The Last House on Needless Street Catriona Ward (classic book list .txt) 📖

certificate in delicate fingers. County Nurse of the Year. Dee wonders what it must do to you, to have a child like Ted. Does she still love him? Where is she?

The first time Dee tries to follow Ted into the forest, he stops at the trail head and waits in the dark. She hears him breathing there. She freezes. She is sure he can hear her heart. After a time he makes a sound like a slow beast and moves away into the forest. She knows she can’t follow, not this time. He felt her there.

She is relieved despite herself. The dark forest seems full of the sliding passage of snakes. She goes home and throws up.

Dee watches the house, instead, after that. After all, it is not him she has come for. She waits, patient. Wuthering Heights lies open on her lap, but she does not look at it. She stares at the house without pause, memorises each flake of paint that peels away from the old clapboard, each rusty nail, each frond of horsetail and dandelion that bobs against its walls.

Two days later, she has almost given up. Then, beneath the cicadas and the bees and flies and the chirping of sparrows and the hum of distant lawnmowers, she hears something that sounds like the tinkle of breaking glass. Every fibre of her strains towards the sound. Did it come from Ted’s house? She is almost certain that it did. So very nearly completely certain.

Dee rises from the floor, stiff from her long vigil. She decides that she will go over there. She thought she heard a window breaking, thought of burglars, she is just being neighbourly … It is a natural action.

As she does, Ted comes along the street. His walk is deliberately careful, like someone who is drunk or hurt. He carries a plastic bag by its handles.

Dee sits down again, quickly. At the sight of him, her vision goes dim at the edges, her palms are oily-slick. The body’s reactions to fear are so similar to that of love.

Ted opens the door, moving with that eerie care. Moments later there is the sound of laughter. The TV, maybe. Through it, Dee hears a high, clear voice saying, ‘I don’t want to do algebra.’

There is the low rumble of a male voice. It could be Ted. Dee strains. Her head aches with effort. The stretch of summer air that lies between the houses now seems thick and impenetrable as dough. A young girl begins to sing a song about woodlice. In all her days of watching, Dee has seen no one but Ted come and go.

Relief and horror flood her, so strong she can taste them in her mouth like mud and water. Her worst fear and her best hope are confirmed. There is a child in that house who does not leave. That’s all you know right now, she tells herself sternly. Step by step, Dee Dee. But she cannot help it. Lauren, she thinks. Lulu. Her given name, which is Laura. Lulu, Laura, Lauren. Such close sounds, lying almost atop one another.

To Dee, in that moment, the singing girl sounds exactly like her sister. The timbre, the little catch in her voice.

Ted

‘I don’t want to do algebra.’ Lauren is pouting with that little jut of the lip that drives me crazy.

‘No dice,’ I say. ‘And no whining, you hear? It’s algebra and geography day, so no more singing, that’s what we’re doing. Kitchen table, books – now please.’ It comes out sharper than I meant it to. I’m tired and I can’t stand it when her voice gets that tone. She really picked a day. I’m a lot lower on the pills than I thought.

‘My head hurts,’ she says.

‘Well, you got to stop pulling your hair like that.’ She takes a thin strand of brown and gnaws on the end of it. Then she tugs it, hard. There are thin patches all over her skull, now. Her favourite thing is to tear hair out. Mine, hers. Makes no difference. ‘You want me to send you back early? Behave, for goodness’ sake.’

‘Sorry, Dad.’ She puts her head down over the page. She is probably not doing algebra, but at least she has the sense to pretend. We are quiet for a time, and then she says, ‘Dad?’

‘Yes?’

‘I’ll make dinner tonight. You look tired.’

‘Thank you, Lauren.’ I have to wipe a tear away before she sees it. I feel bad for being so grouchy. And I can’t help hoping that she is beginning to take an interest in food.

She makes a mess, of course. She uses every pan in the kitchen, and when she burns the bottoms the corky acrid smell fills the house.

‘Stop watching me, Dad,’ she says. ‘I can do it.’

I raise my hands and back away.

The pasta is only half cooked and the sauce is sloppy and tastes like nothing. It has little cold lumps of meat in it. I eat everything she gives me.

‘Best dinner I ever had,’ I tell her. ‘Thank you, kitten. You used the new chuck I got today?’

She nods.

‘Mmmmm,’ I say. ‘You’re not eating much.’

‘I’m not hungry,’ she says.

‘Mommy used to say, “The chef never has an appetite”,’ I tell her. ‘Your grandmother. She said that a lot. Along with, “Never call a woman insane.”’

‘She wasn’t my grandmother,’ Lauren says quietly. I let that go because she has made such an effort today.

Afterwards I clean up, which takes some time, and we settle in for a quiet evening. Lauren sits in the middle of the kitchen floor. The night seems to be getting hotter, not cooler. Our skin is misted with sweat.

‘Can I open a window, Dad?’

‘You know we can’t.’ I wish we could, though. The air is solid heat.

She makes a disgusted ugh sound and takes off her blouse. Her undershirt is dirty; we need to do some laundry round here. The dry sound of marker on paper is soothing. When