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perfectly adapted to express all that he desired from life. Seville with her guitars and lemon-trees, her castanets and oranges and fans, her fountains and carnations and flashing Andalusians, was for him the city to which one day he would return and dream. Here one day he could come when seriously he began to write or paint or take up whatever destiny in art was in store for him. Here he would forget whatever blow life might hold in the future. He would send everybody he knew to Seville, notwithstanding Michael’s objection that such generosity would recoil upon himself in his desire to possess somewhere on earth the opportunity of oblivion. Maurice and Wedderburn both bought Spanish cloaks and hats and went with easels to sit beside the Guadalquiver that sun-stained to the hue of its tawny banks was so contemptuous of their gentlemanly watercolors, as contemptuous as those cigarette-girls that came chattering from the tobacco-factory every noon. Michael preferred to wander over the roofs of the cathedral, until drowsed by the scent of warm stone he would sit for an hour merely conscious that the city lay below and that the sky was blue above.

After Seville they traveled to Granada, to Cadiz and Cordova and other famous cities; and in the train they went slowly through La Mancha where any windmill might indeed be mistaken for Pentapolin of the Naked Arm, and where at the stations the water-carriers even in January cried “agua, agua,” so that already the railway-carriages seemed parched by the fierce summer sun. They traveled to Salamanca and Toledo, and last of all they went to Burgos where Maurice and Wedderburn strove in vain to draw corner after corner of the cathedral, in the dust and shadows of whose more remote chantries Michael heard many Masses. A realization of the power of faith was stirred in him by these Masses that every day of every year were said without the recognition of humanity. These mumblings of ancient priests, these sanctus-bells that rattled like shaken ribs, these interminable and ceremonious shufflings were the outward expression of the force that sustained this fabric of Burgos and had raised in Seville a cathedral that seemed to crush like a stupendous monster the houses scattered about in its path, insignificant as a heap of white shells. Half of these old priests, thought Michael, were probably puppets who did not understand even their own cracked Latinity, yet their ministrations were almost frightening in their efficacy: they were indeed the very stones of Burgos made vocal.

Listening to these Masses, Michael began to regret he had allowed all his interest in religion to peter out in the irritation of compulsory chapel-keeping at Oxford. Here in Burgos, he felt less the elevating power of faith than the unrelenting and disdainful inevitableness of its endurance. At Bournemouth, when he experienced the first thrill of conversion, he had been exultingly aware of a personal friendliness between himself and God. Here in Burgos he was absorbed into the divine purpose neither against his will nor his desire, since he was positively aware of the impotency of his individuality to determine anything in the presence of omnipotence. He told himself this sense of inclusion was a sign of the outpouring once more of the grace of God, but he wished with a half whimsical amusement that the sensation were rather less like that of being contemptuously swept by a broom into the main dust-heap. Yet as on the last morning of his stay in Burgos Michael came away from Mass, he came away curiously fortified by his observation of the moldy confessionals worn down by the knees of so many penitents. That much power of impression at least had the individual on this cathedral.

When Michael lay awake in the train going northward he remembered very vividly the sense of subordination which in retrospect suddenly seemed to him to reveal the essential majesty of Spain. The train stopped at some French station. Their carriage was already full enough, but a bilious and fussy Frenchman insisted there was still room, and on top of him broke in a loud-voiced and assertive Englishman with a meek wife. It was intolerable. Michael, Wedderburn, and Maurice displayed their most polite obstructiveness, but in the end each of them found himself upright, stiff-backed and exasperated. Michael thought regretfully of Spain, and remembered those peasants who shared their crusts, those peasants with rank skins of wine and flopping turkeys, those peasants who wrought so inimitably their cigarettes and would sit on the floor of the carriage rather than disarrange the comfort of the three English travelers. Michael went off into an uneasy sleep trying to arrange synthetically his deductions, trying to put Don Quixote and Burgos Cathedral and the grace of God and subordination and feudalism and himself into a working theory of life. And just when the theory really seemed to be shaping itself, he was awakened by the Englishman prodding his wife.

“What is it, dear?” she murmured.

“Did you pack those collars that were in the other chest of drawers?”

“I think so, dear.”

“I wish you’d know something for a change,” the husband grumbled.

The Frenchman ground his teeth in swollen sleep, exhaling himself upon the stale air of the compartment. Maurice was turning over the pages of a comic paper. Wedderburn snored. It was difficult to achieve subordination of one’s personality in the presence of other personalities so insistently irritating.

Stella had not come back from Germany when Michael reached home, which was a disappointment as he had looked forward to planning with her a journey back to Spain as soon as possible. His mother during this vacation had lapsed from Mental Science into an association to prevent premature burial.

“My dearest boy, you have no idea of the numbers of people buried alive every year,” she said. “I have been talking to Dick Prescott about it. I cannot understand his indifference. I intend to devote all my time to it. We are going

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