Jacob’s Room Virginia Woolf (best romance books of all time .txt) 📖

rigid, side by side, their faces very red, an enormous man and woman.

An enormous man and woman (it was early-closing day) were stretched motionless, with their heads on pocket-handkerchiefs, side by side, within a few feet of the sea, while two or three gulls gracefully skirted the incoming waves, and settled near their boots.

The large red faces lying on the bandanna handkerchiefs stared up at Jacob. Jacob stared down at them. Holding his bucket very carefully, Jacob then jumped deliberately and trotted away very nonchalantly at first, but faster and faster as the waves came creaming up to him and he had to swerve to avoid them, and the gulls rose in front of him and floated out and settled again a little farther on. A large black woman was sitting on the sand. He ran towards her.

“Nanny! Nanny!” he cried, sobbing the words out on the crest of each gasping breath.

The waves came round her. She was a rock. She was covered with the seaweed which pops when it is pressed. He was lost.

There he stood. His face composed itself. He was about to roar when, lying among the black sticks and straw under the cliff, he saw a whole skull⁠—perhaps a cow’s skull, a skull, perhaps, with the teeth in it. Sobbing, but absentmindedly, he ran farther and farther away until he held the skull in his arms.

“There he is!” cried Mrs. Flanders, coming round the rock and covering the whole space of the beach in a few seconds. “What has he got hold of? Put it down, Jacob! Drop it this moment! Something horrid, I know. Why didn’t you stay with us? Naughty little boy! Now put it down. Now come along both of you,” and she swept round, holding Archer by one hand and fumbling for Jacob’s arm with the other. But he ducked down and picked up the sheep’s jaw, which was loose.

Swinging her bag, clutching her parasol, holding Archer’s hand, and telling the story of the gunpowder explosion in which poor Mr. Curnow had lost his eye, Mrs. Flanders hurried up the steep lane, aware all the time in the depths of her mind of some buried discomfort.

There on the sand not far from the lovers lay the old sheep’s skull without its jaw. Clean, white, windswept, sand-rubbed, a more unpolluted piece of bone existed nowhere on the coast of Cornwall. The sea holly would grow through the eye-sockets; it would turn to powder, or some golfer, hitting his ball one fine day, would disperse a little dust⁠—No, but not in lodgings, thought Mrs. Flanders. It’s a great experiment coming so far with young children. There’s no man to help with the perambulator. And Jacob is such a handful; so obstinate already.

“Throw it away, dear, do,” she said, as they got into the road; but Jacob squirmed away from her; and the wind rising, she took out her bonnet-pin, looked at the sea, and stuck it in afresh. The wind was rising. The waves showed that uneasiness, like something alive, restive, expecting the whip, of waves before a storm. The fishing-boats were leaning to the water’s brim. A pale yellow light shot across the purple sea; and shut. The lighthouse was lit. “Come along,” said Betty Flanders. The sun blazed in their faces and gilded the great blackberries trembling out from the hedge which Archer tried to strip as they passed.

“Don’t lag, boys. You’ve got nothing to change into,” said Betty, pulling them along, and looking with uneasy emotion at the earth displayed so luridly, with sudden sparks of light from greenhouses in gardens, with a sort of yellow and black mutability, against this blazing sunset, this astonishing agitation and vitality of colour, which stirred Betty Flanders and made her think of responsibility and danger. She gripped Archer’s hand. On she plodded up the hill.

“What did I ask you to remember?” she said.

“I don’t know,” said Archer.

“Well, I don’t know either,” said Betty, humorously and simply, and who shall deny that this blankness of mind, when combined with profusion, mother wit, old wives’ tales, haphazard ways, moments of astonishing daring, humour, and sentimentality⁠—who shall deny that in these respects every woman is nicer than any man?

Well, Betty Flanders, to begin with.

She had her hand upon the garden gate.

“The meat!” she exclaimed, striking the latch down.

She had forgotten the meat.

There was Rebecca at the window.

The bareness of Mrs. Pearce’s front room was fully displayed at ten o’clock at night when a powerful oil lamp stood on the middle of the table. The harsh light fell on the garden; cut straight across the lawn; lit up a child’s bucket and a purple aster and reached the hedge. Mrs. Flanders had left her sewing on the table. There were her large reels of white cotton and her steel spectacles; her needle-case; her brown wool wound round an old postcard. There were the bulrushes and the Strand magazines; and the linoleum sandy from the boys’ boots. A daddy-long-legs shot from corner to corner and hit the lamp globe. The wind blew straight dashes of rain across the window, which flashed silver as they passed through the light. A single leaf tapped hurriedly, persistently, upon the glass. There was a hurricane out at sea.

Archer could not sleep.

Mrs. Flanders stooped over him. “Think of the fairies,” said Betty Flanders. “Think of the lovely, lovely birds settling down on their nests. Now shut your eyes and see the old mother bird with a worm in her beak. Now turn and shut your eyes,” she murmured, “and shut your eyes.”

The lodging-house seemed full of gurgling and rushing; the cistern overflowing; water bubbling and squeaking and running along the pipes and streaming down the windows.

“What’s all that water rushing in?” murmured Archer.

“It’s only the bath water running away,” said Mrs. Flanders.

Something snapped out of doors.

“I say, won’t that steamer sink?” said Archer, opening his eyes.

“Of course it won’t,” said Mrs. Flanders. “The Captain’s in bed long ago. Shut your eyes, and think of the fairies, fast asleep, under the flowers.”

“I thought