Short Fiction P. G. Wodehouse (good books to read in english .txt) đ
- Author: P. G. Wodehouse
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George finished lacing his shoe and looked up.
âListen,â he said; âIâll talk slow, so that you can understand. Suppose you fell off a pier, and a girl took a great deal of trouble to get you to the shore, would you say, âMuch obliged, but you neednât have been so officious. I can swim perfectly well?âââ
Mr. Mifflin considered this point. Intelligence began to dawn in his face. âThere is more in this than meets the eye,â he said. âTell me all.â
âThis morningââ âGeorgeâs voice grew dreamyâ ââshe gave me a swimming-lesson. She thought it was my first. Donât cackle like that. Thereâs nothing to laugh at.â
Mr. Mifflin contradicted this assertion.
âThere is you,â he said, simply. âThis should be a lesson to you, George. Avoid deceit. In future be simple and straightforward. Take me as your model. You have managed to scrape through this time. Donât risk it again. You are young. There is still time to make a fresh start. It only needs willpower. Meanwhile, lend me something to wear. They are going to take a week drying my clothes.â
There was a rehearsal at the Beach Theatre that evening. George attended it in a spirit of resignation and left it in one of elation. Three days had passed since his last sight of the company at work, and in those three days, apparently, the impossible had been achieved. There was a snap and go about the piece now. The leading lady had at length mastered that cue, and gave it out with bell-like clearness. Arthur Mifflin, as if refreshed and braced by his saltwater bath, was infusing a welcome vigour into his part. And even the comedian, George could not help admitting, showed signs of being on the eve of becoming funny. It was with a light heart and a light step that he made his way back to the hotel.
In the veranda were a number of basket-chairs. Only one was occupied. He recognized the occupant.
âIâve just come back from a rehearsal,â he said, seating himself beside her.
âReally?â
âThe whole thing is different,â he went on, buoyantly. âThey know their lines. They act as if they meant it. Arthur Mifflinâs fine. The comedianâs improved till you wouldnât know him. Iâm awfully pleased about it.â
âReally?â
George felt damped.
âI thought you might be pleased, too,â he said, lamely.
âOf course I am glad that things are going well. Your accident this afternoon was lucky, too, in a way, was it not? It will interest people in the play.â
âYou heard about it?â
âI have been hearing about nothing else.â
âCurious it happening so soon afterâ ââ
âAnd so soon before the production of your play. Most curious.â
There was a silence. George began to feel uneasy. You could never tell with women, of course. It might be nothing; but it looked uncommonly as ifâ â
He changed the subject.
âHow is your aunt this evening, Miss Vaughan?â
âQuite well, thank you. She went in. She found it a little chilly.â
George heartily commended her good sense. A little chilly did not begin to express it. If the girl had been like this all the evening, he wondered her aunt had not caught pneumonia. He tried again.
âWill you have time to give me another lesson tomorrow?â he said.
She turned on him.
âMr. Callender, donât you think this farce has gone on long enough?â
Once, in the dear, dead days beyond recall, when but a happy child, George had been smitten unexpectedly by a sportive playmate a bare half-inch below his third waistcoat-button. The resulting emotions were still green in his memory. As he had felt then, so did he feel now.
âMiss Vaughan! I donât understand.â
âReally?â
âWhat have I done?â
âYou have forgotten how to swim.â
A warm and prickly sensation began to manifest itself in the region of Georgeâs forehead.
âForgotten!â
âForgotten. And in a few months. I thought I had seen you before, and today I remembered. It was just about this time last year that I saw you at Hayling Island swimming perfectly wonderfully, and today you are taking lessons. Can you explain it?â
A frog-like croak was the best George could do in that line.
She went on.
âBusiness is business, I suppose, and a play has to be advertised somehow. Butâ ââ
âYou donât thinkâ ââ croaked George.
âI should have thought it rather beneath the dignity of an author; but, of course, you know your own business best. Only I object to being a conspirator. I am sorry for your sake that yesterdayâs episode attracted so little attention. Today it was much more satisfactory, wasnât it? I am so glad.â
There was a massive silence for about a hundred years.
âI think Iâll go for a short stroll,â said George.
Scarcely had he disappeared when the long form of Mr. Mifflin emerged from the shadow beyond the veranda.
âCould you spare me a moment?â
The girl looked up. The man was a stranger. She inclined her head coldly.
âMy name is Mifflin,â said the other, dropping comfortably into the chair which had held the remains of George.
The girl inclined her head again more coldly; but it took more than that to embarrass Mr. Mifflin. Dynamite might have done it, but not coldness.
âThe Mifflin,â he explained, crossing his legs. âI overheard your conversation just now.â
âYou were listening?â said the girl, scornfully.
âFor all I was worth,â said Mr. Mifflin. âThese things are very much a matter of habit. For years I have been playing in pieces where I have had to stand concealed up stage, drinking in the private conversation of other people, and the thing has become a second nature to me. However, leaving that point for a moment, what I wish to say is that I
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