Nostromo Joseph Conrad (best large ereader .TXT) 📖

ground together with his daughter. His excitement, his activity of the last few days, had been like the flare of a dying lamp. He caught at the back of his chair.

“In son Gian’ Battista’s voice,” he repeated in a severe tone. “I heard him⁠—Ramirez⁠—the miserable⁠—”

Linda helped him into the chair, and, bending low, hissed into his ear⁠—

“You have killed Gian’ Battista.”

The old man smiled under his thick moustache. Women had strange fancies.

“Where is the child?” he asked, surprised at the penetrating chilliness of the air and the unwonted dimness of the lamp by which he used to sit up half the night with the open Bible before him.

Linda hesitated a moment, then averted her eyes.

“She is asleep,” she said. “We shall talk of her tomorrow.”

She could not bear to look at him. He filled her with terror and with an almost unbearable feeling of pity. She had observed the change that came over him. He would never understand what he had done; and even to her the whole thing remained incomprehensible. He said with difficulty⁠—

“Give me the book.”

Linda laid on the table the closed volume in its worn leather cover, the Bible given him ages ago by an Englishman in Palermo.

“The child had to be protected,” he said, in a strange, mournful voice.

Behind his chair Linda wrung her hands, crying without noise. Suddenly she started for the door. He heard her move.

“Where are you going?” he asked.

“To the light,” she answered, turning round to look at him balefully.

“The light! Si⁠—duty.”

Very upright, white-haired, leonine, heroic in his absorbed quietness, he felt in the pocket of his red shirt for the spectacles given him by Dona Emilia. He put them on. After a long period of immobility he opened the book, and from on high looked through the glasses at the small print in double columns. A rigid, stern expression settled upon his features with a slight frown, as if in response to some gloomy thought or unpleasant sensation. But he never detached his eyes from the book while he swayed forward, gently, gradually, till his snow-white head rested upon the open pages. A wooden clock ticked methodically on the whitewashed wall, and growing slowly cold the Garibaldino lay alone, rugged, undecayed, like an old oak uprooted by a treacherous gust of wind.

The light of the Great Isabel burned unfailing above the lost treasure of the San Tome mine. Into the bluish sheen of a night without stars the lantern sent out a yellow beam towards the far horizon. Like a black speck upon the shining panes, Linda, crouching in the outer gallery, rested her head on the rail. The moon, drooping in the western board, looked at her radiantly.

Below, at the foot of the cliff, the regular splash of oars from a passing boat ceased, and Dr. Monygham stood up in the stern sheets.

“Linda!” he shouted, throwing back his head. “Linda!”

Linda stood up. She had recognized the voice.

“Is he dead?” she cried, bending over.

“Yes, my poor girl. I am coming round,” the doctor answered from below. “Pull to the beach,” he said to the rowers.

Linda’s black figure detached itself upright on the light of the lantern with her arms raised above her head as though she were going to throw herself over.

“It is I who loved you,” she whispered, with a face as set and white as marble in the moonlight. “I! Only I! She will forget thee, killed miserably for her pretty face. I cannot understand. I cannot understand. But I shall never forget thee. Never!”

She stood silent and still, collecting her strength to throw all her fidelity, her pain, bewilderment, and despair into one great cry.

“Never! Gian’ Battista!”

Dr. Monygham, pulling round in the police-galley, heard the name pass over his head. It was another of Nostromo’s triumphs, the greatest, the most enviable, the most sinister of all. In that true cry of undying passion that seemed to ring aloud from Punta Mala to Azuera and away to the bright line of the horizon, overhung by a big white cloud shining like a mass of solid silver, the genius of the magnificent capataz de cargadores dominated the dark gulf containing his conquests of treasure and love.

Colophon

Nostromo
was published in 1904 by
Joseph Conrad.

This ebook was produced for
Standard Ebooks
by
Szymon Szott,
and is based on a transcription produced in 2006 by
Judy Boss and David Widger
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
Isles of Shoals, Broad Cove,
a painting completed in 1911 by
Childe Hassam.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
April 24, 2018, 8:26 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/joseph-conrad/nostromo.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain