Say Yes to Murder by Todhunter Ballard (classic books for 13 year olds .TXT) đ
- Author: Todhunter Ballard
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She moved with surprising swiftness. She was before him, he slender body between him and the door. âNo!â
Lennox was past argument. He wasted no time. He caught her as he had caught Kittyâs maid and lifted her out of his way.
At first glance he thought the bedroom was empty. It was a big affair with a too-lacy look, as though furnished for the inmate of a parlor house. The bed was wide, with a white, antiqued head of flimsy-looking wood. The bed table was sprayed to match, and the phone was ivory.
The bed itself was flawlessly made, and not so much as a wrinkle marred the perfection of its surface. He was ready to turn around and apologize, and then he saw the shoe.
It protruded a little from beneath the spread. For just a moment he thought Heyworth was hiding under the bed, and one corner of his mouth quirked up in the beginning of a grin. Then his lips straightened and his eyes narrowed, for the shoe was turned the wrong way. If a man were hiding there he would not lie on his back.
Lennox had a sensation almost of terror. His muscles across his stomach contracted, and for a while he thought he was going to be sick. Then he recovered himself and crossed to the bed in three long steps. He bent down, lifted the spread, seized the shoe, and pulled the man from his place of concealment.
It was Heyworth all right, and he was dead. Heâd been dead for a long time. The blood around the knife, which still protruded from his shirt front on the left, was dried, caked and hard from the action of the air. Lennox straightened slowly and turned. He expected to find the girl gone, but she wasnât. She was standing in the doorway watching him with unmoving black eyes.
âThis makes it tough,â he said. The words had an inane sound. That did not trouble him too much. He realized that anything said under the circumstances would sound inane.
âWhy did you kill him?â
She said: âI didnât,â and left the words hanging between them in the still air.
âWho killed him?â
She shook her head. âI donât know.â
Lennox said: âNow listen. He brings you home, heâs dead, hidden under your bed, and you donât know who killed him?â
She began to cry. He hadnât known she could cry, and there was nothing soft in the way she did it. It was more like a rapidly gathering storm, the sobs shaking her slim shoulders.
âI donât know. He brought me home and he wouldnât leave. So I did. I went over to a friendâs place. I spent the night there. When I came home less than an hour ago I found him there, just where you found him. All I did was pull the cover down so that⊠so that it would hide his feet.â
âYou didnât do a very good job.â Lennox sounded cynical. He didnât believe the story. It was too absurd, too fantastic. Even a ten-year-old child should be able to think up a more convincing one.
She was far above the average mentally, and anyone who would recite Chaucer when drunkâŠ. It might just be true. Truth always sounded more incredible than lies. He remembered that from his legman days.
âWho is this friend? Can she alibi you?â
Jean Jeffries shook her head. She had regained control and the sobs had stopped. âNoâŠ.â Hopelessness had replaced the mask of self-confidence with which she had first greeted him. âSheâs out of town. At Big Bear for the week. She left the key to her apartment with me. Thatâs why I went there.â
He watched her reflectively. He wasnât considering her as an individual. Nor was he interested in Heyworth. Death, when it did not touch him directly, meant little. Three years on a Chicago police beat had immunized him to violence. He considered the murder only from the effect it would have on the studio, on the picture. And yesâon Mary Morris.
Mary was important, both in herself and as Generalâs best current box-office attraction. Some publicity was very helpfulâsome worse than noneâand the word murder connected even remotely with a player had marked the finish of more than one promising career.
âThe first thing weâve got to do is get that body out of here. It will be bad enough with Heyworth dead, but worse if heâs found here.â
She looked startled as if the possibility had not occurred to her. âMove his body? But how?â
He said: âThatâs my problem,â and was already reaching for the bedside phone. He dialed a number and said to the man who answered: âLet me talk to Jake.â
The girlâs dark eyes had lost some of their starry expression. There was hope in the set of her shoulders, hope in the way she came toward him.
âThank you. I didnât thinkâŠâ
But he was talking into the instrument. âJake, this is Bill. Get a truck. No, not from the prop department. Better rent one and wear whiskers when you do. Find an empty piano box. No. Come alone, and for Godâs sake, keep your mouth shut. Yeah. A Dig radio packing case will do if itâs big enough. But make it fast.â He gave the apartment number and hung up.
She tried again to thank him, and he looked at her as though he couldnât recall seeing her before.
