The Letters of Charles Dickens by Charles Dickens (good ebook reader txt) đź“–
- Author: Charles Dickens
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By the end of the Broadstairs holiday, the house in Devonshire Terrace was vacant, and the family returned to it in October. All this year Charles Dickens had been at work upon the monthly numbers of "Dombey and Son," in spite of these many interruptions. He began at Broadstairs a Christmas book. But he found that the engrossing interest of his novel approaching completion made it impossible for him to finish the other work in time. So he decided to let this Christmas pass without a story, and postponed the publication of "The Haunted Man" until the following year.
At the close of the year he went to Leeds, to take the chair at a meeting of the Mechanics' Institute, and on the 28th December he presided at the opening of the Glasgow Athenæum; he and his wife being the guests of the historian—then Mr. Sheriff, afterwards Sir Archibald Alison. From a letter to his sister-in-law, written from Edinburgh, it will be seen that Mrs. Dickens was prevented by sudden illness from being present at the "demonstration." At the end of that letter there is another illustration of the odd names he was in the habit of giving to his children, the last of the three, the "Hoshen Peck," being a corruption of "Ocean Spectre"—a name which had, afterwards, a sad significance, as the boy (Sydney Smith) became a sailor, and died and was buried at sea two years after his father's death.
The letters in this year need very little explanation. In the first letter to Mrs. Watson, he alludes to a sketch which she had made from "The Battle of Life," and had sent to Charles Dickens, as a remembrance, when her husband paid a short visit to Paris in this winter.
And there are two letters to Miss Marguerite Power, the niece of the Countess of Blessington—a lady for whom he had then, and until her death, a most affectionate friendship and respect, for the sake of her own admirable qualities, and in remembrance of her delightful association with Gore House, where he was a frequent visitor. For Lady Blessington he had a high admiration and great regard, and she was one of his earliest appreciators; and Alfred, Comte D'Orsay, was also a much-loved friend. His "own marchioness," alluded to in the second letter to Miss Power, was the younger and very charming sister of his correspondent.
We much regret having been unable to procure any letters addressed to Mr. Egg. His intimacy with him began first in the plays of this year; but he became, almost immediately, one of the friends for whom he had an especial affection; and Mr. Egg was a regular visitor at his house and at his seaside places of resort for many years after this date.
The letter to Mr. William Sandys has reference to an intention which Charles Dickens had entertained, of laying the scene of a story in Cornwall; Mr. Sandys, himself a Cornishman, having proposed to send him some books to help him as to the dialect.
Paris, 48, Rue de Courcelles, Jan. 25th, 1847.
I cannot allow your wandering lord to return to your—I suppose "arms" is not improper—arms, then, without thanking you in half-a-dozen words for your letter, and assuring you that I had great interest and pleasure in its receipt, and that I say Amen to all you say of our happy past and hopeful future. There is a picture of Lausanne—St. Bernard—the tavern by the little lake between Lausanne and Vevay, which is kept by that drunken dog whom Haldimand believes to be so sober—and of many other such scenes, within doors and without—that rises up to my mind very often, and in the quiet pleasure of its aspect rather daunts me, as compared with the reality of a stirring life; but, please God, we will have some more pleasant days, and go up some more mountains, somewhere, and laugh together, at somebody, and form the same delightful little circle again, somehow.
I quite agree with you about the illustrations to the little Christmas book. I was delighted with yours. Your good lord before-mentioned will inform you that it hangs up over my chair in the drawing-room here; and when you come to England (after I have seen you again in Lausanne) I will show it you in my little study at home, quietly thanking you on the bookcase. Then we will go and see some of Turner's recent pictures, and decide that question to Haldimand's utmost confusion.
You will find Watson looking wonderfully well, I think. When he was first here, on his way to England, he took an extraordinary bath, in which he was rubbed all over with chemical compounds, and had everything done to him that could be invented for seven francs. It may be the influence of this treatment that I see in his face, but I think it's the prospect of coming back to Elysée. All I can say is, that when I come that way, and find myself among those friends again, I expect to be perfectly lovely—a kind of Glorious Apollo, radiant and shining with joy.
