Tono-Bungay H. G. Wells (popular novels .txt) 📖

for honourable men. One hears a frightful lot of nonsense about the Rural Exodus and the degeneration wrought by town life upon our population. To my mind, the English townsman, even in the slums, is infinitely better spiritually, more courageous, more imaginative and cleaner, than his agricultural cousin. I’ve seen them both when they didn’t think they were being observed, and I know. There was something about my Wimblehurst companions that disgusted me. It’s hard to define. Heaven knows that at that cockney boarding-school at Goudhurst we were coarse enough; the Wimblehurst youngsters had neither words nor courage for the sort of thing we used to do⁠—for our bad language, for example; but, on the other hand, they displayed a sort of sluggish, real lewdness, lewdness is the word⁠—a baseness of attitude. Whatever we exiled urbans did at Goudhurst was touched with something, however coarse, of romantic imagination. We had read the Boys of England, and told each other stories. In the English countryside there are no books at all, no songs, no drama, no valiant sin even; all these things have never come or they were taken away and hidden generations ago, and the imagination aborts and bestialises. That, I think, is where the real difference against the English rural man lies. It is because I know this that I do not share in the common repinings because our countryside is being depopulated, because our population is passing through the furnace of the towns. They starve, they suffer, no doubt, but they come out of it hardened, they come out of it with souls.⁠ ⁠…

Of an evening the Wimblehurst blade, shiny-faced from a wash and with some loud finery, a coloured waistcoat or a vivid tie, would betake himself to the Eastry Arms billiard-room, or to the bar parlour of some minor pub where nap could be played. One soon sickened of his slow knowingness, the cunning observation of his deadened eyes, his idea of a “good story,” always, always told in undertones, poor dirty worm! his shrewd, elaborate maneuvers for some petty advantage, a drink to the good or suchlike deal. There rises before my eyes as I write, young Hopley Dodd, the son of the Wimblehurst auctioneer, the pride of Wimblehurst, its finest flower, with his fur waistcoat and his bulldog pipe, his riding breeches⁠—he had no horse⁠—and his gaiters, as he used to sit, leaning forward and watching the billiard-table from under the brim of his artfully tilted hat. A half-dozen phrases constituted his conversation: “hard lines!” he used to say, and “Good baazness,” in a bass bleat. Moreover, he had a long slow whistle that was esteemed the very cream of humorous comment. Night after night he was there.⁠ ⁠…

Also you knew he would not understand that I could play billiards, and regarded every stroke I made as a fluke. For a beginner I didn’t play so badly, I thought. I’m not so sure now; that was my opinion at the time. But young Dodd’s scepticism and the “good baazness” finally cured me of my disposition to frequent the Eastry Arms, and so these noises had their value in my world.

I made no friends among the young men of the place at all, and though I was entering upon adolescence I have no love-affair to tell of here. Not that I was not waking up to that aspect of life in my middle teens. I did, indeed, in various slightly informal ways scrape acquaintance with casual Wimblehurst girls; with a little dressmaker’s apprentice I got upon shyly speaking terms, and a pupil teacher in the National School went further and was “talked about” in connection with me but I was not by any means touched by any reality of passion for either of these young people; love⁠—love as yet came to me only in my dreams. I only kissed these girls once or twice. They rather disconcerted than developed those dreams. They were so clearly not “it.” I shall have much to say of love in this story, but I may break it to the reader now that it is my role to be a rather ineffectual lover. Desire I knew well enough⁠—indeed, too well; but love I have been shy of. In all my early enterprises in the war of the sexes, I was torn between the urgency of the body and a habit of romantic fantasy that wanted every phase of the adventure to be generous and beautiful. And I had a curiously haunting memory of Beatrice, of her kisses in the bracken and her kiss upon the wall, that somehow pitched the standard too high for Wimblehurst’s opportunities. I will not deny I did in a boyish way attempt a shy, rude adventure or so in lovemaking at Wimblehurst; but through these various influences, I didn’t bring things off to any extent at all. I left behind me no devastating memories, no splendid reputation. I came away at last, still inexperienced and a little thwarted, with only a natural growth of interest and desire in sexual things.

If I fell in love with anyone in Wimblehurst it was with my aunt. She treated me with a kindliness that was only half maternal⁠—she petted my books, she knew about my certificates, she made fun of me in a way that stirred my heart to her. Quite unconsciously I grew fond of her.⁠ ⁠…

My adolescent years at Wimblehurst were on the whole laborious, uneventful years that began in short jackets and left me in many ways nearly a man, years so uneventful that the Calculus of Variations is associated with one winter, and an examination in Physics for Science and Art Department Honours marks an epoch. Many divergent impulses stirred within me, but the master impulse was a grave young disposition to work and learn and thereby in some not very clearly defined way get out of the Wimblehurst world into which I had fallen. I wrote with some frequency to Ewart, self-conscious, but, as I remember