She said: âI didnât know where to turnâwhat to do. I was like a child, prayingâpromising that if I ever got out of this jam Iâd never, never do anything out of the way again. Youâre swell, Lennox. Iâve heard of you ever since I came to town. I didnât believe the stories I heard. I thought it was the same old malarkeyâthe old Hollywood needle. If I can ever do anything for youâŠâ
He told her harshly: âYouâre on the wrong wave length, sweetheart. Iâm not doing this for you, or himââhe jerked his thumb toward the dead manââor even for your grandmother. Iâm just saving myself as much trouble as I can. The cops and the papers will ask plenty of questions even if that body is found in Heyworthâs own garden.â
He turned to look again at the murdered man. The knife stood out at right angles from the breast, not slanting either up or down. The handle was curiously carved, and he bent to examine it, saying over his shoulder. âYour prints arenât on this, are they?â
She caught her breath. âYou mean, you think that I killed him and youâre willing to move the body, anyway?â
He exploded. âI donât care who killed him. If your prints are on that knife, say so and Iâll wipe them off.â
âThey arenât.â
âAll right. Go into the other room and sit down. When Jake shows up, send him in here.â
Without a word she disappeared and Lennox looked around. There was no stain on the beige carpet, but there was a place on the polished floor which looked as if it had been wiped up. And the knife was in the wound so tightly that Heyworth had probably not bled much.
He wanted to be certain that there were no telltale marks left, so he moved the bed. No blood here. He couldnât find anything that might have given a clue that there had been murder save the wiped-up place on the polished floor.
He used his handkerchief on it, just in case, and then started for the connecting door intending to ask the girl if she had cleaned up the stain and what she had done with the cloth or with whatever she had used to wipe the floor, but he had another thought. He turned and went into the bathroom.
There were no indications of the tragedy here, no soiled towels or stains of any kind. Someone had done a neat job of cleaning up.
He returned to the bedroom, crossed it, and went on into the white and gold living room. The girl had been sitting straight-backed on the divan in an attitude of waiting. She turned her head quickly.
âWhere was the body when you found it?â Lennox demanded.
âUnder the bed,â her voice was steady. âI tried to move it, to shove him back farther out of sight, but he was so heavy.â
âDid you clean up that bare floor beside the dressing table?â
She looked startled. âWhy, no, I didnât clean up anythingâŠ. I didnât see anything that needed cleaning up.â
Lennox frowned. If she was telling the truth, someone else had been at pains to clean up the apartment, yet they had left the body under the bed.
The girl said, nervously, âThis⊠this Jake. Mightnât he call the police?â
Lennox shook his head. âJake would do a stretch if I told him to. Heâs one man I can trust.â He turned without further words and disappeared into the bedroom.
2.
Jake Hertz was small and wiry, with a black mop of hair so curly that it defied the efforts of the stoutest comb. Barbers complained that Jakeâs hair turned the edge of their scissors and that his beard dulled the sharpest razorâa complaint Mr. Hertz accepted as a personal compliment. âEven me hair is too tough for âem,â he was apt to remark after the third beer.
The box which he juggled into the room was bigger than he was, and he set it down with an air of proud proprietorship. âA honey, huh?â
Lennox nodded his approval. âBring it in here.â He led the way to the bedroom.
Jake followed, and his expression did not alter when he saw the corpse. âHeyworth! Neat job. The bird that handled that knife knew how.â
âThink we can get him in?â
âCinch,â said Jake, and went to work. âHe wonât mind if heâs a little cramped.â
âNo,â Lennox agreed. âI donât think heâll mind. Where are you parked?â
âIn the alley,â Hertz said. âI came up in the freight elevator and no one saw me.â
The truck was a U-drive-it, rented in the name of Abraham Washington. For some reason he did not trouble to explain, Jake thought it sounded like a respectable name.
Outside the late afternoon sun beat strongly on Lennoxâ back as they loaded the box onto the truck. He gave Jake instructions explicitly. He was to stay out of the way until dark, then leave Heyworth in the lower garden at the foot of the actorâs hillside lot. He was to take the box away with him and burn it in his own fireplace. That done, Lennox went back to the apartment and had the girl vacuum the rugs to remove any chance splinters.
When it was finished he told her: âThatâs all, kid. Forget it happened. And if you want adviceâwhich you probably donâtâhead east.â .
They were standing facing each other, and he did not know what she was going to do until she suddenly came up onto her tiptoes and pressed her mouth tight against his. It startled him. It wasnât unpleasant. Heâd kissed women before and enjoyed it less. He fumbled, not knowing quite what to do, and the sound of the apartment buzzer made decision unnecessary.
âBetter see who it is,â he told her, and took a careful seat at the end of the divan.
He couldnât see the door from where he sat. He heard a rumble of voices and thought there was something familiar in the sound, but he couldnât place it until the two men followed the girl into the room.
The first was a heavy-set man with a red beefsteak complexion and rather small, round blue eyes. The lower lip was a little too long, giving his wide mouth a discontented look under the shadow of his bulbous nose. Lennox couldnât have
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