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he knows that they are closing in on it. Catherine and Andyā€™s daughter Emily are going to wonder what the hell is going on when the helicopter closes in and lands in the grounds next to the cottage. Winters prays once more that Catherine will keep their conversation to herself as the helicopter slows for its descent.

The helicopter manoeuvres around, changing Wintersā€™ view, and then he sees it, the cottage just past the sand dunes. He doubted heā€™d ever see the building again when he left it and yet there it is, growing larger in front of his eyes.

Light suddenly pours out of the cottageā€™s front door as it is swung open for a moment and a single person comes out of the building. Winters focuses on that person and sees it is a woman, her dark hair swirling above her head, caught in the downdraft of the rotors. He is not surprised to see that it is Catherine who has come out to face the unexpected arrival. She waits close to the cottage for them to land, her arms crossed and a stern look etched across her face.

As the helicopter touches down, Winters notices two of the men in the cabin, Major Reesā€™s supposed ā€˜medical assistantsā€™, pad the left side of their chests under their windbreaker jackets. Any notion that the two men have any significant medical knowledge is dispelled from Wintersā€™ mind. They are here for one reason and one reason only, just as he had suspected.

The engines begin to wind down and just as before, the co-pilot jumps out of the cockpit to open the cabin door to let Major Rees out. Rees doesnā€™t hesitate; he climbs straight out of the cabin and strides across the grass, towards the cottage and the waiting Catherine. This time, Winters doesnā€™t delay, he follows Rees straight out, apologising to the two armed men as he goes, who stall in their seats as Winters beats them to the door.

Following Rees, Winters keeps pace with the Major whilst not crowding him, keen to give Catherine some kind of warning signal. The last thing he or Andy needs now is for him to be up on charges of insubordination and out of the game.

ā€œCatherine Hamilton, I take it?ā€ Major Rees demands as he approaches the woman before him.

ā€œWho are you and what business is it of yours?ā€ Catherine answers, her arms still crossed and appearing unfazed by the Major.

ā€œIā€™m Major Stephen Rees. I was due to meet Captain Richards for his appointment at the hospital today. He didnā€™t attend his appointment, so I thought Iā€™d drop by to see him, where is he?ā€

Catherineā€™s head turns slightly to look at Lieutenant Winters as if unsure what to say. The look is obvious, and Reesā€™s head begins to turn to look at Winters also. Wintersā€™ bulging eyes and the faint shake of his head evaporate in the instant before Major Reesā€™s eyes fall on him. Winters, his nerves prickling, can only hope that Catherine saw his signal and thinks fast to divert the Majorā€™s attention.

ā€œLieutenant Winters, I didnā€™t think weā€™d be seeing you again so soon.ā€ Catherineā€™s words covering her look perfectly.

ā€œI thought Iā€™d tag along with the Major to see Andy at the hospital and to see how he got on,ā€ Winters replies.

ā€œThatā€™s nice of you Lieutenant,ā€ Catherine plays along.

ā€œHe didnā€™t turn up though, where is he?ā€ Winters asks, knowing full well.

ā€œIā€™m afraid he was called away suddenly on urgent family business. I told him to phone the hospital to tell them he couldnā€™t make the appointment, but it must have slipped his mind.ā€

ā€œWhat family business?ā€ Rees asks, his attention now back where it should be.

ā€œPrivate family business, Major.ā€ Catherine bats Major Reesā€™s question away.

ā€œMs Hamilton, I demand you tell me where Captain Richards is,ā€ Rees snaps.

ā€œIt is none of your business, Major. But if youā€™d like to leave me your number, I will try and get a message to Andy to contact you as soon as he can.ā€

ā€œThat is not acceptable Ms Hamilton. Iā€™m here in an official capacity and I need to speak to Captain Richards immediately,ā€ Rees barks, edging forwards, losing his cool.

ā€œIf you need to speak to Andy urgently then I suggest you try and phone him, Major. Lieutenant Winters has his number,ā€ Catherine replies coolly.

ā€œHe isnā€™t answering his calls, Ms Hamilton.ā€

ā€œThen I canā€™t help you,ā€ Catherine retorts.

ā€œAre you sure he isnā€™t here, inside maybe?ā€ Rees presses.

ā€œHe isnā€™t here. If he were, I wouldnā€™t be out here being interrogated. You are welcome to look.ā€

Rees turns and nods sternly at the two men with weapons under their jackets, who immediately step forward, towards the cottageā€™s front door.

ā€œJust one moment, please,ā€ Catherine says, stepping back towards the door and blocking the menā€™s path.

The two burly operators come to a sudden stop in their tracks, unsure what to do. They look at each other and then at the Major, foiled by the woman in front of them with the windswept hair.

Catherine leaves the two men where they stand and turns for the front door. ā€œGirls, can you come outside for a minute please?ā€ she shouts as she opens the door. Almost immediately, Emily and Stacey emerge from inside the cottage, both wearing their pyjamas and both obviously listening close by inside.

ā€œGentlemen,ā€ Catherine says, when the girls are by her side, showing the men inside with one hand and an annoyed expression on her face.

The two men accept Catherineā€™s invitation to go in, even if they do so sheepishly.

ā€œAre they looking for Dad?ā€ Emily asks, looking up to Catherine.

ā€œYes, Emily, they are.ā€

ā€œWell, they wonā€™t find him in there, will they?ā€ Emily remarks.

ā€œNo, no they wonā€™t,ā€ Catherine agrees.

ā€œSilly men,ā€ Emily says looking back towards the door, her pyjama legs flapping in the breeze.

Winters suppresses the grin that tries to spread across his face as he stands silently waiting. Rees, next to him, turns away from the front door to look at their surroundings, obviously realising that Richards isnā€™t inside the cottage.

ā€œCaptain Richards isnā€™t inside, Sir,ā€

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