The Magnificent Ambersons Booth Tarkington (reading like a writer txt) 📖

“I only wanted to know⁠—” He left the sentence unfinished, and crossed the room to where a girl sat waiting for his nobility to find time to fulfil his contract with her for this dance.

“Pardon f’ keep’ wait,” he muttered, as she rose brightly to meet him; and she seemed pleased that he came at all⁠—but George was used to girls’ looking radiant when he danced with them, and she had little effect upon him. He danced with her perfunctorily, thinking the while of Mr. Eugene Morgan and his daughter. Strangely enough, his thoughts dwelt more upon the father than the daughter, though George could not possibly have given a reason⁠—even to himself⁠—for this disturbing preponderance.

By a coincidence, though not an odd one, the thoughts and conversation of Mr. Eugene Morgan at this very time were concerned with George Amberson Minafer, rather casually, it is true. Mr. Morgan had retired to a room set apart for smoking, on the second floor, and had found a grizzled gentleman lounging in solitary possession.

“Gene Morgan!” this person exclaimed, rising with great heartiness. “I’d heard you were in town⁠—I don’t believe you know me!”

“Yes, I do, Fred Kinney!” Mr. Morgan returned with equal friendliness. “Your real face⁠—the one I used to know⁠—it’s just underneath the one you’re masquerading in tonight. You ought to have changed it more if you wanted a disguise.”

“Twenty years!” said Mr. Kinney. “It makes some difference in faces, but more in behaviour!”

“It does so!” his friend agreed with explosive emphasis. “My own behaviour began to be different about that long ago⁠—quite suddenly.”

“I remember,” said Mr. Kinney sympathetically. “Well, life’s odd enough as we look back.”

“Probably it’s going to be odder still⁠—if we could look forward.”

“Probably.”

They sat and smoked.

“However,” Mr. Morgan remarked presently, “I still dance like an Indian. Don’t you?”

“No. I leave that to my boy Fred. He does the dancing for the family.”

“I suppose he’s upstairs hard at it?”

“No, he’s not here.” Mr. Kinney glanced toward the open door and lowered his voice. “He wouldn’t come. It seems that a couple of years or so ago he had a row with young Georgie Minafer. Fred was president of a literary club they had, and he said this young Georgie got himself elected instead, in an overbearing sort of way. Fred’s redheaded, you know⁠—I suppose you remember his mother? You were at the wedding⁠—”

“I remember the wedding,” said Mr. Morgan. “And I remember your bachelor dinner⁠—most of it, that is.”

“Well, my boy Fred’s as redheaded now,” Mr. Kinney went on, “as his mother was then, and he’s very bitter about his row with Georgie Minafer. He says he’d rather burn his foot off than set it inside any Amberson house or any place else where young Georgie is. Fact is, the boy seemed to have so much feeling over it I had my doubts about coming myself, but my wife said it was all nonsense; we mustn’t humour Fred in a grudge over such a little thing, and while she despised that Georgie Minafer, herself, as much as anyone else did, she wasn’t going to miss a big Amberson show just on account of a boys’ rumpus, and so on and so on; and so we came.”

“Do people dislike young Minafer generally?”

“I don’t know about ‘generally.’ I guess he gets plenty of toadying; but there’s certainly a lot of people that are glad to express their opinions about him.”

“What’s the matter with him?”

“Too much Amberson, I suppose, for one thing. And for another, his mother just fell down and worshipped him from the day he was born. That’s what beats me! I don’t have to tell you what Isabel Amberson is, Eugene Morgan. She’s got a touch of the Amberson high stuff about her, but you can’t get anybody that ever knew her to deny that she’s just about the finest woman in the world.”

“No,” said Eugene Morgan. “You can’t get anybody to deny that.”

“Then I can’t see how she doesn’t see the truth about that boy. He thinks he’s a little tin god on wheels⁠—and honestly, it makes some people weak and sick just to think about him! Yet that high-spirited, intelligent woman, Isabel Amberson, actually sits and worships him! You can hear it in her voice when she speaks to him or speaks of him. You can see it in her eyes when she looks at him. My Lord! What does she see when she looks at him?”

Morgan’s odd expression of genial apprehension deepened whimsically, though it denoted no actual apprehension whatever, and cleared away from his face altogether when he smiled; he became surprisingly winning and persuasive when he smiled. He smiled now, after a moment, at this question of his old friend. “She sees something that we don’t see,” he said.

“What does she see?”

“An angel.”

Kinney laughed aloud. “Well, if she sees an angel when she looks at Georgie Minafer, she’s a funnier woman than I thought she was!”

“Perhaps she is,” said Morgan. “But that’s what she sees.”

“My Lord! It’s easy to see you’ve only known him an hour or so. In that time have you looked at Georgie and seen an angel?”

“No. All I saw was a remarkably good-looking fool-boy with the pride of Satan and a set of nice new drawing-room manners that he probably couldn’t use more than half an hour at a time without busting.”

“Then what⁠—”

“Mothers are right,” said Morgan. “Do you think this young George is the same sort of creature when he’s with his mother that he is when he’s bulldozing your boy Fred? Mothers see the angel in us because the angel is there. If it’s shown to the mother, the son has got an angel to show, hasn’t he? When a son cuts somebody’s throat the mother only sees it’s possible for a misguided angel to act like a devil⁠—and she’s entirely right about that!”

Kinney laughed, and put his hand on his friend’s shoulder. “I remember what a fellow you always were to argue,” he said. “You mean Georgie Minafer is as much of an angel as any murderer