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thinking out the best method of putting it into execution.

“Ah!” whispered Patrice to himself, quivering all over. “What are you doing, Little Mother Coralie?”

He gave a start. The direction in which Coralie’s eyes were turned, together with the strange manner in which they stared, revealed her secret resolve to him. She had caught sight of the dagger, lying on the floor where it had slipped from the colonel’s grasp.

Not for a second did Patrice believe that she meant to pick up that dagger with any other thought than to stab her husband. The intention of murder was so plainly written on her livid features that, even before she stirred a limb, Essarès was seized with a fit of terror and strained every muscle to break the bonds that hampered his movements.

She came forward, stopped once more and, suddenly bending, seized the dagger. Without waiting, she took two more steps. These brought her to the right of the chair in which Essarès lay. He had only to turn his head a little way to see her. And an awful minute passed, during which the husband and wife looked into each other’s eyes.

The whirl of thoughts, of fear, of hatred, of vagrant and conflicting passions that passed through the brains of her who was about to kill and him who was about to die, was reproduced in Patrice Belval’s mind and deep down in his inner consciousness. What was he to do? What part ought he to play in the tragedy that was being enacted before his eyes? Should he intervene? Was it his duty to prevent Coralie from committing the irreparable deed? Or should he commit it himself by breaking the man’s head with a bullet from his revolver?

Yet, from the beginning, Patrice had really been swayed by a feeling which, mingling with all the others, gradually paralyzed him and rendered any inward struggle illusory: a feeling of curiosity driven to its utmost pitch. It was not the everyday curiosity of unearthing a squalid secret, but the higher curiosity of penetrating the mysterious soul of a woman whom he loved, who was carried away by the rush of events and who suddenly, becoming once more mistress of herself, was of her own accord and with impressive calmness taking the most fearful resolution. Thereupon other questions forced themselves upon him. What prompted her to take this resolution? Was it revenge? Was it punishment? Was it the gratification of hatred?

Patrice Belval remained where he was.

Coralie raised her arm. Her husband, in front of her, no longer even attempted to make those movements of despair which indicate a last effort. There was neither entreaty nor menace in his eyes. He waited in resignation.

Not far from them, old Siméon, still bound, half-lifted himself on his elbows and stared at them in dismay.

Coralie raised her arm again. Her whole frame seemed to grow larger and taller. An invisible force appeared to strengthen and stiffen her whole being, summoning all her energies to the service of her will. She was on the point of striking. Her eyes sought the place at which she should strike.

Yet her eyes became less hard and less dark. It even seemed to Patrice that there was a certain hesitation in her gaze and that she was recovering not her usual gentleness, but a little of her womanly grace.

“Ah, Little Mother Coralie,” murmured Patrice, “you are yourself again! You are the woman I know. Whatever right you may think you have to kill that man, you will not kill him⁠ ⁠… and I prefer it so.”

Slowly Coralie’s arm dropped to her side. Her features relaxed. Patrice could guess the immense relief which she felt at escaping from the obsessing purpose that was driving her to murder. She looked at her dagger with astonishment, as though she were waking from a hideous nightmare. And, bending over her husband she began to cut his bonds.

She did so with visible repugnance, avoiding his touch, as it were, and shunning his eyes. The cords were severed one by one. Essarès was free.

What happened next was in the highest measure unexpected. With not a word of thanks to his wife, with not a word of anger either, this man who had just undergone the most cruel torture and whose body still throbbed with pain hurriedly tottered barefoot to a telephone standing on a table. He was like a hungry man who suddenly sees a piece of bread and snatches at it greedily as the means of saving himself and returning to life. Panting for breath, Essarès took down the receiver and called out:

“Central 40.39.”

Then he turned abruptly to his wife:

“Go away,” he said.

She seemed not to hear. She had knelt down beside old Siméon and was setting him free also.

Essarès at the telephone began to lose patience:

“Are you there?⁠ ⁠… Are you there?⁠ ⁠… I want that number today, please, not next week! It’s urgent.⁠ ⁠… 40.39.⁠ ⁠… It’s urgent, I tell you!”

And, turning to Coralie, he repeated, in an imperious tone:

“Go away!”

She made a sign that she would not go away and that, on the contrary, she meant to listen. He shook his fist at her and again said:

“Go away, go away!⁠ ⁠… I won’t have you stay in the room. You go away too, Siméon.”

Old Siméon got up and moved towards Essarès. It looked as though he wished to speak, no doubt to protest. But his action was undecided; and, after a moment’s reflection, he turned to the door and went without uttering a word.

“Go away, will you, go away!” Essarès repeated, his whole body expressing menace.

But Coralie came nearer to him and crossed her arms obstinately and defiantly. At that moment, Essarès appeared to get his call, for he asked:

“Is that 40.39? Ah, yes⁠ ⁠…”

He hesitated. Coralie’s presence obviously displeased him greatly, and he was about to say things which he did not wish her to know. But time, no doubt, was pressing. He suddenly made up his mind and, with both receivers glued to his ears, said, in English:

“Is that you,

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