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Army in every-day life. Mr. Hennessey makes plain the great value of having among us a body of keen, versatile, and well-trained men ready for duty of any sort, and ever alert for their country's welfare in peace or in war. The American Soldier well deserves Mr. Hennessey's tribute, and the present essay adds one more to the already incontrovertible array of arguments in favour of an adequate military system. As printed, the article is marred by a superfluous letter "s" on the very last word, which should read "citizen". "Sowing the Good", a brief bit of moralizing by Horace Fowler Goodwin, contains a serious misprint, for the final word of line 1, stanza 2, should be "say". "Bobby's Literary Lesson", by Gladys L. Bagg, is a delightful specimen of domestic satire in prose. The handling of the conversation exhibits Miss Bagg as a writer of considerable skill and promise. "The Leaf", a clever poem of Nature by Emily Barksdale, contains some gruesome atrocities by the printer. In the second stanza "it's" should be "it", and "wonderous" should be "wondrous". In the third stanza the typographical artist has killed a pretty woodland "copse" with the letter "r", so that it reads "corpse"! In the fourth stanza "head" should read "heard". Perhaps the "r" which murdered the "copse" escaped from this sadly mutilated word! In stanza five, "Chaots" should be "chants". But why continue the painful chronicle? Mr. Kleiner said just what we would like to say about misprints over a year ago, when he wrote "The Rhyme of the Hapless Poet"! "Submission", by Eugene B. Kuntz, is a delightful bit of light prose, forming the autobiography of a much-rejected manuscript. This piece well exhibits Dr. Kuntz's remarkable versatility. The humour is keen, and nowhere overstrained. "Number 1287", a short story by Gracia Isola Yarbrough, exhibits many of the flaws of immature work, yet contains graphic touches that promise well for the author. The lack of unity in plot and development detracts somewhat from the general effect, while the unusual lapses of time and artificial working up of the later situations are also antagonistic to technical polish. Triteness is present, but that is to be expected in all amateur fiction. "A Drama of Business", by Edgar Ralph Cheyney, is a terse bit of prose which might well serve as an editorial in a liberal literary magazine. "The Schools of Yesterday and Today", a sketch by Selma Guilford, presents in pleasing fashion an interesting and optimistic contrast. In "Mother", George M. Whiteside treats a noble theme in rather skilful fashion, though the rhyming of "breezes" and "trees is" can hardly be deemed suitable in a serious poem. "When the Sea Calls", a poem by Winifred Virginia Jordan, is possibly the most striking feature of the magazine. Mrs. Jordan's style in dealing with the wilder aspects of Nature has a grim potency all its own, and we can endorse without qualification the judgment of Mr. Moe when he calls this poem "positively magnificent in dynamic effect". To Mrs. Jordan is granted a natural poetic genius which few other amateurs can hope to parallel. Not many of our literary artists can so aptly fit words to weird or unusual passages, or so happily command all the advantages of alliteration and onomatopoeia. We believe that Mrs. Jordan's amateur eminence will eventually ripen into professional recognition. "Preachers in Politics", by Rev. James Thomas Self, is a long, thoughtful, and extremely well phrased essay against the descent of the ministry to the uncertain affairs of practical legislation. Dr. Self has a just idea of the dignity of the cloth; an idea which some clergymen of less conservative habits would do well to acquire. Very painful is the sight of the slang-mouthing "evangelist" who deserts his pulpit for the stump or the circus-tent. "Peace, Germany!", a poem by Maude Kingsbury Barton, constitutes an appeal to the present outlaw among nations. We feel, however, that it is only from London that Germany will eventually be convinced of the futility of her pseudo-Napoleonic enterprise. And when peace does come to Germany, it will be British-made peace! The structure of Mrs. Barton's poem is regular, and many of the images are very well selected. The worst misprints are those in the sixth stanza, where "in" is omitted before the word "pomp", and in the seventh stanza where "come" is printed as "came". In the biographical sketch entitled "Two Lives", Helen Hamilton draws a powerful moral from the contrasting but contemporaneous careers of Florence Nightingale and the ex-Empress Eugenie. "Class-Room Spirits I Have Known", an essay by Bessie Estelle Harvey, displays a sound comprehension of pedagogical principles. Two more poems by Mrs. Jordan conclude the issue. "The Time of Peach Tree Bloom" is the fourth of the "Songs from Walpi", three of which appeared in THE UNITED AMATEUR. "In a Garden" is a gem of delightful delicacy and ethereal elegance. It is indeed not without just cause that the author has, from the very first, held the distinction of being the most frequent poetical contributor in all amateur journalism.

