Little Dorrit Charles Dickens (e reader for manga TXT) 📖

had just abandoned, and the most extravagant rumours would circulate among them, to their great comfort, touching the amount of Mr. Merdle’s ready money.

From one of the many such defeats of one of many rent-days, Mr. Pancks, having finished his day’s collection, repaired with his notebook under his arm to Mrs. Plornish’s corner. Mr. Pancks’s object was not professional, but social. He had had a trying day, and wanted a little brightening. By this time he was on friendly terms with the Plornish family, having often looked in upon them at similar seasons, and borne his part in recollections of Miss Dorrit.

Mrs. Plornish’s shop-parlour had been decorated under her own eye, and presented, on the side towards the shop, a little fiction in which Mrs. Plornish unspeakably rejoiced. This poetical heightening of the parlour consisted in the wall being painted to represent the exterior of a thatched cottage; the artist having introduced (in as effective a manner as he found compatible with their highly disproportionate dimensions) the real door and window. The modest sunflower and hollyhock were depicted as flourishing with great luxuriance on this rustic dwelling, while a quantity of dense smoke issuing from the chimney indicated good cheer within, and also, perhaps, that it had not been lately swept. A faithful dog was represented as flying at the legs of the friendly visitor, from the threshold; and a circular pigeon-house, enveloped in a cloud of pigeons, arose from behind the garden-paling. On the door (when it was shut), appeared the semblance of a brass-plate, presenting the inscription, Happy Cottage, T. and M. Plornish; the partnership expressing man and wife. No Poetry and no Art ever charmed the imagination more than the union of the two in this counterfeit cottage charmed Mrs. Plornish. It was nothing to her that Plornish had a habit of leaning against it as he smoked his pipe after work, when his hat blotted out the pigeon-house and all the pigeons, when his back swallowed up the dwelling, when his hands in his pockets uprooted the blooming garden and laid waste the adjacent country. To Mrs. Plornish, it was still a most beautiful cottage, a most wonderful deception; and it made no difference that Mr. Plornish’s eye was some inches above the level of the gable bedroom in the thatch. To come out into the shop after it was shut, and hear her father sing a song inside this cottage, was a perfect Pastoral to Mrs. Plornish, the Golden Age revived. And truly if that famous period had been revived, or had ever been at all, it may be doubted whether it would have produced many more heartily admiring daughters than the poor woman.

Warned of a visitor by the tinkling bell at the shop-door, Mrs. Plornish came out of Happy Cottage to see who it might be. “I guessed it was you, Mr. Pancks,” said she, “for it’s quite your regular night; ain’t it? Here’s father, you see, come out to serve at the sound of the bell, like a brisk young shopman. Ain’t he looking well? Father’s more pleased to see you than if you was a customer, for he dearly loves a gossip; and when it turns upon Miss Dorrit, he loves it all the more. You never heard father in such voice as he is at present,” said Mrs. Plornish, her own voice quavering, she was so proud and pleased. “He gave us Strephon last night to that degree that Plornish gets up and makes him this speech across the table. ‘John Edward Nandy,’ says Plornish to father, ‘I never heard you come the warbles as I have heard you come the warbles this night.’ An’t it gratifying, Mr. Pancks, though; really?”

Mr. Pancks, who had snorted at the old man in his friendliest manner, replied in the affirmative, and casually asked whether that lively Altro chap had come in yet? Mrs. Plornish answered no, not yet, though he had gone to the West-End with some work, and had said he should be back by teatime. Mr. Pancks was then hospitably pressed into Happy Cottage, where he encountered the elder Master Plornish just come home from school. Examining that young student, lightly, on the educational proceedings of the day, he found that the more advanced pupils who were in the large text and the letter M, had been set the copy “Merdle, Millions.”

“And how are you getting on, Mrs. Plornish,” said Pancks, “since we’re mentioning millions?”

“Very steady, indeed, sir,” returned Mrs. Plornish. “Father, dear, would you go into the shop and tidy the window a little bit before tea, your taste being so beautiful?”

John Edward Nandy trotted away, much gratified, to comply with his daughter’s request. Mrs. Plornish, who was always in mortal terror of mentioning pecuniary affairs before the old gentleman, lest any disclosure she made might rouse his spirit and induce him to run away to the workhouse, was thus left free to be confidential with Mr. Pancks.

“It’s quite true that the business is very steady indeed,” said Mrs. Plornish, lowering her voice; “and has a excellent connection. The only thing that stands in its way, sir, is the Credit.”

This drawback, rather severely felt by most people who engaged in commercial transactions with the inhabitants of Bleeding Heart Yard, was a large stumbling-block in Mrs. Plornish’s trade. When Mr. Dorrit had established her in the business, the Bleeding Hearts had shown an amount of emotion and a determination to support her in it, that did honour to human nature. Recognising her claim upon their generous feelings as one who had long been a member of their community, they pledged themselves, with great feeling, to deal with Mrs. Plornish, come what would and bestow their patronage on no other establishment. Influenced by these noble sentiments, they had even gone out of their way to purchase little luxuries in the grocery and butter line to which they were unaccustomed; saying to one another, that if they did stretch a point, was it not for a neighbour and a friend, and for whom ought a point to be stretched if not for such? So stimulated, the business