back to the company when he found that honest Dolly was consoling the child. The Colonel’s dressing-room was in those upper regions. He used to see the boy there in private. They had interviews together every morning when he shaved; Rawdon minor sitting on a box by his father’s side and watching the operation with never-ceasing pleasure. He and the sire were great friends. The father would bring him sweetmeats from the dessert and hide them in a certain old epaulet box, where the child went to seek them, and laughed with joy on discovering the treasure; laughed, but not too loud: for mamma was below asleep and must not be disturbed. She did not go to rest till very late and seldom rose till after noon.

Rawdon bought the boy plenty of picture-books and crammed his nursery with toys. Its walls were covered with pictures pasted up by the father’s own hand and purchased by him for ready money. When he was off duty with Mrs. Rawdon in the park, he would sit up here, passing hours with the boy; who rode on his chest, who pulled his great mustachios as if they were driving-reins, and spent days with him in indefatigable gambols. The room was a low room, and once, when the child was not five years old, his father, who was tossing him wildly up in his arms, hit the poor little chap’s skull so violently against the ceiling that he almost dropped the child, so terrified was he at the disaster.

Rawdon minor had made up his face for a tremendous howl⁠—the severity of the blow indeed authorized that indulgence; but just as he was going to begin, the father interposed.

“For God’s sake, Rawdy, don’t wake Mamma,” he cried. And the child, looking in a very hard and piteous way at his father, bit his lips, clenched his hands, and didn’t cry a bit. Rawdon told that story at the clubs, at the mess, to everybody in town. “By Gad, sir,” he explained to the public in general, “what a good plucked one that boy of mine is⁠—what a trump he is! I half-sent his head through the ceiling, by Gad, and he wouldn’t cry for fear of disturbing his mother.”

Sometimes⁠—once or twice in a week⁠—that lady visited the upper regions in which the child lived. She came like a vivified figure out of the Magasin des Modes⁠—blandly smiling in the most beautiful new clothes and little gloves and boots. Wonderful scarfs, laces, and jewels glittered about her. She had always a new bonnet on, and flowers bloomed perpetually in it, or else magnificent curling ostrich feathers, soft and snowy as camellias. She nodded twice or thrice patronizingly to the little boy, who looked up from his dinner or from the pictures of soldiers he was painting. When she left the room, an odour of rose, or some other magical fragrance, lingered about the nursery. She was an unearthly being in his eyes, superior to his father⁠—to all the world: to be worshipped and admired at a distance. To drive with that lady in the carriage was an awful rite: he sat up in the back seat and did not dare to speak: he gazed with all his eyes at the beautifully dressed Princess opposite to him. Gentlemen on splendid prancing horses came up and smiled and talked with her. How her eyes beamed upon all of them! Her hand used to quiver and wave gracefully as they passed. When he went out with her he had his new red dress on.

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