The Cleveland Sun for June is the first number of an amateur newspaper edited by Anthony F. Moitoret, Edwin D. Harkins, and William J. Dowdell; and remarkable for an excellent heading, drawn by a staff artist of the Cleveland Leader. The present issue is printed in close imitation of the modern professional daily, and displays some interesting examples of "newspaper English". Mr. Moitoret is an old-time United man, now reentering the sphere of activity, and he is to be commended warmly both for his generous attitude toward the new members, and for his really magnanimous offer of aid to those desirous of issuing individual papers. His editorial hostility toward the Campbell amendment is, we believe, mistaken; yet is none the less founded on a praiseworthy desire to serve what he deems the best interests of the Association. Were Mr. Moitoret more in touch with the rising ideals of the newer United, he would realize the essential childishness of our "official business" as contrasted with the substantial solidity of our developing literature. Possibly the plan of Mr. Campbell, as experimentally tried during the present year, will alter Mr. Moitoret's present opinion. Taken altogether, we are not sure whether the Sun will prove beneficial or harmful to the United. We most assuredly need some sort of stimulus to activity, yet the comparatively crude atmosphere of newspaperdom is anything but inspiring in a literary society. We cannot descend from the ideals of Homer to those of Hearst without a distinct loss of quality, for which no possible gain in mere enthusiasm can compensate. Headlines such as "Columbus Bunch Boosting Paul" or "Hep Still Shows Pep", are positive affronts to the dignity of amateur journalism. There is room for an alert and informing news sheet in the United, yet we feel certain that the Sun must become a far more sedate and scholarly publication before it can adequately supply the need. At present, its garish rays dazzle and blind more than they illuminate; in a perusal of its pages we experience more of sunstroke than of sunshine. Of "The Best Sport Page In Amateurdom" we find it difficult to speak or write. Not since perusing the delectable lines of "Tom Crib's Memorial to Congress", by jovial old "Anacreon Moore", have we beheld such an invasion of prize-fight philosophy and race-track rhetoric. We learn with interest that a former United member named "Handsome Harry" has now graduated from literature to left field, and has, through sheer genius, risen from the lowly level of the ambitious author, to the exalted eminence of the classy slugger. Too proud to push the pen, he now swats the pill. Of such doth the dizzy quality of sempiternal Fame consist! Speaking without levity, we cannot but censure Mr. Dowdell's introduction of the ringside or ball-field spirit into an Association purporting to promote culture and lettered skill. Our members can scarcely be expected to place the Stygian-hued John Arthur Johnson, Esq., on a pedestal beside his well-known namesake Samuel; or calmly to compare the stinging wit of a Sidney Smith with the stinging fist-cuffs of a "Gunboat" Smith. In a word, what is suited to the street-corner is not always suited to the library, and the taste of the United is as yet but imperfectly attuned to the lyrical liltings of the pool-room Muse. It is both hard and unwise to take the "Best Sport Page" seriously. As a copy of "yellow" models it is a work of artistic verisimilitude; indeed, were Mr. Dowdell a somewhat older man, we might justly suspect a satirical intention on his part.

We trust that The Cleveland Sun may shine on without cloud or setting, though we must needs hope that the United's atmosphere of academic refinement will temper somewhat the scorching glare with which the bright orb has risen.

The Conservative for April opens with Andrew Francis Lockhart's melodious and attractive poem entitled "Benediction". As a whole, this is possibly the best piece of verse which Mr. Lockhart has yet written; the sentiment is apt, if not entirely novel, whilst the technical construction is well-nigh faultless. Such expressions as "pearl-scarr'd" serve to exhibit the active and original quality of Mr. Lockhart's genius. "Another Endless Day", by Rheinhart Kleiner, is a beautiful and harmonious poetical protest against monotony. Much to be regretted is the misprint in line 3 of the third stanza, where the text should read:

"A love to thrill with new delight".

"April", by Winifred Virginia Jordan, is a seasonable and extremely tuneful poem whose imagery is of that dainty, sprightly sort which only Mrs. Jordan can create. "In Morven's Mead", also by Mrs. Jordan, contains an elusive and haunting suggestion of the unreal, in the author's characteristic style. "The Night Wind Bared My Heart" completes a highly meritorious trilogy. In justice to the author, it should be stated that the last of these three poems is, as here presented, merely a rough draft. Through our own reprehensible editorial oversight, the printer received this unpolished copy instead of the finished poem. The following emendations should be observed:

Stanza I, line 4, to read: "Awak'd my anguish'd sighs".

Stanza II, line 3, to read: "But Oh, from grief were prest".

"The Best Wine", by William de Ryee, is an earnestly introspective poem, well cast in iambic pentameter quatrains. "Ye Ballade of Patrick von Flynn" is a comic delineation of the cheap pseudo-Irish, England-hating agitators who have been so offensively noisy on this side of the Atlantic ever since the European war began, and particularly since the late riots in Dublin. This class, which so sadly misrepresents the loyal Irish people, deserves but little patience from Americans. Its members stutter childishly about "breaches of neutrality" every time a real American dares speak a word in favour of the Mother Country; yet they constantly violate neutrality themselves in their clumsy attempts to use the United States as a catspaw against England. The actual German propagandists have the excuse of patriotism for their race and Vaterland, but these Hibernian hybrids, neither good Irishmen nor good Americans, have no excuse whatever when they try to subvert the functions of the country which is giving them protection and livelihood.

The Conservative for July pays a deserved tribute to one of the most lucid and acute of our amateur essayists, by devoting the entire issue to his work. Henry Clapham McGavack, in "The American Proletariat versus England", exposes with admirable fearlessness the silly Anglophobic notions which a mistaken conception of the Revolution, and an ignorant Irish population, have diffused among our lower classes. It is seldom that an author ventures to speak so frankly on this subject, for the servile tendency of the times impels most writers and publishers to play the demagogue by essaying to feed the Irish masses with the anti-English swill they desire; but Mr. McGavack wields an independent pen, and records the truth

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