Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder Louv, Richard (e book reader pc TXT) 📖

Children live through their senses. Sensory experiences link the child’s exterior world with their interior, hidden, affective world. Since the natural environment is the principal source of sensory stimulation, freedom to explore and play with the outdoor environment through the senses in their own space and time is essential for healthy development of an interior life. . . . This type of self-activated, autonomous interaction is what we call free play. Individual children test themselves by interacting with their environment, activating their potential and reconstructing human culture. The content of the environment is a critical factor in this process. A rich, open environment will continuously present alternative choices for creative engagement. A rigid, bland environment will limit healthy growth and development of the individual or the group.

Little is known about the impact of new technologies on children’s emotional health, but we do know something about the implications for adults. In 1998, a controversial Carnegie Mellon University study found that people who spend even a few hours on the Internet each week suffer higher levels of depression and loneliness than people who use the Net infrequently. Enterprising psychologists and psychiatrists now treat Internet Addiction, or IA as they call it.

As we grow more separate from nature, we continue to separate from one another physically. The effects are more than skin deep, says Nancy Dess, senior scientist with the American Psychological Association. “None of the new communication technologies involve human touch; they all tend to place us one step removed from direct experience. Add this to control-oriented changes in the workplace and schools, where people are often forbidden, or at least discouraged, from any kind of physical contact, and we’ve got a problem,” she says. Without touch, infant primates die; adult primates with touch deficits become more aggressive. Primate studies also show that physical touch is essential to the peace-making process. “Perversely, many of us can go through an average day and not have more than a handshake,” she adds. Diminishing touch is only one by-product of the culture of technical control, but Dess believes it contributes to violence in an ever more tightly wired society.

Frank Wilson, professor of neurology at the Stanford University School of Medicine, is an expert on the co-evolution of the hominid hand and brain. In The Hand, he contends that one could not have evolved to its current sophistication without the other. He says, “We’ve been sold a bill of goods—especially parents—about how valuable computer-based experience is. We are creatures identified by what we do with our hands.” Much of our learning comes from doing, from making, from feeling with our hands; and though many would like to believe otherwise, the world is not entirely available from a keyboard. As Wilson sees it, we’re cutting off our hands to spite our brains. Instructors in medical schools find it increasingly difficult to teach how the heart works as a pump, he says, “because these students have so little real-world experience; they’ve never siphoned anything, never fixed a car, never worked on a fuel pump, may not even have hooked up a garden hose. For a whole generation of kids, direct experiences in the backyard, in the tool shed, in the fields and woods, has been replaced by indirect learning, through machines. These young people are smart, they grew up with computers, they were supposed to be superior—but now we know that something’s missing.”

The Infinite Reservoir

Not surprisingly, as the young grow up in a world of narrow yet overwhelming sensory input, many of them develop a wired, know-it-all state of mind. That which cannot be Googled does not count. Yet a fuller, grander, more mysterious world, one worthy of a child’s awe, is available to children and the rest of us. Bill McKibben, in The Age of Missing Information, argues that “the definition of television’s global village is just the contrary—it’s a place where there’s as little variety as possible, where as much information as possible is wiped away to make ‘communications’ easier.” He describes his personal experience with a nearby mountain: “The mountain says you live in a particular place. Though it’s a small area, just a square mile or two, it took me many trips to even start to learn its secrets. Here there are blueberries, and here there are bigger blueberries . . . You pass a hundred different plants along the trail—I know maybe twenty of them. One could spend a lifetime learning a small range of mountains, and once upon a time people did.”

Any natural place contains an infinite reservoir of information, and therefore the potential for inexhaustible new discoveries. As naturalist Robert Michael Pyle says, “Place is what takes me out of myself, out of the limited scope of human activity, but this is not misanthropic. A sense of place is a way of embracing humanity among all of its neighbors. It is an entry into the larger world.”

During my visits with middle school, high school, and college students, a discussion of the senses would inevitably come about when we talked about nature. Sometimes I would ask directly, other times the students would raise the subject in the classroom or later, through essays. Their verbal answers were often hesitant, searching. This was apparently not a subject that many, if any, had confronted before. For some young people, nature is so abstract—the ozone layer, a faraway rain forest—that it exists beyond the senses. For others, nature is simple background, a disposable consumer item. One young man in a Potomac, Maryland, classroom described his relationship with nature as shaky, at best. “Like most I exploit what it gives and I do with it what I please,” he said. He thought of nature “as a means to an end or a tool; something made to be used and admired, not something to live. Nature to me is like my house or even like my cluttered room. It has things in it which can be played with. I say play away, do what you want