Short Fiction Selma Lagerlöf (best book club books of all time .txt) 📖

night from a revel. And in his home the Evil One himself used to sit in the rocker and rock while the wife sat at the piano and played. They came as true stories from the neighboring homestead, where crows had persecuted the mistress until she didn’t dare venture outside the door; from the Captain’s house, where they were so poor that everything had to be borrowed; from the little cottage down by the church, where there lived a lot of young and old girls who had all fallen in love with the handsome organ builder.

Sometimes the dear adventures came to the homestead in an even more tangible form. Aged and poverty-stricken army officers would drive up to the doorstep behind rickety old horses and in rickety carryalls. They would stop and visit for weeks, and in the evenings, when the toddy had put courage into them, they would talk of the time when they had danced in stockingless shoes, so that their feet would look small, of how they had curled their hair and dyed their mustaches. One of them told how he had tried to take a pretty young girl back to her sweetheart and how he had been hunted by wolves on the way; another had been at the Christmas feast where an angered guest had flung all the hazel-hens at the wall because someone had made him believe they were crows; a third had seen the old gentleman who used to sit at a plain board table and play Beethoven.

But the story could reveal its presence in still another way. In the attic hung the portrait of a lady with powdered hair, and when anyone walked past it he was reminded that it was a portrait of the beautiful daughter of the Count, who had loved her brother’s young tutor, and had called to see him once when she was an old gray-haired lady and he an old married man. In the lumber room were heaped up bundles of documents containing deeds of purchase and leases signed by the great lady, who once ruled over seven foundries which had been willed to her by her lover. If one entered the church, one saw in a dusty little cabinet under the pulpit the chest filled with infidel manuscripts, which was not to be opened until the beginning of the new century. And not very far from the church is the river, at the bottom of which rests a pile of sacred images that were not allowed to remain in the pulpit and chancel they once had ornamented.

It must have been because so many legends and traditions hovered around the farm that one of the children growing up there longed to become a narrator. It was not one of the boys. They were not at home very much, for they were away at their schools almost the whole year; so the story did not get much of a hold upon them. But it was one of the girls⁠—one who was delicate and could not romp and play like other children, but found her greatest enjoyment in reading and hearing stories about all the great and wonderful things which had happened in the world.

However, at the start it was not the girl’s intention to write about the stories and legends surrounding her. She hadn’t the remotest idea that a book could be made of these adventures, which she had so often heard related that to her they seemed the most commonplace things in the world. When she tried to write, she chose material from her books, and with fresh courage she strung together stories of the Sultans in Thousand and One Nights, Walter Scott’s heroes, and Snorre Sturleson’s Kings of Romance.

Surely it is needless to state that what she wrote was the least original and the crudest that has ever been put upon paper. But this very naturally she herself did not see. She went about at home on the quiet farm, filling every scrap of paper she could lay her hands on with verse and prose, with plays and romances. When she wasn’t writing, she sat and waited for success. And success was to consist in this: Some stranger who was very learned and influential, through some rare freak of fortune, was to come and discover what she had written and find it worth printing. After that, all the rest would come of itself.

Meanwhile nothing of the sort happened. And when the girl had passed her twentieth year, she began to grow impatient. She wondered why success did not come her way. Perhaps she lacked knowledge. She probably needed to see a little more of the world than the homestead in Värmland. And seeing that it would be a long time before she could earn her livelihood as an author, it was necessary for her to learn something⁠—find some work in life⁠—that she might have bread while she waited for herself. Or maybe it was simply this⁠—that the story had lost patience with her. Perhaps it thought thus: “Since this blind person does not see that which lies nearest her eyes, let her be forced to go away. Let her tramp upon gray stone streets; let her live in cramped city rooms with no other outlook than gray stone walls; let her live among people who hide everything that is unusual in them and who appear to be all alike. It may perchance teach her to see that which is waiting outside the gate of her home⁠—all that lives and moves between the stretch of blue hills which she has every day before her eyes.”

And so, one autumn, when she was two-and-twenty, she travelled up to Stockholm to begin preparing herself for the vocation of teacher.

The girl soon became absorbed in her work. She wrote no more, but went in for studies and lectures. It actually looked as though the story would lose her altogether.

Then something extraordinary happened. This same autumn, after she had been living