Man and Wife Wilkie Collins (read 50 shades of grey .TXT) 📖

a stream of carriages in the road) until they stopped with one accord at a gate⁠—and paid admission money to a man in office⁠—and poured into a great open space of ground which looked like an uncultivated garden.

Arrived here, the foreign visitor opened his eyes in wonder at the scene revealed to view. He observed thousands of people assembled, composed almost exclusively of the middle and upper classes of society. They were congregated round a vast inclosure; they were elevated on amphitheatrical wooden stands, and they were perched on the roofs of horseless carriages, drawn up in rows. From this congregation there rose such a roar of eager voices as he had never heard yet from any assembled multitude in these islands. Predominating among the cries, he detected one everlasting question. It began with, “Who backs⁠—?” and it ended in the alternate pronouncing of two British names unintelligible to foreign ears. Seeing these extraordinary sights, and hearing these stirring sounds, he applied to a policeman on duty; and said, in his best producible English, “If you please, Sir, what is this?”

The policeman answered, “North against South⁠—Sports.”

The foreigner was informed, but not satisfied. He pointed all round the assembly with a circular sweep of his hand; and said, “Why?”

The policeman declined to waste words on a man who could ask such a question as that. He lifted a large purple forefinger, with a broad white nail at the end of it, and pointed gravely to a printed bill, posted on the wall behind him. The drifting foreigner drifted to the bill.

After reading it carefully, from top to bottom, he consulted a polite private individual near at hand, who proved to be far more communicative than the policeman. The result on his mind, as a person not thoroughly awakened to the enormous national importance of athletic sports, was much as follows:

The color of North is pink. The color of South is yellow. North produces fourteen pink men, and South produces thirteen yellow men. The meeting of pink and yellow is a solemnity. The solemnity takes its rise in an indomitable national passion for hardening the arms and legs, by throwing hammers and cricket-balls with the first, and running and jumping with the second. The object in view is to do this in public rivalry. The ends arrived at are (physically) an excessive development of the muscles, purchased at the expense of an excessive strain on the heart and the lungs⁠—(morally), glory; conferred at the moment by the public applause; confirmed the next day by a report in the newspapers. Any person who presumes to see any physical evil involved in these exercises to the men who practice them, or any moral obstruction in the exhibition itself to those civilizing influences on which the true greatness of all nations depends, is a person without a biceps, who is simply incomprehensible. Muscular England develops itself, and takes no notice of him.

The foreigner mixed with the assembly, and looked more closely at the social spectacle around him.

He had met with these people before. He had seen them (for instance) at the theater, and observed their manners and customs with considerable curiosity and surprise. When the curtain was down, they were so little interested in what they had come to see, that they had hardly spirit enough to speak to each other between the acts. When the curtain was up, if the play made any appeal to their sympathy with any of the higher and nobler emotions of humanity, they received it as something wearisome, or sneered at it as something absurd. The public feeling of the countrymen of Shakespeare, so far as they represented it, recognized but two duties in the dramatist⁠—the duty of making them laugh, and the duty of getting it over soon. The two great merits of a stage proprietor, in England (judging by the rare applause of his cultivated customers), consisted in spending plenty of money on his scenery, and in hiring plenty of brazen-faced women to exhibit their bosoms and their legs. Not at theaters only; but among other gatherings, in other places, the foreigner had noticed the same stolid languor where any effort was exacted from genteel English brains, and the same stupid contempt where any appeal was made to genteel English hearts. Preserve us from enjoying anything but jokes and scandal! Preserve us from respecting anything but rank and money! There were the social aspirations of these insular ladies and gentlemen, as expressed under other circumstances, and as betrayed amidst other scenes. Here, all was changed. Here was the strong feeling, the breathless interest, the hearty enthusiasm, not visible elsewhere. Here were the superb gentlemen who were too weary to speak, when an Art was addressing them, shouting themselves hoarse with burst on burst of genuine applause. Here were the fine ladies who yawned behind their fans, at the bare idea of being called on to think or to feel, waving their handkerchiefs in honest delight, and actually flushing with excitement through their powder and their paint. And all for what? All for running and jumping⁠—all for throwing hammers and balls.

The foreigner looked at it, and tried, as a citizen of a civilized country, to understand it. He was still trying⁠—when there occurred a pause in the performances.

Certain hurdles, which had served to exhibit the present satisfactory state of civilization (in jumping) among the upper classes, were removed. The privileged persons who had duties to perform within the inclosure, looked all round it; and disappeared one after another. A great hush of expectation pervaded the whole assembly. Something of no common interest and importance was evidently about to take place. On a sudden, the silence was broken by a roar of cheering from the mob in the road outside the grounds. People looked at each other excitedly, and said, “One of them has come.” The silence prevailed again⁠—and was a second time broken by another roar of applause. People nodded to each other with an air of relief