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grazing off there. The house has served me many a time to lodge guests or workmen, for whom I had no room at Les ChĂȘniers. I have not exhausted the soil with any crops. I had not the right to do that. Yet am I in your debt, Michel, and ready to settle en bon ami.”

The planter had opened the gate and entered the inclosure, leading M’sieur Michel with him. Together they walked toward the house.

Language did not come readily to either⁠—one so unaccustomed to hold intercourse with men; both so stirred with memories that would have rendered any speech painful. When they had stayed long in a silence which was eloquent of tenderness, Joe Duplan spoke:

“You know how I tried to see you, Michel, to speak with you, and you never would.”

M’sieur Michel answered with but a gesture that seemed a supplication.

“Let the past all go, Michel. Begin your new life as if the twenty-five years that are gone had been a long night, from which you have only awakened. Come to me in the morning,” he added with quick resolution, “for a horse and a plow.” He had taken the key of the house from his pocket and placed it in M’sieur Michel’s hand.

“A horse?” M’sieur Michel repeated uncertainly; “a plow! Oh, it’s too late, Duplan; too late.”

“It isn’t too late. The land has rested all these years, man; it’s fresh, I tell you; and rich as gold. Your crop will be the finest in the land.” He held out his hand and M’sieur Michel pressed it without a word in reply, save a muttered “Mon ami.”

Then he stood there watching the planter disappear behind the high, clipped hedge.

He held out his arms. He could not have told if it was toward the retreating figure, or in welcome to an infinite peace that seemed to descend upon him and envelop him.

All the land was radiant except the hill far off that was in black shadow against the sky.

The BĂȘnitous’ Slave

Old Uncle Oswald believed he belonged to the BĂȘnitous, and there was no getting the notion out of his head. Monsieur tried every way, for there was no sense in it. Why, it must have been fifty years since the BĂȘnitous owned him. He had belonged to others since, and had later been freed. Beside, there was not a BĂȘnitou left in the parish now, except one rather delicate woman, who lived with her little daughter in a corner of Natchitoches town, and constructed “fashionable millinery.” The family had dispersed, and almost vanished, and the plantation as well had lost its identity.

But that made no difference to Uncle Oswald. He was always running away from Monsieur⁠—who kept him out of pure kindness⁠—and trying to get back to those BĂȘnitous.

More than that, he was constantly getting injured in such attempts. Once he fell into the bayou and was nearly drowned. Again he barely escaped being run down by an engine. But another time, when he had been lost two days, and finally discovered in an unconscious and half-dead condition in the woods, Monsieur and Doctor Bonfils reluctantly decided that it was time to “do something” with the old man.

So, one sunny spring morning, Monsieur took Uncle Oswald in the buggy, and drove over to Natchitoches with him, intending to take the evening train for the institution in which the poor creature was to be cared for.

It was quite early in the afternoon when they reached town, and Monsieur found himself with several hours to dispose of before train-time. He tied his horses in front of the hotel⁠—the quaintest old stuccoed house, too absurdly unlike a “hotel” for anything⁠—and entered. But he left Uncle Oswald seated upon a shaded bench just within the yard.

There were people occasionally coming in and going out; but no one took the smallest notice of the old negro drowsing over the cane that he held between his knees. The sight was common in Natchitoches.

One who passed in was a little girl about twelve, with dark, kind eyes, and daintily carrying a parcel. She was dressed in blue calico, and wore a stiff white sunbonnet, extinguisher fashion, over her brown curls.

Just as she passed Uncle Oswald again, on her way out, the old man, half asleep, let fall his cane. She picked it up and handed it back to him, as any nice child would have done.

“Oh, thankee, thankee, missy,” stammered Uncle Oswald, all confused at being waited upon by this little lady. “You is a putty li’le gal. W’at’s yo’ name, honey?”

“My name’s Susanne; Susanne BĂȘnitou,” replied the girl.

Instantly the old negro stumbled to his feet. Without a moment’s hesitancy he followed the little one out through the gate, down the street, and around the corner.

It was an hour later that Monsieur, after a distracted search, found him standing upon the gallery of the tiny house in which Madame BĂȘnitou kept “fashionable millinery.”

Mother and daughter were sorely perplexed to comprehend the intentions of the venerable servitor, who stood, hat in hand, persistently awaiting their orders.

Monsieur understood and appreciated the situation at once, and he has prevailed upon Madame BĂȘnitou to accept the gratuitous services of Uncle Oswald for the sake of the old darky’s own safety and happiness.

Uncle Oswald never tries to run away now. He chops wood and hauls water. He cheerfully and faithfully bears the parcels that Susanne used to carry; and makes an excellent cup of black coffee.

I met the old man the other day in Natchitoches, contentedly stumbling down St. Denis street with a basket of figs that someone was sending to his mistress. I asked him his name.

“My name’s Oswal’, Madam; Oswal’⁠—dat’s my name. I b’longs to de BĂȘnitous,” and someone told me his story then.

A Turkey Hunt

Three of Madame’s finest bronze turkeys were missing from the brood. It was nearing Christmas, and that was the reason, perhaps, that even Monsieur grew agitated when the discovery was made.

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