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and identity of occupations, seemed to strike him as a peculiarly happy one, and he never tired of using it. The Mexicans on the ranch also took up the name, adding another syllable to accommodate their lingual incapacity for the final “p,” gravely referring to her as “La Madama Bo-Peepy.” Eventually it spread, and “Madame Bo-Peep’s ranch” was as often mentioned as the “Rancho de las Sombras.”

Came the long, hot season from May to September, when work is scarce on the ranches. Octavia passed the days in a kind of lotus-eater’s dream. Books, hammocks, correspondence with a few intimate friends, a renewed interest in her old watercolour box and easel⁠—these disposed of the sultry hours of daylight. The evenings were always sure to bring enjoyment. Best of all were the rapturous horseback rides with Teddy, when the moon gave light over the windswept leagues, chaperoned by the wheeling nighthawk and the startled owl. Often the Mexicans would come up from their shacks with their guitars and sing the weirdest of heartbreaking songs. There were long, cosy chats on the breezy gallery, and an interminable warfare of wits between Teddy and Mrs. MacIntyre, whose abundant Scotch shrewdness often more than overmatched the lighter humour in which she was lacking.

And the nights came, one after another, and were filed away by weeks and months⁠—nights soft and languorous and fragrant, that should have driven Strephon to Chloe over wires however barbed, that might have drawn Cupid himself to hunt, lasso in hand, among those amorous pastures⁠—but Teddy kept his fences up.

One July night Madame Bo-Peep and her ranch manager were sitting on the east gallery. Teddy had been exhausting the science of prognostication as to the probabilities of a price of twenty-four cents for the autumn clip, and had then subsided into an anesthetic cloud of Havana smoke. Only as incompetent a judge as a woman would have failed to note long ago that at least a third of his salary must have gone up in the fumes of those imported Regalias.

“Teddy,” said Octavia, suddenly, and rather sharply, “what are you working down here on a ranch for?”

“One hundred per,” said Teddy, glibly, “and found.”

“I’ve a good mind to discharge you.”

“Can’t do it,” said Teddy, with a grin.

“Why not?” demanded Octavia, with argumentative heat.

“Under contract. Terms of sale respect all unexpired contracts. Mine runs until 12 a.m., December thirty-first. You might get up at midnight on that date and fire me. If you try it sooner I’ll be in a position to bring legal proceedings.”

Octavia seemed to be considering the prospects of litigation.

“But,” continued Teddy cheerfully, “I’ve been thinking of resigning anyway.”

Octavia’s rocking-chair ceased its motion. There were centipedes in this country, she felt sure; and Indians, and vast, lonely, desolate, empty wastes; all within strong barbed-wire fence. There was a Van Dresser pride, but there was also a Van Dresser heart. She must know for certain whether or not he had forgotten.

“Ah, well, Teddy,” she said, with a fine assumption of polite interest, “it’s lonely down here; you’re longing to get back to the old life⁠—to polo and lobsters and theatres and balls.”

“Never cared much for balls,” said Teddy virtuously.

“You’re getting old, Teddy. Your memory is failing. Nobody ever knew you to miss a dance, unless it occurred on the same night with another one which you attended. And you showed such shocking bad taste, too, in dancing too often with the same partner. Let me see, what was that Forbes girl’s name⁠—the one with wall eyes⁠—Mabel, wasn’t it?”

“No; Adéle. Mabel was the one with the bony elbows. That wasn’t wall in Adéle’s eyes. It was soul. We used to talk sonnets together, and Verlaine. Just then I was trying to run a pipe from the Pierian spring.”

“You were on the floor with her,” said Octavia, undeflected, “five times at the Hammersmiths’.”

“Hammersmiths’ what?” questioned Teddy, vacuously.

“Ball⁠—ball,” said Octavia, viciously. “What were we talking of?”

“Eyes, I thought,” said Teddy, after some reflection; “and elbows.”

“Those Hammersmiths,” went on Octavia, in her sweetest society prattle, after subduing an intense desire to yank a handful of sunburnt, sandy hair from the head lying back contentedly against the canvas of the steamer chair, “had too much money. Mines, wasn’t it? It was something that paid something to the ton. You couldn’t get a glass of plain water in their house. Everything at that ball was dreadfully overdone.”

“It was,” said Teddy.

“Such a crowd there was!” Octavia continued, conscious that she was talking the rapid drivel of a schoolgirl describing her first dance. “The balconies were as warm as the rooms. I⁠—lost⁠—something at that ball.” The last sentence was uttered in a tone calculated to remove the barbs from miles of wire.

“So did I,” confessed Teddy, in a lower voice.

“A glove,” said Octavia, falling back as the enemy approached her ditches.

“Caste,” said Teddy, halting his firing line without loss. “I hobnobbed, half the evening with one of Hammersmith’s miners, a fellow who kept his hands in his pockets, and talked like an archangel about reduction plants and drifts and levels and sluice-boxes.”

“A pearl-gray glove, nearly new,” sighed Octavia, mournfully.

“A bang-up chap, that McArdle,” maintained Teddy approvingly. “A man who hated olives and elevators; a man who handled mountains as croquettes, and built tunnels in the air; a man who never uttered a word of silly nonsense in his life. Did you sign those lease-renewal applications yet, madama? They’ve got to be on file in the land office by the thirty-first.”

Teddy turned his head lazily. Octavia’s chair was vacant.

A certain centipede, crawling along the lines marked out by fate, expounded the situation. It was early one morning while Octavia and Mrs. Maclntyre were trimming the honeysuckle on the west gallery. Teddy had risen and departed hastily before daylight in response to word that a flock of ewes had been scattered from their bedding ground during the night by a thunderstorm.

The centipede, driven by destiny, showed himself on the floor of the gallery, and then, the screeches of

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