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worn by working men in France, and a very old brown velvet coat; he wore a bright red sash round his waist, a low collar, and for tie a flowing bow of the kind used by the comic Frenchman in the pages of Punch. He greeted Philip with enthusiasm. He began talking at once of the house and passed his hand lovingly over the balusters.

“Look at it, feel it, it’s like silk. What a miracle of grace! And in five years the housebreaker will sell it for firewood.”

He insisted on taking Philip into a room on the first floor, where a man in shirt sleeves, a blousy woman, and three children were having their Sunday dinner.

“I’ve just brought this gentleman in to show him your ceiling. Did you ever see anything so wonderful? How are you, Mrs. Hodgson? This is Mr. Carey, who looked after me when I was in the hospital.”

“Come in, sir,” said the man. “Any friend of Mr. Athelny’s is welcome. Mr. Athelny shows the ceiling to all his friends. And it don’t matter what we’re doing, if we’re in bed or if I’m ’aving a wash, in ’e comes.”

Philip could see that they looked upon Athelny as a little queer; but they liked him none the less and they listened open-mouthed while he discoursed with his impetuous fluency on the beauty of the seventeenth-century ceiling.

“What a crime to pull this down, eh, Hodgson? You’re an influential citizen, why don’t you write to the papers and protest?”

The man in shirt sleeves gave a laugh and said to Philip:

“Mr. Athelny will ’ave his little joke. They do say these ’ouses are that insanitory, it’s not safe to live in them.”

“Sanitation be damned, give me art,” cried Athelny. “I’ve got nine children and they thrive on bad drains. No, no, I’m not going to take any risk. None of your newfangled notions for me! When I move from here I’m going to make sure the drains are bad before I take anything.”

There was a knock at the door, and a little fair-haired girl opened it.

“Daddy, mummy says, do stop talking and come and eat your dinner.”

“This is my third daughter,” said Athelny, pointing to her with a dramatic forefinger. “She is called Maria del Pilar, but she answers more willingly to the name of Jane. Jane, your nose wants blowing.”

“I haven’t got a hanky, daddy.”

“Tut, tut, child,” he answered, as he produced a vast, brilliant bandanna, “what do you suppose the Almighty gave you fingers for?”

They went upstairs, and Philip was taken into a room with walls panelled in dark oak. In the middle was a narrow table of teak on trestle legs, with two supporting bars of iron, of the kind called in Spain mesa de hieraje. They were to dine there, for two places were laid, and there were two large armchairs, with broad flat arms of oak and leathern backs, and leathern seats. They were severe, elegant, and uncomfortable. The only other piece of furniture was a bargueño, elaborately ornamented with gilt ironwork, on a stand of ecclesiastical design roughly but very finely carved. There stood on this two or three lustre plates, much broken but rich in colour; and on the walls were old masters of the Spanish school in beautiful though dilapidated frames: though gruesome in subject, ruined by age and bad treatment, and second-rate in their conception, they had a glow of passion. There was nothing in the room of any value, but the effect was lovely. It was magnificent and yet austere. Philip felt that it offered the very spirit of old Spain. Athelny was in the middle of showing him the inside of the bargueño, with its beautiful ornamentation and secret drawers, when a tall girl, with two plaits of bright brown hair hanging down her back, came in.

“Mother says dinner’s ready and waiting and I’m to bring it in as soon as you sit down.”

“Come and shake hands with Mr. Carey, Sally.” He turned to Philip. “Isn’t she enormous? She’s my eldest. How old are you, Sally?”

“Fifteen, father, come next June.”

“I christened her Maria del Sol, because she was my first child and I dedicated her to the glorious sun of Castile; but her mother calls her Sally and her brother Pudding-Face.”

The girl smiled shyly, she had even, white teeth, and blushed. She was well set-up, tall for her age, with pleasant gray eyes and a broad forehead. She had red cheeks.

“Go and tell your mother to come in and shake hands with Mr. Carey before he sits down.”

“Mother says she’ll come in after dinner. She hasn’t washed herself yet.”

“Then we’ll go in and see her ourselves. He mustn’t eat the Yorkshire pudding till he’s shaken the hand that made it.”

Philip followed his host into the kitchen. It was small and much overcrowded. There had been a lot of noise, but it stopped as soon as the stranger entered. There was a large table in the middle and round it, eager for dinner, were seated Athelny’s children. A woman was standing at the oven, taking out baked potatoes one by one.

“Here’s Mr. Carey, Betty,” said Athelny.

“Fancy bringing him in here. What will he think?”

She wore a dirty apron, and the sleeves of her cotton dress were turned up above her elbows; she had curling pins in her hair. Mrs. Athelny was a large woman, a good three inches taller than her husband, fair, with blue eyes and a kindly expression; she had been a handsome creature, but advancing years and the bearing of many children had made her fat and blousy; her blue eyes had become pale, her skin was coarse and red, the colour had gone out of her hair. She straightened herself, wiped her hand on her apron, and held it out.

“You’re welcome, sir,” she said, in a slow voice, with an accent that seemed oddly familiar to Philip. “Athelny said you was very kind to him in the ’orspital.”

“Now you must be introduced to the live stock,” said Athelny. “That

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