Short Fiction Robert Sheckley (best romantic books to read TXT) 📖

But that had also passed.

“Well, old man,” he said, “if I get warm again, let me know.”

“I will,” the voice in his head whispered. “I’m sure you’ll find me.”

“I’m glad you’re so sure,” Anders said gaily, switched off the lights and left.

Lovely and smiling, Judy greeted him at the door. Looking at her, Anders sensed her knowledge of the moment. Had she felt the change in him, or predicted it? Or was love making him grin like an idiot?

“Would you like a before-party drink?” she asked.

He nodded, and she led him across the room, to the improbable green-and-yellow couch. Sitting down, Anders decided he would tell her when she came back with the drink. No use in putting off the fatal moment. A lemming in love, he told himself.

“You’re getting warm again,” the voice said.

He had almost forgotten his invisible friend. Or fiend, as the case could well be. What would Judy say if she knew he was hearing voices? Little things like that, he reminded himself, often break up the best of romances.

“Here,” she said, handing him a drink.

Still smiling, he noticed. The number two smile⁠—to a prospective suitor, provocative and understanding. It had been preceded, in their relationship, by the number one nice-girl smile, the don’t-misunderstand-me smile, to be worn on all occasions, until the correct words have been mumbled.

“That’s right,” the voice said. “It’s in how you look at things.”

Look at what? Anders glanced at Judy, annoyed at his thoughts. If he was going to play the lover, let him play it. Even through the astigmatic haze of love, he was able to appreciate her blue-gray eyes, her fine skin (if one overlooked a tiny blemish on the left temple), her lips, slightly reshaped by lipstick.

“How did your classes go today?” she asked.

Well, of course she’d ask that, Anders thought. Love is marking time.

“All right,” he said. “Teaching psychology to young apes⁠—”

“Oh, come now!”

“Warmer,” the voice said.

What’s the matter with me, Anders wondered. She really is a lovely girl. The gestalt that is Judy, a pattern of thoughts, expressions, movements, making up the girl I⁠—

I what?

Love?

Anders shifted his long body uncertainly on the couch. He didn’t quite understand how this train of thought had begun. It annoyed him. The analytical young instructor was better off in the classroom. Couldn’t science wait until 9:10 in the morning?

“I was thinking about you today,” Judy said, and Anders knew that she had sensed the change in his mood.

“Do you see?” the voice asked him. “You’re getting much better at it.”

“I don’t see anything,” Anders thought, but the voice was right. It was as though he had a clear line of inspection into Judy’s mind. Her feelings were nakedly apparent to him, as meaningless as his room had been in that flash of undistorted thought.

“I really was thinking about you,” she repeated.

“Now look,” the voice said.

Anders, watching the expressions on Judy’s face, felt the strangeness descend on him. He was back in the nightmare perception of that moment in his room. This time it was as though he were watching a machine in a laboratory. The object of this operation was the evocation and preservation of a particular mood. The machine goes through a searching process, invoking trains of ideas to achieve the desired end.

“Oh, were you?” he asked, amazed at his new perspective.

“Yes⁠ ⁠… I wondered what you were doing at noon,” the reactive machine opposite him on the couch said, expanding its shapely chest slightly.

“Good,” the voice said, commending him for his perception.

“Dreaming of you, of course,” he said to the flesh-clad skeleton behind the total gestalt Judy. The flesh machine rearranged its limbs, widened its mouth to denote pleasure. The mechanism searched through a complex of fears, hopes, worries, through half-remembrances of analogous situations, analogous solutions.

And this was what he loved. Anders saw too clearly and hated himself for seeing. Through his new nightmare perception, the absurdity of the entire room struck him.

“Were you really?” the articulating skeleton asked him.

“You’re coming closer,” the voice whispered.

To what? The personality? There was no such thing. There was no true cohesion, no depth, nothing except a web of surface reactions, stretched across automatic visceral movements.

He was coming closer to the truth.

“Sure,” he said sourly.

The machine stirred, searching for a response.

Anders felt a quick tremor of fear at the sheer alien quality of his viewpoint. His sense of formalism had been sloughed off, his agreed-upon reactions bypassed. What would be revealed next?

He was seeing clearly, he realized, as perhaps no man had ever seen before. It was an oddly exhilarating thought.

But could he still return to normality?

“Can I get you a drink?” the reaction machine asked.

At that moment Anders was as thoroughly out of love as a man could be. Viewing one’s intended as a depersonalized, sexless piece of machinery is not especially conducive to love. But it is quite stimulating, intellectually.

Anders didn’t want normality. A curtain was being raised and he wanted to see behind it. What was it some Russian scientist⁠—Ouspensky, wasn’t it⁠—had said?

“Think in other categories.”

That was what he was doing, and would continue to do.

“Goodbye,” he said suddenly.

The machine watched him, open-mouthed, as he walked out the door. Delayed circuit reactions kept it silent until it heard the elevator door close.

“You were very warm in there,” the voice within his head whispered, once he was on the street. “But you still don’t understand everything.”

“Tell me, then,” Anders said, marveling a little at his equanimity. In an hour he had bridged the gap to a completely different viewpoint, yet it seemed perfectly natural.

“I can’t,” the voice said. “You must find it yourself.”

“Well, let’s see now,” Anders began. He looked around at the masses of masonry, the convention of streets cutting through the architectural piles. “Human life,” he said, “is a series of conventions. When you look at a girl, you’re supposed to see⁠—a pattern, not the underlying formlessness.”

“That’s true,” the voice agreed, but with a shade of doubt.

“Basically, there is