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same, and at me too, sticking out my broken and barked fingers just where they have grown, whether from my back or my sides: as they have grown so I stand, and I do not believe in your hopes and your lies.”

As he passed through the forest Prince Andréy turned several times to look at that oak, as if expecting something from it. Under the oak, too, were flowers and grass, but it stood among them scowling, rigid, misshapen, and grim as ever.

“Yes, the oak is right, a thousand times right,” thought Prince Andréy. “Let others⁠—the young⁠—yield afresh to that fraud, but we know life, our life is finished!”

A whole sequence of new thoughts, hopeless but mournfully pleasant, rose in his soul in connection with that tree. During this journey he, as it were, considered his life afresh and arrived at his old conclusion, restful in its hopelessness: that it was not for him to begin anything anew⁠—but that he must live out his life, content to do no harm, and not disturbing himself or desiring anything.

II

Prince Andréy had to see the Marshal of the Nobility for the district in connection with the affairs of the Ryazán estate of which he was trustee. This Marshal was Count Ilyá Andréevich Rostóv, and in the middle of May Prince Andréy went to visit him.

It was now hot spring weather. The whole forest was already clothed in green. It was dusty and so hot that on passing near water one longed to bathe.

Prince Andréy, depressed and preoccupied with the business about which he had to speak to the Marshal, was driving up the avenue in the grounds of the Rostóvs’ house at Otrádnoe. He heard merry girlish cries behind some trees on the right and saw a group of girls running to cross the path of his calèche. Ahead of the rest and nearer to him ran a dark-haired, remarkably slim, pretty girl in a yellow chintz dress, with a white handkerchief on her head from under which loose locks of hair escaped. The girl was shouting something but, seeing that he was a stranger, ran back laughing without looking at him.

Suddenly, he did not know why, he felt a pang. The day was so beautiful, the sun so bright, everything around so gay, but that slim pretty girl did not know, or wish to know, of his existence and was contented and cheerful in her own separate⁠—probably foolish⁠—but bright and happy life. “What is she so glad about? What is she thinking of? Not of the military regulations or of the arrangement of the Ryazán serfs’ quitrents. Of what is she thinking? Why is she so happy?” Prince Andréy asked himself with instinctive curiosity.

In 1809 Count Ilyá Andréevich was living at Otrádnoe just as he had done in former years, that is, entertaining almost the whole province with hunts, theatricals, dinners, and music. He was glad to see Prince Andréy, as he was to see any new visitor, and insisted on his staying the night.

During the dull day, in the course of which he was entertained by his elderly hosts and by the more important of the visitors (the old count’s house was crowded on account of an approaching name day), Prince Andréy repeatedly glanced at Natásha, gay and laughing among the younger members of the company, and asked himself each time, “What is she thinking about? Why is she so glad?”

That night, alone in new surroundings, he was long unable to sleep. He read awhile and then put out his candle, but relit it. It was hot in the room, the inside shutters of which were closed. He was cross with the stupid old man (as he called Rostóv), who had made him stay by assuring him that some necessary documents had not yet arrived from town, and he was vexed with himself for having stayed.

He got up and went to the window to open it. As soon as he opened the shutters the moonlight, as if it had long been watching for this, burst into the room. He opened the casement. The night was fresh, bright, and very still. Just before the window was a row of pollard trees, looking black on one side and with a silvery light on the other. Beneath the trees grew some kind of lush, wet, bushy vegetation with silver-lit leaves and stems here and there. Farther back beyond the dark trees a roof glittered with dew, to the right was a leafy tree with brilliantly white trunk and branches, and above it shone the moon, nearly at its full, in a pale, almost starless, spring sky. Prince Andréy leaned his elbows on the window ledge and his eyes rested on that sky.

His room was on the first floor. Those in the rooms above were also awake. He heard female voices overhead.

“Just once more,” said a girlish voice above him which Prince Andréy recognized at once.

“But when are you coming to bed?” replied another voice.

“I won’t, I can’t sleep, what’s the use? Come now for the last time.”

Two girlish voices sang a musical passage⁠—the end of some song.

“Oh, how lovely! Now go to sleep, and there’s an end of it.”

“You go to sleep, but I can’t,” said the first voice, coming nearer to the window. She was evidently leaning right out, for the rustle of her dress and even her breathing could be heard. Everything was stone-still, like the moon and its light and the shadows. Prince Andréy, too, dared not stir, for fear of betraying his unintentional presence.

“Sónya! Sónya!” he again heard the first speaker. “Oh, how can you sleep? Only look how glorious it is! Ah, how glorious! Do wake up, Sónya!” she said almost with tears in her voice. “There never, never was such a lovely night before!”

Sónya made some reluctant reply.

“Do just come and see what a moon!⁠ ⁠… Oh, how lovely! Come here.⁠ ⁠… Darling, sweetheart, come here! There, you see? I feel like sitting down on my

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