Short Fiction Leonid Andreyev (best books to read .txt) 📖

golden chain. “Thou art even terrifying in appearance, poor fellow; and Death was no sluggard the day thou so carelessly didst fall into its clutches. But thou art as fat as a wine barrel, and the great Caesar says that fat people are harmless. I cannot see why people are so afraid of thee. Thou wilt permit me to stay overnight? It is already late and I have no abode.”

Nobody had ever sought permission to pass a night with Lazarus.

“I have no couch to offer thee,” said he.

“I am somewhat of a soldier and can sleep sitting,” replied the Roman. “We shall light a fire.”

“I have no fire.”

“In the darkness then like two comrades shall we hold our converse. I suppose thou hast some wine here?”

“I have no wine.”

The Roman laughed. “Now I comprehend why thou art so morose and why thou takest no delight in thy second life. Thou hast no wine. Very well. We shall do without. Thou knowest there are words that turn one’s head even as Falernian wine.”

With a motion of his hand he dismissed the slave and they were left alone. And again the sculptor spoke, but it seemed that with the sinking sun the glow of life had departed from his words, for they lost color and substance. They reeled and slipped and stumbled, as though unsteady of foot of drunken with the wine of anguish and dismay. Yawning chasms appeared between them like distant hints of a vast void and utter darkness.

“I am thy guest now and thou wilt not offend me, Lazarus,” he said. “Hospitality is a duty even for those who have been dead three days. For they say that thou didst pass three days in the grave. It must have been very chilly there, and it is thence comes thy bad habit of doing without wine and fire. But I love the fire. It grows dark here so early. The line of thy brow and forehead is quite noteworthy, even as the skyline of palaces ruined by an earthquake and buried beneath ashes. But why is thy apparel so odd and unattractive? I have seen the bridegrooms in thy country arrayed like this, such absurd attire, such repulsive garments! But art thou then a bridegroom?”

The sun had already vanished and gigantic black shadows came hurrying from the east, as though the bare feet of giants came rustling over the sands, and the chill breath of swiftly fleeing wind blew up behind them.

“In the darkness thou seemest even bigger oh Lazarus, as though thou hast grown stouter in these last few minutes. Dost thou perchance feed on darkness? But I should like some fire, just a little blaze the tiniest flame would do.⁠ ⁠… And I am a trifle cold.⁠ ⁠… You have here such barbarously chilly nights If it were not pitch dark I should say that thou art looking at me, Lazarus. Yes, methinks thou art looking at me. I feel it. Now thou art smiling!”

The night had set in and a dense blackness filled the air.

“How good will it be when the sun rises again on the morrow.⁠ ⁠… Thou knowest I am a great sculptor. My friends call me so. I create, yes I create things, but daylight is needed for that. I impart life unto the cold lifeless marble. In the fire I melt the ringing bronze, in a vivid and glowing fire.⁠ ⁠… Why touchest thou me with thy hand?”

“Come,” said Lazarus, “thou art my guest.” And they entered the house. And the shadows of a long night descended upon the earth.

The slave who had grown tired waiting for his master called for him when the sun had already risen high overhead. And he saw under its rays Lazarus and his master huddled closely together. They were gazing upward in silence.

The slave wept aloud and called to his master: “Master, what troubleth thee? Master!”

The same day Aurelius left for Rome. The whole way he was pensive and silent, scrutinizing everything, the people, the ship and the sea, as though struggling to commit something to memory. A fierce tempest overtook them, and all the while Aurelius remained on the deck gazing eagerly on the rising and sinking waves.

At home the change that had taken place in him caused consternation, but he calmed the apprehensions of his household and observed significantly: “I have found it.”

In the same raiment that he had worn during the journey without change he went to work, and the marble obediently responded to the resounding blows of his hammer. He worked long and eagerly, refusing to admit anyone; at last one morning he announced that his work was ready, and summoned all his friends, the severe critics and experts in art. He attired himself into sumptuous and festive garments that sparkled with gold and shone with the purple of Bysson.

“Behold what I have created,” he said musingly.

His friends gazed on the work and the shadow of a deep sorrow clouded their faces. The group was simply hideous to look upon: it possessed none of the forms familiar to the eye, though it was not devoid of a dim suggestion of some novel and fanciful image. Upon a twisted thin little twig, or rather upon the misshapen likeness of one, crouched an unsightly, distorted mass of crude fragments that seemed to be weakly striving to flee in all directions. And casually, under a crude ridge they observed a wondrously wrought butterfly, with diaphanous wings that was all aquiver with the futile longing to soar skyward.

“Why this wondrously wrought butterfly, Aurelius?” someone dubiously inquired.

“I don’t know,” replied the sculptor.

But the truth has to be told, and one of his friends (the one who loved him best) interposed: “My poor friend, this is a monstrosity. It must be destroyed. Give me the hammer.”

And with two blows of the hammer he destroyed the hideous heap, sparing only the wondrous butterfly.

From that time on Aurelius created nothing. He gazed with profound indifference upon marble and bronze and upon his former godlike creations