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such a bang on the head from the door that he sustained concussion of the brain (he had a brain), and died. And here, under this tombstone, lies a man who from his cradle detested verses and epigrams.⁠ ⁠… As though to mock him his whole tombstone is adorned with verses.⁠ ⁠… There is someone coming!”

A man in a shabby overcoat, with a shaven, bluish-crimson countenance, overtook us. He had a bottle under his arm and a parcel of sausage was sticking out of his pocket.

“Where is the grave of Mushkin, the actor?” he asked us in a husky voice.

We conducted him towards the grave of Mushkin, the actor, who had died two years before.

“You are a government clerk, I suppose?” we asked him.

“No, an actor. Nowadays it is difficult to distinguish actors from clerks of the Consistory. No doubt you have noticed that.⁠ ⁠… That’s typical, but it’s not very flattering for the government clerk.”

It was with difficulty that we found the actor’s grave. It had sunken, was overgrown with weeds, and had lost all appearance of a grave. A cheap, little cross that had begun to rot, and was covered with green moss blackened by the frost, had an air of aged dejection and looked, as it were, ailing.

“… forgotten friend Mushkin⁠ ⁠…” we read.

Time had erased the never, and corrected the falsehood of man.

“A subscription for a monument to him was got up among actors and journalists, but they drank up the money, the dear fellows⁠ ⁠…” sighed the actor, bowing down to the ground and touching the wet earth with his knees and his cap.

“How do you mean, drank it?”

“That’s very simple. They collected the money, published a paragraph about it in the newspaper, and spent it on drink.⁠ ⁠… I don’t say it to blame them.⁠ ⁠… I hope it did them good, dear things! Good health to them, and eternal memory to him.”

“Drinking means bad health, and eternal memory nothing but sadness. God give us remembrance for a time, but eternal memory⁠—what next!”

“You are right there. Mushkin was a well-known man, you see; there were a dozen wreaths on the coffin, and he is already forgotten. Those to whom he was dear have forgotten him, but those to whom he did harm remember him. I, for instance, shall never, never forget him, for I got nothing but harm from him. I have no love for the deceased.”

“What harm did he do you?”

“Great harm,” sighed the actor, and an expression of bitter resentment overspread his face. “To me he was a villain and a scoundrel⁠—the Kingdom of Heaven be his! It was through looking at him and listening to him that I became an actor. By his art he lured me from the parental home, he enticed me with the excitements of an actor’s life, promised me all sorts of things⁠—and brought tears and sorrow.⁠ ⁠… An actor’s lot is a bitter one! I have lost youth, sobriety, and the divine semblance.⁠ ⁠… I haven’t a halfpenny to bless myself with, my shoes are down at heel, my breeches are frayed and patched, and my face looks as if it had been gnawed by dogs.⁠ ⁠… My head’s full of freethinking and nonsense.⁠ ⁠… He robbed me of my faith⁠—my evil genius! It would have been something if I had had talent, but as it is, I am ruined for nothing.⁠ ⁠… It’s cold, honoured friends.⁠ ⁠… Won’t you have some? There is enough for all.⁠ ⁠… B-r-r-r.⁠ ⁠… Let us drink to the rest of his soul! Though I don’t like him and though he’s dead, he was the only one I had in the world, the only one. It’s the last time I shall visit him.⁠ ⁠… The doctors say I shall soon die of drink, so here I have come to say goodbye. One must forgive one’s enemies.”

We left the actor to converse with the dead Mushkin and went on. It began drizzling a fine cold rain.

At the turning into the principal avenue strewn with gravel, we met a funeral procession. Four bearers, wearing white calico sashes and muddy high boots with leaves sticking on them, carried the brown coffin. It was getting dark and they hastened, stumbling and shaking their burden.⁠ ⁠…

“We’ve only been walking here for a couple of hours and that is the third brought in already.⁠ ⁠… Shall we go home, friends?”

Oysters

I need no great effort of memory to recall, in every detail, the rainy autumn evening when I stood with my father in one of the more frequented streets of Moscow, and felt that I was gradually being overcome by a strange illness. I had no pain at all, but my legs were giving way under me, the words stuck in my throat, my head slipped weakly on one side⁠ ⁠… It seemed as though, in a moment, I must fall down and lose consciousness.

If I had been taken into a hospital at that minute, the doctors would have had to write over my bed: Fames, a disease which is not in the manuals of medicine.

Beside me on the pavement stood my father in a shabby summer overcoat and a serge cap, from which a bit of white wadding was sticking out. On his feet he had big heavy goloshes. Afraid, vain man, that people would see that his feet were bare under his goloshes, he had drawn the tops of some old boots up round the calves of his legs.

This poor, foolish, queer creature, whom I loved the more warmly the more ragged and dirty his smart summer overcoat became, had come to Moscow, five months before, to look for a job as copying-clerk. For those five months he had been trudging about Moscow looking for work, and it was only on that day that he had brought himself to go into the street to beg for alms.

Before us was a big house of three storeys, adorned with a blue signboard with the word “Restaurant” on it. My head was drooping feebly backwards and on one side, and I could not

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