Sinister Street Compton Mackenzie (good novels to read in english .TXT) 📖

Maurice prophesied. “Look at this neighborhood we’re driving through now. Impossible to live here!”

They were in the Hampstead Road.

“I haven’t any intention of doing so,” Michael laughed. “But there remains the neighborhood of the canal, the neighborhood you originally suggested. Hampstead was an afterthought.”

“Wonderful house!” Maurice sighed. “I shall always regret you didn’t take it.”

However, when they had paid off the cab, he became interested by the new prospect; and they wandered for a while, peering through fantastic railings at houses upon the steep banks of the canal, houses that seemed to have been stained to a sad green by the laurels planted close around them. Nothing feasible for a lodging was discovered near Regent’s Park; and they crossed St. John’s Wood and Maida Vale, walking on until they reached a point where at the confluence of two branches the canal became a large triangular sheet of water. Occupying the whole length of the base of this triangle and almost level with the water, stood the garden of a very large square house.

“There’s a curious place,” said Michael. “How on earth does one get at it?”

They followed the road, which was considerably higher than the level of the canal, and found that the front door was reached by an entrance down a flight of steps.

“Ararat House,” Michael read.

“Flat to let,” Maurice read.

“I think this looks rather promising,” said Michael.

It was an extraordinary pile, built in some Palladian nightmare. A portico of dull crimson columns ran round three sides of the house, under a frieze of bearded masks. The windows were all very large, and so irregularly placed as completely to destroy the classic illusion. The stucco had been painted a color that was neither pink nor cream nor buff, but a mixture of all three; and every bit of space left by the windows was filled with banderoles of illegible inscriptions and with plaster garlands, horns, lyres, urns, and Grecian helmets. There must have been half an acre of garden round it, a wilderness of shrubs and rank grass with here and there a dislustered conservatory. The house would have seemed uninhabitable save for the announcement of the flat to be let, which was painted on a board roped to one of the columns.

They descended the steps and pressed a bell marked Housekeeper. Yes, there was a flat to let on the ground floor; in fact, the whole of the ground floor with the exception of this part of the hall and the rooms on either side. The housekeeper threw her apron over her shoulder like a plaid and unlocked a door in a wooden partition that divided the flat called Number One from the rest of Ararat House.

They passed through and examined the two gaunt bedrooms: one of them had an alcove, which pleased Michael very much. He decided that without much difficulty it could be made to resemble a Carpaccio interior. The dining-room was decorated with Spanish leather and must have been very brilliantly lit by the late tenants, for everywhere from the ceiling and walls electric wires protruded like asps. There was also a murky kitchen; and finally the housekeeper led the way through double doors into the drawing-room.

As soon as he had stepped inside, Michael was sure that he and Lily must live here.

It was a room that recalled at the first glance one of those gigantic saloons in ancient Venetian palaces; but as he looked about him he decided that any assignment in known topography was absurd. It was a room at once for Werther, for Taglioni, for the nocturnes of Chopin and the cameos of Théophile Gautier. Beckford might have filled it with orient gewgaws; Barbey d’Aurevilly could have strutted here; and in a corner Villiers de l’Isle Adam might have sat fiercely. The room was a tatterdemalion rococo barbarized more completely by gothic embellishments that nevertheless gave it the atmosphere of the fantasts with whom Michael had identified it.

“But this is like a scene in a pantomime,” Maurice exclaimed.

It was indeed like a scene in a pantomime, and a proscenium was wanted to frame suitably the effect of those fluted pillars that supported the ceiling with their groined arches. The traceries of the latter were gilded, and the spaces between were painted with florid groups of nymphs and cornucopias. At either end of the room were large fireplaces fructuated with marble pears and melons, and the floor was a parquet of black and yellow lozenges.

“It’s hideous,” Maurice exclaimed.

The housekeeper stood aside, watching impersonally.

“Hideous but rather fascinating,” Michael said. “Look at the queer melancholy light, and look at the view.”

It was, after all, the view which gave the character of romance to the room. Eight French windows, whose shutters one by one the housekeeper had opened while they were talking, admitted a light that was much subdued by the sprays of glossy evergreen outside. Seen through their leaves, the garden appeared to be a green twilight in which the statues and baskets of chipped and discolored stone had an air of overthrown magnificence. The housekeeper opened one of the windows, and they walked out into the wilderness, where ferns were growing on rockeries of slag and old tree-stumps; where the paths were smeared with bright green slime, with moss and sodden vegetation. They came to a wider path running by the bank of the canal, and, pausing here, they pondered the sheet of dead water where two swans were gliding slowly round an islet and where the reflections of the house beyond lay still and deep everywhere along the edge. The distant cries of London floated sharply down the air; smuts were falling perpetually; the bitter March air diffused in a dull sparkle tasted of the city’s breath: the circling of the swans round their islet made everything else the more immotionable.

“In summer this will be wonderful,” Michael predicted.

“On summer nights those swans will be swimming about among the stars,” Maurice said.

“Except that they’ll probably have retired to bed,” Michael pointed out.

“I wonder if they