Kate and her sister send all kinds of love in this hasty packet, and I am always, my dear Mrs. Watson,
Paris, 48, Rue de Courcelles, St. Honoré,
Thursday, Jan. 28th, 1847.
Before you read any more, I wish you would take those tablets out of your drawer, in which you have put a black mark against my name, and erase it neatly. I don't deserve it, on my word I don't, though appearances are against me, I unwillingly confess.
I had gone to Geneva, to recover from an uncommon depression of spirits consequent on too much sitting over "Dombey" and the little Christmas book, when I received your letter as I was going out walking, one sunshiny, windy day. I read it on the banks of the Rhone, where it runs, very blue and swift, between two high green hills, with ranges of snowy mountains filling up the distance. Its cordial and unaffected tone gave me the greatest pleasure—did me a world of good—set me up for the afternoon, and gave me an evening's subject of discourse. For I talked to "them" (that is, Kate and Georgy) about those bright mornings at the Peschiere, until bedtime, and threatened to write you such a letter next day as would—I don't exactly know what it was to do, but it was to be a great letter, expressive of all kinds of pleasant things, and, perhaps the most genial letter that ever was written.
From that hour to this, I have again and again and again said, "I'll write to-morrow," and here I am to-day full of penitence—really sorry and ashamed, and with no excuse but my writing-life, which makes me get up and go out, when my morning work is done, and look at pen and ink no more until I begin again.
Besides which, I have been seeing Paris—wandering into hospitals, prisons, dead-houses, operas, theatres, concert-rooms, burial-grounds, palaces, and wine-shops. In my unoccupied fortnight of each month, every description of gaudy and ghastly sight has been passing before me in a rapid panorama. Before that, I had to come here from Switzerland, over frosty mountains in dense fogs, and through towns with walls and drawbridges, and without population, or anything else in particular but soldiers and mud. I took a flight to London for four days, and went and came back over one sheet of snow, sea excepted; and I wish that had been snow too. Then Forster (who is here now, and begs me to send his kindest regards) came to see Paris for himself, and in showing it to him, away I was borne again, like an enchanted rider. In short, I have had no rest in my play; and on Monday I am going to work again. A fortnight hence the play will begin once more; a fortnight after that the work will follow round, and so the letters that I care for go unwritten.
Do you care for French news? I hope not, because I don't know any. There is a melodrama, called "The French Revolution," now playing at the Cirque, in the first act of which there is the most tremendous representation of a people that can well be imagined. There are wonderful battles and so forth in the piece, but there is a power and massiveness in the mob which is positively awful. At another theatre, "Clarissa Harlowe" is still the rage. There are some things in it rather calculated to astonish the ghost of Richardson, but Clarissa is very admirably played, and dies better than the original to my thinking; but Richardson is no great favourite of mine, and never seems to me to take his top-boots off, whatever he does. Several pieces are in course of representation, involving rare portraits of the English. In one, a servant, called "Tom Bob," who wears a particularly English waistcoat, trimmed with gold lace and concealing his ankles, does very good things indeed. In another, a Prime Minister of England, who has ruined himself by railway speculations, hits off some of our national characteristics very happily, frequently making incidental mention of "Vishmingster," "Regeenstreet," and other places with which you are well acquainted. "Sir Fakson" is one of the characters in another play—"English to the Core;" and I saw a Lord Mayor of London at one of the small theatres the other night, looking uncommonly well in a stage-coachman's waistcoat, the order of the Garter, and a very low-crowned broad-brimmed hat, not unlike a dustman.
I was at Geneva at the time of the revolution. The moderation and mildness of the successful party were beyond all praise. Their appeals to the people of all parties—printed and pasted on the walls—have no parallel that I know of, in history, for their real good sterling Christianity and tendency to promote the happiness of mankind. My sympathy is strongly with the Swiss radicals. They know what Catholicity is; they see, in some of their own valleys, the poverty, ignorance, misery, and bigotry it always brings in its train wherever it is triumphant; and they would root it out of their children's way at any price. I fear the end of the struggle will be, that some Catholic power will step in to crush the dangerously well-educated republics (very dangerous to such neighbours); but there is a spirit in the people, or
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