Short Fiction Selma Lagerlöf (best book club books of all time .txt) 📖

musicians swung their fiddles up to their chins, but beyond that they did not get. And thus they stood! It was an old custom in Svartsjö for the best fiddler to strike up the Wedding March and to lead the music.

The groomsman looked at Lars Larsson, as though he were waiting for him to start; but Lars Larsson looked at Jan Öster and said, “It is you, Jan Öster, who must begin.”

It did not seem possible to Jan Öster that the other fiddler, who was as finely dressed as any gentleman, should not be better than himself, who had come in his old homespun jacket straight from the wretched hovel where there were only poverty and distress. “No, indeed!” said he. “No, indeed!”

He saw that the bridegroom put forth his hand and touched Lars Larsson. “Larsson shall begin,” said he.

When Jan Öster heard the bridegroom say this, he promptly lowered his fiddle and stepped aside.

Lars Larsson, on the other hand, did not move from the spot, but remained standing in his place, confident and pleased with himself. Nor did he raise the bow. “It is Jan Öster who shall begin,” he repeated stubbornly and resistingly, as one who is used to having his own way.

There was some commotion among the crowds over the cause of the delay. The bride’s father came forward and begged Lars Larsson to begin. The sexton stepped to the door of the church and beckoned to them to hurry along. The parson stood waiting at the altar.

“You can ask Jan Öster to begin, then,” said Lars Larsson. “We musicians consider him to be the best among us.”

“That may be so,” said a peasant, “but we peasants consider you the best one.”

Then the other peasants also gathered around them. “Well, begin, why don’t you?” they said. “The parson is waiting. We’ll become a laughingstock to the church people.”

Lars Larsson stood there quite as stubborn and determined as before. “I can’t see why the people in this parish are so opposed to having their own fiddler placed in the lead.”

Nils Olafsson was perfectly furious because they wished in this way to force Jan Öster upon him. He came close up to Lars Larsson and whispered: “I comprehend that it is you who have called hither Jan Öster, and that you have arranged this to do him honor. But be quick, now, and play up, or I’ll drive that ragamuffin from the church grounds in disgrace and by force!”

Lars Larsson looked him square in the face and nodded to him without displaying any irritation. “Yes, you are right in saying that we must have an end of this,” said he.

He beckoned to Jan Öster to return to his place. Then he himself walked forward a step or two, and turned around that all might see him. Then he flung the bow far from him, pulled out his case-knife, and cut all four violin strings, which snapped with a sharp twang. “It shall not be said of me that I count myself better than Jan Öster!” said he.

It appears that for three years Jan Öster had been musing on an air which he couldn’t get out over the strings because at home he was bound down by dull, gray cares and worries, and nothing ever happened to him, either great or small, to lift him above the daily grind. But when he heard Lars Larsson’s strings snap, he threw back his head and filled his lungs. His features were rapt, as though he were listening to something far away; and then he began to play. And the air which he had been musing over for three years became all at once clear to him, and as the tones of it vibrated he walked with proud step down to the church.

The bridal procession had never before heard an air like that! It carried them along with such speed that not even Nils Olafsson could think of staying back. And everyone was so pleased both with Jan Öster and with Lars Larsson that the entire following entered the church, their eyes brimming with tears of joy.

The Musician

No one in Ullerud could say anything of fiddler Lars Larsson but that he was both meek and modest in his later years. But he had not always been thus, it seems. In his youth he had been so overbearing and boastful that people were in despair about him. It is said that he was changed and made over in a single night, and this is the way it happened.

Lars Larsson went out for a stroll late one Saturday night, with his fiddle under his arm. He was excessively gay and jovial, for he had just come from a party where his playing had tempted both young and old to dance. He walked along, thinking that while his bow was in motion no one had been able to sit still. There had been such a whirl in the cabin that once or twice he fancied the chairs and tables were dancing too! “I verily believe they have never before had a musician like me in these parts,” he remarked to himself. “But I had a mighty rough time of it before I became such a clever chap!” he continued. “When I was a child, it was no fun for me when my parents put me to tending cows and sheep and when I forgot everything else to sit and twang my fiddle. And just fancy! they wouldn’t so much as give me a real violin. I had nothing to play on but an old wooden box over which I had stretched some strings. In the daytime, when I could be alone in the woods, I fared rather well; but it was none too cheerful to come home in the evening when the cattle had strayed from me! Then I heard often enough, from both father and mother, that I was a good-for-nothing and never would amount to anything.”

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