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themselves to the slavery of modern men. But of course they wonā€™t win, because God is so delightfully irrational. By the way, itā€™s worth noting that the peculiar vestment with which popular fancy has clothed the New Woman is called rational costume. You often hear of ā€˜rationalsā€™ as a synonym for breeches. What was I saying? Oh, yes, about God being irrational. You never know what heā€™ll do next. He is a dreadful problem for rationalists. Thatā€™s why they have abolished him.ā€

ā€œYouā€™re confusing two different kinds of reason,ā€ said Alan. ā€œWhat you call impulseā ā€”unless your impulse is mere madnessā ā€”is what I might call reason.ā€

ā€œIn that case I recommend you as a philosopher to set about the reconstruction of your terminology. Iā€™m not a philosopher, and therefore Iā€™ve given this vague generic name ā€˜impulseā€™ to something which deserves, such a powerful and infallible and overmastering impetus does it give to conduct, a very long name indeed.ā€

ā€œBut if youā€™re going through life depending on impulse,ā€ Alan objected, ā€œyouā€™ll be no better off than a weathercock. You canā€™t discount reason in this way. You must admit that our judgments are modified by experience.ā€

ā€œThe chief thing we learn from experience is to place upon it no reliance whatever.ā€

ā€œItā€™s no good arguing with you,ā€ Alan said. ā€œBecause what you call impulse I call reason, and what you call reason I call imperfect logic.ā€

ā€œAlan, I canā€™t believe you only got a third. For really, you know, your conversation is a model of the philosophic manner. Anyway, Iā€™m not going to try to be a Fellow of All Souls and you are going to be a country squire. Letā€™s hold on to what certainties we can.ā€

Michael would have liked to lead him into a discussion of the problem of evil, so that he might ascertain if Alan had ever felt the intimations of evil which had haunted his own perceptions. However, he thought he had tested to the utmost that third in Greats, and therefore he refrained.

There was a discussion that evening about going away. August was already in sight and arrangements must be made quickly to avoid the burden of it in London. In the end, it was arranged that Mrs. Fane and Stella and Alan should go to Scotland, where Michael promised to join them, if he could get away from London.

ā€œIf you can get away!ā€ Stella scoffed. ā€œWhat rot you do talk.ā€

But Michael was not to be teased out of his determination to stay where he was, and in three or four days he said goodbye to the others northward bound, waving to them from the steps of 173 Cheyne Walk on which already the August sun was casting a heavy heat untempered by the stagnant sheen of the Thames.

That evening Michael went again to the Orient Promenade; but there was no sign of Lily, and it seemed likely that she had gone away from London for a while. After the performance he visited the CafĆ© dā€™Orange in Leicester Square. He had never been there yet, but he had often noticed the riotous exodus at half-past twelve, and he argued from the quality of the frequenters who stood wrangling on the pavement that the CafĆ© dā€™Orange would be a step lower than any of the night-resorts he had so far attended. He scarcely expected to find Lily here. Indeed, he was rather inclined to think that she was someoneā€™s mistress and that Drakeā€™s view of her at the Orient did not argue necessarily that she had yet sunk to the promiscuous livelihood of the Promenade.

Downstairs at the CafĆ© dā€™Orange was rather more like a corner of hell than Michael had anticipated. The tobacco smoke which could not rise in these subterranean airs hung in a blue murk round the gaudy hats and vile faces, while from the roof the electric lamps shone dazzlingly down and made a patchwork of light and shade and color. In a corner left by the sweep of the stairs a quartet of unkempt musicians in seamy tunics of beer-stained scarlet frogged with debilitated braid were grinding out ragtime. The noisy tune in combination with the talking and laughter, the chink of glasses and the shouted acknowledgments of the waiters made such a din that Michael stood for a moment in confusion, debating the possibility of one more person threading his way through the serried tables to a seat.

There were three arched recesses at the opposite end of the room, and in one of these he thought he could see a table with a vacant place. So paying no heed to the women who hailed him on the way he moved across and sat down. A waiter pounced upon him voraciously for orders, and soon with an unrequited drink he was meditating upon the scene before him in that state of curious tranquillity which was nearly always induced by ceaseless circumfluent clamor. Sitting in this tunnel-shaped alcove, he seemed to be in the box of a theater whence the actions and voices of the contemplated company had the unreality of an operatic finale. After a time the various groups and individuals were separated in his mind, so that in their movements he began to take an easily transferred interest, endowing them with pleasant or unpleasant characteristics in turn. Round him in the alcove there were strange contrasts of behavior. At one table four offensive youths were showing off with exaggerated laughter for the benefit of nobodyā€™s attention. Behind them in the crepuscule of two broken lamps a leaden-lidded girl; ivory white and cloying the air with her heavy perfume, was arguing in low passionate tones with a cold-eyed listener who with a straw was tracing niggling hieroglyphics upon a moist surface of cigarette-ash. In the deepest corner a girl with a high complexion and bright eyes was making ardent love to a partially drunk and bearded man, winking the while over her shoulder at whoever would watch her comedy. The other places were filled by impersonal women who sipped from their

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