The Mill on the Floss George Eliot (ereader android .txt) 📖

parents and guardians. The focus of brilliancy was the long drawing-room, where the dancing went forward, under the inspiration of the grand piano; the library, into which it opened at one end, had the more sober illumination of maturity, with caps and cards; and at the other end the pretty sitting-room, with a conservatory attached, was left as an occasional cool retreat. Lucy, who had laid aside her black for the first time, and had her pretty slimness set off by an abundant dress of white crape, was the acknowledged queen of the occasion; for this was one of the Miss Guests’ thoroughly condescending parties, including no member of any aristocracy higher than that of St. Ogg’s, and stretching to the extreme limits of commercial and professional gentility.

Maggie at first refused to dance, saying that she had forgotten all the figures⁠—it was so many years since she had danced at school; and she was glad to have that excuse, for it is ill dancing with a heavy heart. But at length the music wrought in her young limbs, and the longing came; even though it was the horrible young Torry, who walked up a second time to try and persuade her. She warned him that she could not dance anything but a country-dance; but he, of course, was willing to wait for that high felicity, meaning only to be complimentary when he assured her at several intervals that it was a “great bore” that she couldn’t waltz, he would have liked so much to waltz with her. But at last it was the turn of the good old-fashioned dance which has the least of vanity and the most of merriment in it, and Maggie quite forgot her troublous life in a childlike enjoyment of that half-rustic rhythm which seems to banish pretentious etiquette. She felt quite charitably toward young Torry, as his hand bore her along and held her up in the dance; her eyes and cheeks had that fire of young joy in them which will flame out if it can find the least breath to fan it; and her simple black dress, with its bit of black lace, seemed like the dim setting of a jewel.

Stephen had not yet asked her to dance; had not yet paid her more than a passing civility. Since yesterday, that inward vision of her which perpetually made part of his consciousness, had been half screened by the image of Philip Wakem, which came across it like a blot; there was some attachment between her and Philip; at least there was an attachment on his side, which made her feel in some bondage. Here, then, Stephen told himself, was another claim of honour which called on him to resist the attraction that was continually threatening to overpower him. He told himself so; and yet he had once or twice felt a certain savage resistance, and at another moment a shuddering repugnance, to this intrusion of Philip’s image, which almost made it a new incitement to rush toward Maggie and claim her for himself. Nevertheless, he had done what he meant to do this evening⁠—he had kept aloof from her; he had hardly looked at her; and he had been gayly assiduous to Lucy. But now his eyes were devouring Maggie; he felt inclined to kick young Torry out of the dance, and take his place. Then he wanted the dance to end that he might get rid of his partner. The possibility that he too should dance with Maggie, and have her hand in his so long, was beginning to possess him like a thirst. But even now their hands were meeting in the dance⁠—were meeting still to the very end of it, though they were far off each other.

Stephen hardly knew what happened, or in what automatic way he got through the duties of politeness in the interval, until he was free and saw Maggie seated alone again, at the farther end of the room. He made his way toward her round the couples that were forming for the waltz; and when Maggie became conscious that she was the person he sought, she felt, in spite of all the thoughts that had gone before, a glowing gladness at heart. Her eyes and cheeks were still brightened with her childlike enthusiasm in the dance; her whole frame was set to joy and tenderness; even the coming pain could not seem bitter⁠—she was ready to welcome it as a part of life, for life at this moment seemed a keen, vibrating consciousness poised above pleasure or pain. This one, this last night, she might expand unrestrainedly in the warmth of the present, without those chill, eating thoughts of the past and the future.

“They’re going to waltz again,” said Stephen, bending to speak to her, with that glance and tone of subdued tenderness which young dreams create to themselves in the summer woods when low, cooing voices fill the air. Such glances and tones bring the breath of poetry with them into a room that is half stifling with glaring gas and hard flirtation.

“They are going to waltz again. It is rather dizzy work to look on, and the room is very warm; shall we walk about a little?”

He took her hand and placed it within his arm, and they walked on into the sitting-room, where the tables were strewn with engravings for the accommodation of visitors who would not want to look at them. But no visitors were here at this moment. They passed on into the conservatory.

“How strange and unreal the trees and flowers look with the lights among them!” said Maggie, in a low voice. “They look as if they belonged to an enchanted land, and would never fade away; I could fancy they were all made of jewels.”

She was looking at the tier of geraniums as she spoke, and Stephen made no answer; but he was looking at her; and does not a supreme poet blend light and sound into one, calling