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apologized. “Sorry, let me start at the beginnin’.” He gave
them the information he’d gotten from Blimpey, being
sure not to mention that Blimpey was his source. He took
his time and spoke carefully, making certain he gave them
every little detail he’d heard about Keith Muran and John
Addison. He finished by telling them about his trip to Merriman’s Metal Works and what he’d overheard from the workers in the courtyard. “So that’s why I want to go back
out tonight. There’s bound to be a bellboy or footman from
the hotel that can tell us more about Addison.”
“And you think Addison is a likely suspect?” Mrs. Jeffries
asked.
“Addison ’as been tryin’ to get his hands on Merriman’s
since before Mrs. Muran was murdered, and now that she’s
dead, he’s got his chance,” Smythe explained. “Keith Mu-
ran is probably goin’ to sell to him. I think the workers resent Muran. He wouldn’t even stop to talk to ’em today.”
“I shouldn’t wonder,” Ruth said softly. “Caroline Muran
was a wonderful employer and very much loved by her
workers. She thought their welfare was just as important as
her profits.”
“Maybe you can find out if John Addison has a gun,”
Wiggins suggested. “Mind you, that’s actually ’arder to
find out than it might sound. I didn’t ’ave much luck with it
today.”
“Well it doesn’t sound like Mr. Muran is followin’ in his
late wife’s footsteps,” Mrs. Goodge commented.
“When someone is murdered, one of the questions you
have to ask yourself is who benefits from the victim’s
death.” Smythe took a quick sip of tea. “It seems to me that
John Addison is right at the top of the list. Buyin’ Merriman’s will keep him from goin’ bankrupt.”
Mrs. Jeffries shook her head in disbelief. “I find it hard
to believe that someone would commit murder to get their
hands on a business.”
“So do I,” Betsy agreed.
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“I don’t,” Wiggins said. “Goin’ bankrupt is a pretty powerful motive, and what’s more, we don’t have us that many suspects, so we ought to ’ang onto the few we’ve got. Cor
blimey, that didn’t come out right.”
“I think we all understand what you mean, Wiggins,”
Mrs. Goodge said. “But after you hear what I’ve learned,
we may have a few more people we can put on our suspect
list. Mind you, though, John Addison does seem to have
benefited nicely from Mrs. Muran’s murder.”
“But perhaps others have as well.” Mrs. Jeffries pushed
the bread and butter toward Smythe.
“Come on, Mrs. Jeffries, we’ve seen people killed for the
strangest of reasons,” Smythe argued. “It seems to me that
wantin’ someone’s factory isn’t much different than wantin’
someone’s money.”
“But a murder would involve so many risks,” she replied.
“John Addison would have to be sure that even with Mrs.
Muran dead, Mr. Muran was prepared to sell to him.”
“Maybe he was sure,” Ruth said.
“Murder is a risky business,” Mrs. Goodge pointed out,
“and most killers think it’s a risk worth taking.”
C H A P T E R 6
Q
“True.” Mrs. Jeffries nodded in agreement. “Let’s hope
the risks this particular killer took will lead us straight to
him or her.” Despite all they’d learned, she’d still not
come up with any reasonable ideas about this case, and
that worried her. Then again, perhaps she was expecting
too much—they had only just begun their investigation.
“Were you able to find out the name of the sacked factory
manager?”
Smythe shook his head and got to his feet. “I ran out of
time. I’ll have a go at that tomorrow and at taking a gander
at the murder scene.”
“Don’t bother. There’s nothing to see exceptin’ a work
hall and a fat lot of empty buildings,” Wiggins said. “I
wasted the whole afternoon there and didn’t find out anything worth knowin’.”
Betsy got up. “I thought you were going to snoop about
the Muran neighborhood today.”
Wiggins grinned broadly. “I did, and I think I might ’ave
found out somethin’ interestin’. But by the time I got finished
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followin’ the ladies to Chelsea and got back to Drayton Gardens, there was no one about.”
“What ladies?” Mrs. Goodge demanded.
“It’s a bit complicated,” Wiggins replied.
“And it sounds like it’ll take more time to tell than I’ve
got.” Smythe grabbed Betsy’s hand and pulled her toward
the hall. “You can tell me everything later,” he told her.
“Mind you don’t stay out too long,” Betsy murmured as
soon as they were out of earshot of the others. “I’m going
to wait up for you.”
“Don’t. You need your rest, lass, and I might be hours.
Anything you hear tonight can keep until tomorrow morning.” He gave her a quick kiss and stepped out into the night.
Betsy closed the door and leaned against it for a moment. She hated it when he went out alone at night. Smythe could take care of himself, of that she was sure, but nonetheless, once the darkness set in, she’d rather have him safely home.
Mrs. Jeffries waited until Betsy took her chair before
asking, “Who would like to go next? Or should we let Wiggins do his explaining before we go any further?”
“His information certainly sounds intriguing,” Ruth
said.
Wiggins smiled self-consciously. “It might be nothing,
but then again, you never know. When I got to Drayton
Gardens this morning, two ladies come strollin’ out the
front door of the Muran house like they owned the place.
So I followed them.” He took a quick sip of tea and told
them how he’d had a feeling the women might be important so he’d trailed them to the tea shop. “I got lucky enough to get a table close to ’em so I heard everything
they was sayin’.” He repeated the conversation he’d overheard. “Then I followed ’em to a little house in Chelsea.”
“What if they were just visiting the Muran house?” Betsy
speculated.
“They might be Caroline Muran’s cousins,” Mrs. Goodge
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99
added. “My sources mentioned that she had cousins living
in Chelsea. It’s probably these two.”
Mrs. Jeffries said nothing for a moment. “I expect you’re
right. Constable Barnes said there were two women with
Keith Muran when he came and collected his watch from
the Yard.”
“You’ve spoken to Constable Barnes?” Mrs. Goodge
asked.
“Yes. I’ll tell you all about it in a few minutes.” She
glanced at Wiggins. “Are you finished?”
“That’s all I found out.” Wiggins decided not to talk
about the boardman he’d taken to the
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