Vanity Fair William Makepeace Thackeray (portable ebook reader .txt) 📖

public places), but Master George Gaunt was called away by his mamma; and the stranger was treated with such cruelty finally, that even Lady Steyne herself pitied her and went up to speak to the friendless little woman.

“Lord Steyne,” said her Ladyship, as her wan cheeks glowed with a blush, “says you sing and play very beautifully, Mrs. Crawley⁠—I wish you would do me the kindness to sing to me.”

“I will do anything that may give pleasure to my Lord Steyne or to you,” said Rebecca, sincerely grateful, and seating herself at the piano, began to sing.

She sang religious songs of Mozart, which had been early favourites of Lady Steyne, and with such sweetness and tenderness that the lady, lingering round the piano, sat down by its side and listened until the tears rolled down her eyes. It is true that the opposition ladies at the other end of the room kept up a loud and ceaseless buzzing and talking, but the Lady Steyne did not hear those rumours. She was a child again⁠—and had wandered back through a forty years’ wilderness to her convent garden. The chapel organ had pealed the same tones, the organist, the sister whom she loved best of the community, had taught them to her in those early happy days. She was a girl once more, and the brief period of her happiness bloomed out again for an hour⁠—she started when the jarring doors were flung open, and with a loud laugh from Lord Steyne, the men of the party entered full of gaiety.

He saw at a glance what had happened in his absence, and was grateful to his wife for once. He went and spoke to her, and called her by her Christian name, so as again to bring blushes to her pale face⁠—“My wife says you have been singing like an angel,” he said to Becky. Now there are angels of two kinds, and both sorts, it is said, are charming in their way.

Whatever the previous portion of the evening had been, the rest of that night was a great triumph for Becky. She sang her very best, and it was so good that every one of the men came and crowded round the piano. The women, her enemies, were left quite alone. And Mr. Paul Jefferson Jones thought he had made a conquest of Lady Gaunt by going up to her Ladyship and praising her delightful friend’s first-rate singing.

L Contains a Vulgar Incident

The Muse, whoever she be, who presides over this Comic History must now descend from the genteel heights in which she has been soaring and have the goodness to drop down upon the lowly roof of John Sedley at Brompton, and describe what events are taking place there. Here, too, in this humble tenement, live care, and distrust, and dismay. Mrs. Clapp in the kitchen is grumbling in secret to her husband about the rent, and urging the good fellow to rebel against his old friend and patron and his present lodger. Mrs. Sedley has ceased to visit her landlady in the lower regions now, and indeed is in a position to patronize Mrs. Clapp no longer. How can one be condescending to a lady to whom one owes a matter of forty pounds, and who is perpetually throwing out hints for the money? The Irish maidservant has not altered in the least in her kind and respectful behaviour; but Mrs. Sedley fancies that she is growing insolent and ungrateful, and, as the guilty thief who fears each bush an officer, sees threatening innuendoes and hints of capture in all the girl’s speeches and answers. Miss Clapp, grown quite a young woman now, is declared by the soured old lady to be an unbearable and impudent little minx. Why Amelia can be so fond of her, or have her in her room so much, or walk out with her so constantly, Mrs. Sedley cannot conceive. The bitterness of poverty has poisoned the life of the once cheerful and kindly woman. She is thankless for Amelia’s constant and gentle bearing towards her; carps at her for her efforts at kindness or service; rails at her for her silly pride in her child and her neglect of her parents. Georgy’s house is not a very lively one since Uncle Jos’s annuity has been withdrawn and the little family are almost upon famine diet.

Amelia thinks, and thinks, and racks her brain, to find some means of increasing the small pittance upon which the household is starving. Can she give lessons in anything? paint card-racks? do fine work? She finds that women are working hard, and better than she can, for twopence a day. She buys a couple of begilt Bristol boards at the Fancy Stationer’s and paints her very best upon them⁠—a shepherd with a red waistcoat on one, and a pink face smiling in the midst of a pencil landscape⁠—a shepherdess on the other, crossing a little bridge, with a little dog, nicely shaded. The man of the Fancy Repository and Brompton Emporium of Fine Arts (of whom she bought the screens, vainly hoping that he would repurchase them when ornamented by her hand) can hardly hide the sneer with which he examines these feeble works of art. He looks askance at the lady who waits in the shop, and ties up the cards again in their envelope of whitey-brown paper, and hands them to the poor widow and Miss Clapp, who had never seen such beautiful things in her life, and had been quite confident that the man must give at least two guineas for the screens. They try at other shops in the interior of London, with faint sickening hopes. “Don’t want ’em,” says one. “Be off,” says another fiercely. Three-and-sixpence has been spent in vain⁠—the screens retire to Miss Clapp’s bedroom, who persists in thinking them lovely.

She writes out a little card in her neatest hand, and after long thought and labour of composition, in which the public is informed