Short Fiction O. Henry (comprehension books TXT) 📖

to the capital. Senator Mullens desired reelection, and he knew the importance of the San Saba vote. He also knew that with the help of Senator Kinney⁠—who was a power in the legislature⁠—the thing could be put through. Now, Senator Kinney had an irrigation bill that he wanted passed for the benefit of his own section, and he knew Senator Mullens could render him valuable aid and information, the San Saba country already enjoying the benefits of similar legislation. With these interests happily dovetailed, wonder at the sudden interest in art at the state capital must, necessarily, be small. Few artists have uncovered their first picture to the world under happier auspices than did Lonny Briscoe.

Senators Kinney and Mullens came to an understanding in the matter of irrigation and art while partaking of long drinks in the café of the Empire Hotel.

“H’m!” said Senator Kinney, “I don’t know. I’m no art critic, but it seems to me the thing won’t work. It looks like the worst kind of a chromo to me. I don’t want to cast any reflections upon the artistic talent of your constituent, Senator, but I, myself, wouldn’t give six bits for the picture⁠—without the frame. How are you going to cram a thing like that down the throat of a legislature that kicks about a little item in the expense bill of six hundred and eighty-one dollars for rubber erasers for only one term? It’s wasting time. I’d like to help you, Mullens, but they’d laugh us out of the Senate chamber if we were to try it.”

“But you don’t get the point,” said Senator Mullens, in his deliberate tones, tapping Kinney’s glass with his long forefinger. “I have my own doubts as to what the picture is intended to represent, a bullfight or a Japanese allegory, but I want this legislature to make an appropriation to purchase. Of course, the subject of the picture should have been in the state historical line, but it’s too late to have the paint scraped off and changed. The state won’t miss the money and the picture can be stowed away in a lumber-room where it won’t annoy anyone. Now, here’s the point to work on, leaving art to look after itself⁠—the chap that painted the picture is the grandson of Lucien Briscoe.”

“Say it again,” said Kinney, leaning his head thoughtfully. “Of the old, original Lucien Briscoe?”

“Of him. ‘The man who,’ you know. The man who carved the state out of the wilderness. The man who settled the Indians. The man who cleaned out the horse thieves. The man who refused the crown. The state’s favourite son. Do you see the point now?”

“Wrap up the picture,” said Kinney. “It’s as good as sold. Why didn’t you say that at first, instead of philandering along about art. I’ll resign my seat in the Senate and go back to chain-carrying for the county surveyor the day I can’t make this state buy a picture calcimined by a grandson of Lucien Briscoe. Did you ever hear of a special appropriation for the purchase of a home for the daughter of One-Eyed Smothers? Well, that went through like a motion to adjourn, and old One-Eyed never killed half as many Indians as Briscoe did. About what figure had you and the calciminer agreed upon to sandbag the treasury for?”

“I thought,” said Mullens, “that maybe five hundred⁠—”

“Five hundred!” interrupted Kinney, as he hammered on his glass for a lead pencil and looked around for a waiter. “Only five hundred for a red steer on the hoof delivered by a grandson of Lucien Briscoe! Where’s your state pride, man? Two thousand is what it’ll be. You’ll introduce the bill and I’ll get up on the floor of the Senate and wave the scalp of every Indian old Lucien ever murdered. Let’s see, there was something else proud and foolish he did, wasn’t there? Oh, yes; he declined all emoluments and benefits he was entitled to. Refused his head-right and veteran donation certificates. Could have been governor, but wouldn’t. Declined a pension. Now’s the state’s chance to pay up. It’ll have to take the picture, but then it deserves some punishment for keeping the Briscoe family waiting so long. We’ll bring this thing up about the middle of the month, after the tax bill is settled. Now, Mullens, you send over, as soon as you can, and get me the figures on the cost of those irrigation ditches and the statistics about the increased production per acre. I’m going to need you when that bill of mine comes up. I reckon we’ll be able to pull along pretty well together this session and maybe others to come, eh, Senator?”

Thus did fortune elect to smile upon the Boy Artist of the San Saba. Fate had already done her share when she arranged his atoms in the cosmogony of creation as the grandson of Lucien Briscoe.

The original Briscoe had been a pioneer both as to territorial occupation and in certain acts prompted by a great and simple heart. He had been one of the first settlers and crusaders against the wild forces of nature, the savage and the shallow politician. His name and memory were revered, equally with any upon the list comprising Houston, Boone, Crockett, Clark, and Green. He had lived simply, independently, and unvexed by ambition. Even a less shrewd man than Senator Kinney could have prophesied that his state would hasten to honour and reward his grandson, come out of the chaparral at even so late a day.

And so, before the great picture by the door of the chamber of representatives at frequent times for many days could be found the breezy, robust form of Senator Kinney and be heard his clarion voice reciting the past deeds of Lucien Briscoe in connection with the handiwork of his grandson. Senator Mullens’s work was more subdued in sight and sound, but directed along identical lines.

Then, as the day for the introduction of the bill for appropriation draws