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me.”

“Dreams?”

“If you call them dreams. Night after night. Vivid!⁠—so vivid⁠ ⁠… this⁠—” (he indicated the landscape that went streaming by the window) “seems unreal in comparison! I can scarcely remember who I am, what business I am on⁠ ⁠…”

He paused. “Even now⁠—”

“The dream is always the same⁠—do you mean?” I asked.

“It’s over.”

“You mean?”

“I died.”

“Died?”

“Smashed and killed, and now so much of me as that dream was is dead. Dead forever. I dreamt I was another man, you know, living in a different part of the world and in a different time. I dreamt that night after night. Night after night I woke into that other life. Fresh scenes and fresh happenings⁠—until I came upon the last⁠—”

“When you died?”

“When I died.”

“And since then⁠—”

“No,” he said. “Thank God! that was the end of the dream⁠ ⁠…”

It was clear I was in for this dream. And, after all, I had an hour before me, the light was fading fast, and Fortnum-Roscoe has a dreary way with him. “Living in a different time,” I said: “do you mean in some different age?”

“Yes.”

“Past?”

“No, to come⁠—to come.”

“The year three thousand, for example?”

“I don’t know what year it was. I did when I was asleep, when I was dreaming, that is, but not now⁠—not now that I am awake. There’s a lot of things I have forgotten since I woke out of these dreams, though I knew them at the time when I was⁠—I suppose it was dreaming. They called the year differently from our way of calling the year⁠ ⁠… What did they call it?” He put his hand to his forehead. “No,” said he, “I forget.”

He sat smiling weakly. For a moment I feared he did not mean to tell me his dream. As a rule, I hate people who tell their dreams, but this struck me differently. I proffered assistance even. “It began⁠—” I suggested.

“It was vivid from the first. I seemed to wake up in it suddenly. And it’s curious that in these dreams I am speaking of I never remembered this life I am living now. It seemed as if the dream life was enough while it lasted. Perhaps⁠—But I will tell you how I find myself when I do my best to recall it all. I don’t remember anything clearly until I found myself sitting in a sort of loggia looking out over the sea. I had been dozing, and suddenly I woke up⁠—fresh and vivid⁠—not a bit dreamlike⁠—because the girl had stopped fanning me.”

“The girl?”

“Yes, the girl. You must not interrupt or you will put me out.”

He stopped abruptly. “You won’t think I’m mad?” he said.

“No,” I answered; “you’ve been dreaming. Tell me your dream.”

“I woke up, I say, because the girl had stopped fanning me. I was not surprised to find myself there or anything of that sort, you understand. I did not feel I had fallen into it suddenly. I simply took it up at that point. Whatever memory I had of this life, this nineteenth-century life, faded as I woke, vanished like a dream. I knew all about myself, knew that my name was no longer Cooper but Hedon, and all about my position in the world. I’ve forgotten a lot since I woke⁠—there’s a want of connection⁠—but it was all quite clear and matter-of-fact then.”

He hesitated again, gripping the window strap, putting his face forward, and looking up to me appealingly.

“This seems bosh to you?”

“No, no!” I cried. “Go on. Tell me what this loggia was like.”

“It was not really a loggia⁠—I don’t know what to call it. It faced south. It was small. It was all in shadow except the semicircle above the balcony that showed the sky and sea and the corner where the girl stood. I was on a couch⁠—it was a metal couch with light striped cushions⁠—and the girl was leaning over the balcony with her back to me. The light of the sunrise fell on her ear and cheek. Her pretty white neck and the little curls that nestled there, and her white shoulder were in the sun, and all the grace of her body was in the cool blue shadow. She was dressed⁠—how can I describe it? It was easy and flowing. And altogether there she stood, so that it came to me how beautiful and desirable she was, as though I had never seen her before. And when at last I sighed and raised myself upon my arm she turned her face to me⁠—”

He stopped.

“I have lived three-and-fifty years in this world. I have had mother, sisters, friends, wife and daughters⁠—all their faces, the play of their faces, I know. But the face of this girl⁠—it is much more real to me. I can bring it back into memory so that I see it again⁠—I could draw it or paint it. And after all⁠—”

He stopped⁠—but I said nothing.

“The face of a dream⁠—the face of a dream. She was beautiful. Not that beauty which is terrible, cold, and worshipful, like the beauty of a saint; nor that beauty that stirs fierce passions; but a sort of radiation, sweet lips that softened into smiles, and grave gray eyes. And she moved gracefully, she seemed to have part with all pleasant and gracious things⁠—”

He stopped, and his face was downcast and hidden. Then he looked up at me and went on, making no further attempt to disguise his absolute belief in the reality of his story.

“You see, I had thrown up my plans and ambitions, thrown up all I had ever worked for or desired, for her sake. I had been a master man away there in the north, with influence and property and a great reputation, but none of it had seemed worth having beside her. I had come to the place, this city of sunny pleasures, with her, and left all those things to wreck and ruin just to save a remnant at least of my life. While I had been in love with her before I knew that she had any care for

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