The Thief Clive Cussler (freenovel24 TXT) đ
- Author: Clive Cussler
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âWhatâs that?â Bell asked. They were passing a door marked âKinetophone Laboratory,â and through the top glass he could see an older bearded man hunched over a catâs cradle of wires and pulleys that linked a moving picture projector to a phonograph. Joe Van Dorn, Bell recalled, had been disappointed by a Kinetophone. âI said, âWhatâs that?ââ
âJust an experiment.â
âIâd like to see it.â
âItâs not ready to be seen.â
âI donât mind,â said Bell, and pushed through the door, ignoring his guideâs protests. The bearded old man looked up, blinking in surprise, as if unaccustomed to visitors.
âWe should not be in here, Mr. Bell,â said the functionary. âThis experiment is very important to Mr. Edison. Much is riding on it.â
âGo ask Mr. Edisonâs permission,â said Bell. âIâll wait here. Go on!â
The functionary scuttled out. Bell said to the old man, âA fellow I know saw one of these in Cincinnati. Is this one that youâre repairing?â
âRepairing? Donât make me laugh. God Himself couldnât repair this piece of trash.â
âWhatâs wrong with it? Why is it trash?â
âListen.â He moved an electric switch, and the machine projected on the wall a moving picture of a woman singing. At the same time, the phonograph cylinder began spinning. The wires connecting the two machines whirred, their pulleys clattered, and the womanâs voice emerged from the phonograph horn, thin, harsh, and grating, as Van Dorn had said. Within ten seconds her voice had fallen behind the movement of her lips.
âShe doesnât sound synchronized with her picture,â said Bell.
âAnd never will be,â said the old man.
The song ended, but the woman appeared to keep on singing. Her mouth opened wide, holding a note, while from the horn a male voice said, âWhat a fine voice you have.â Five seconds later a man appeared, mouthing the words he had spoken earlier and clapping silently as an invisible violin played. At last the violinist appeared.
âThatâs rather funny,â said Bell.
âIt is supposed to be a drama.â
âIf it canât be fixed, why are you working on it?â
âBecause this is the only job Edison will give me,â the old man answered bitterly. âHe has younger men working on similar experiments, but theyâre all trash.â
âWhy donât you work elsewhere?â
The old man looked at Isaac Bell. A strange light shone in his eyes as if he were staring so deeply inward that he could not quite see what was in front of him. âEdison bankrupted me. I had debts I could never repay. Edison bought them up. I owe him. I am forced to work here.â
âWhy would Mr. Edison want you to work on something that doesnât work?â
âDonât you understand?â the old man railed, and Bell wondered about the manâs sanity. âHe keeps me from inventing things that would put him out of business. He stole my greatest invention, and now he makes sure I will never invent another.â
âWhat invention?â Bell asked gently, feeling sorrow for the manâs distress.
âI invented an inexpensive gramophone. Edison copied itâpoorly, shabbily. Mine was better, but he undercut the price and inundated the market with cheap copies. He named his âphonograph.â People fell for itâpeople are such foolsâand bought the less expensive one. He drove me out of business.â
âWhen was this?â asked Bell.
âLong, long ago.â His face worked, contorted, and he shouted, âMine was a beautiful machine. He is a monster.â
The door flew open. The functionary had returned with a heavyset bruiser whose coat bulged with saps and a pistol. âO.K., mister, out of here,â he ordered, and took Bellâs arm.
The tall detective turned eyes on him as bleak as an ice field and said, very softly, âDonât.â
The bruiser let go.
âTake me back to Mr. Edison.â
THOMAS EDISON WAS NOT SMILING when Isaac walked into the soundproof recording room, and Clyde Lyndsâs normally cheery countenance had hardened into one tight-lipped with anger.
âThere you are, Mr. Bell. We were just finishing up our discussion. Clyde, I look forward to hearing back from you as soon as youâve had the opportunity to speak with your lawyer. Good day, gentlemen.â
The shadow of a grin crossed Clydeâs face, and he scrawled on his sketch pad, Good day.
âWould you leave your drawings with me?â Edison asked. âLet me peruse them at my leisure.â
To Isaac Bellâs surprise, Clyde handed them over.
He was unusually quiet on the trolley to Newark. Bell waited until they boarded a train for Pennsylvania Station to ask, âWhat did Mr. Edison think of your machine?â
âI believe he thinks that it is very, very valuable. Of course he didnât say that.â
âWhat did he say?â
âIn exchange for providing a laboratory, he demands complete control of the patent, not just license to manufacture it. In other words, he would own it.â
âThose are harsh terms.â
Clyde grinned. âIâm taking them as a genuine vote of confidence. If a man as smart as Thomas Edison wants to steal it, Talking Pictures must be worth a fortune.â
Bell said, âI had a gander at his âKinetophone.â It didnât strike me itâs going anywhere.â
âAll mechanical methods of synchronization are doomed to failure,â Clyde said, flatly. âThe Professor and I figured out at the start that weâd never get two separate machines to run precisely synchronized. We knew we had to invent a better way. And we did. Better and completely different.â
âWasnât it risky giving Edison your plans?â
Clyde laughed. âI gave him fake plans.â
âDid you really? That was slickly done,â said Bell. âI never tumbled.â
âI gave him notes for an acoustic microphone instead of the Professorâs electrical one, and I gave him drawings for a synchronization contraption similar to the Kinetophone you saw at the laboratory.â
âSimilar? How do you know?â
âThe Professor and I studied every cockamamie talker scheme in the worldâFrench, Russian, German, Britishâplus every damned one Edison copied from someone else.â
Isaac Bell was fast coming to the conclusion that Clyde Lynds was shrewder than he had let on. âSo you werenât surprised by Edisonâs move this afternoon.â
Clyde Lynds sighed and
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