The Letters of Charles Dickens by Charles Dickens (good ebook reader txt) 📖
- Author: Charles Dickens
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Spencer Lyttelton is a capital companion on a trip, and a great addition to the party. We have got on famously and been very facetious. With best love to Georgina and the darlings,
Devonshire Terrace, Friday Night, late, Feb. 21st, 1851.
I have devoted a couple of hours this evening to going very carefully over your paper (which I had read before) and to endeavouring to bring it closer, and to lighten it, and to give it that sort of compactness which a habit of composition, and of disciplining one's thoughts like a regiment, and of studying the art of putting each soldier into his right place, may have gradually taught me to think necessary. I hope, when you see it in print, you will not be alarmed by my use of the pruning-knife. I have tried to exercise it with the utmost delicacy and discretion, and to suggest to you, especially towards the end, how this sort of writing (regard being had to the size of the journal in which it appears) requires to be compressed, and is made pleasanter by compression. This all reads very solemnly, but only because I want you to read it (I mean the article) with as loving an eye as I have truly tried to touch it with a loving and gentle hand. I propose to call it "My Mahogany Friend." The other name is too long, and I think not attractive. Until I go to the office to-morrow and see what is actually in hand, I am not certain of the number in which it will appear, but Georgy shall write on Monday and tell you. We are always a fortnight in advance of the public or the mechanical work could not be done. I think there are many things in it that are very pretty. The Katie part is particularly well done. If I don't say more, it is because I have a heavy sense, in all cases, of the responsibility of encouraging anyone to enter on that thorny track, where the prizes are so few and the blanks so many; where——
But I won't write you a sermon. With the fire going out, and the first shadows of a new story hovering in a ghostly way about me (as they usually begin to do, when I have finished an old one), I am in danger of doing the heavy business, and becoming a heavy guardian, or something of that sort, instead of the light and airy Joe.
So good-night, and believe that you may always trust me, and never find a grim expression (towards you) in any that I wear.
February 21st, 1851.
Oh my dear Roberts, if you knew the trouble we have had and the money we pay for Drury Lane for one night for the benefit, you would never dream of it for the dinner. There isn't possibility of getting a theatre.
I will do all I can for your charming little daughter, and hope to squeeze in half-a-dozen ladies at the last; but we must not breathe the idea or we shall not dare to execute it, there will be such an outcry.
Devonshire Terrace, February 27th, 1851.
Forster told me to-day that you wish Tennyson's sonnet to be read after your health is given on Saturday. I am perfectly certain that it would not do at that time. I am quite convinced that the audience would not receive it, under these exciting circumstances, as it ought to be received. If I had to read it, I would on no account undertake to do so at that period, in a great room crowded with a dense company. I have an instinctive assurance that it would fail. Being with Bulwer this morning, I communicated your wish to him, and he immediately felt as I do. I could enter into many reasons which induce me to form this opinion. But I believe that you have that confidence in me that I may spare you the statement of them.
I want to know one thing from you. As I shall be obliged to be at the London Tavern in the afternoon of to-morrow, Friday (I write, observe, on Thursday night), I shall be much helped in the arrangements if you will send me your answer by a messenger (addressed here) on the receipt of this. Which would you prefer—that "Auld Lang Syne" should be sung after your health is given and before you return thanks, or after you have spoken?
I cannot forbear a word about last night. I think I have told you sometimes, my much-loved friend, how, when I was a mere boy, I was one of your faithful and devoted adherents in the pit; I believe as true a member of that true host of followers as it has ever boasted. As I improved myself and was improved by favouring circumstances in mind and fortune, I only became the more earnest (if it were possible) in my study of you. No light portion of my life arose before me when the quiet vision to which I am beholden, in I don't know how great a decree, or for how much—who does?—faded so nobly from my bodily eyes last night. And if I were to try to tell you what I felt—of regret for its being past for ever, and of joy in the thought that you could have taken your leave of me but in God's own time—I should only blot this paper with some drops that would certainly not be of ink, and give very faint expression to very strong emotions.
What is all this in writing! It is only some sort of relief to my full heart, and shows very little of it to you; but that's something, so I let it go.
Your most affectionate Friend.
P.S.—My very flourish departs from me for the moment.
Knutsford Lodge, Great Malvern, March 20th, 1851.
Mrs. Dickens has been unwell, and I am here with her. I want you to give a quarter of an hour to the perusal of the enclosed prospectus; to consider the immense value of the design, if it be successful, to artists young and old; and then to bestow your favourable consideration on the assistance I am going to ask of you for the sake and in the name of the cause.
For the representation of the new comedy Bulwer has written for us, to start this scheme, I am having an ingenious theatre made by Webster's people, for erection on certain nights in the Hanover Square Rooms. But it will first be put up in the Duke of Devonshire's house, where the first representation will take place before a brilliant company, including (I believe) the Queen.
Now, will you paint us a scene—the scene of which I enclose Bulwer's description from the prompter's book? It will be a cloth with a set-piece. It should be sent to your studio or put up in a theatre painting-room, as you would prefer. I have asked Stanny to do another scene, Edwin Landseer, and Louis Haghe. The Devonshire House performance will probably be on Monday, the 28th of April. I should want to have the scenery complete by the 20th, as it would require to be elaborately worked and rehearsed. You could do it in no time after sending in your pictures, and will you?
What the value of such aid would be I need not say. I say no more of the reasons that induce me to ask it, because if they are not in the prospectus they are nowhere.
On Monday and Tuesday nights I shall be in town for rehearsal, but until then I shall be here. Will you let me have a line from you in reply?
Description of the Scene proposed:
Streets of London in the time of George I.
In perspective, an alley inscribed Deadman's Lane; a large, old-fashioned, gloomy, mysterious house in the corner, marked No. 1. (This No. 1, Deadman's Lane, has been constantly referred to in the play as the abode of a mysterious female figure, who enters masked, and passes into this house on the scene being disclosed.) It is night, and there are moonlight mediums.
H. W. Office, Monday, March 26th, 1851.
I reserve all news of the play until I come down. The Queen appoints the 30th of April. There is no end of trouble.
My father slept well last night, and is as well this morning (they send word) as anyone in such a state, so cut and slashed, can be. I have been waiting at home for Bulwer all the morning (it is now two), and am now waiting for Lemon before I go up there. I will not close this note until I have been.
It is raining here incessantly. The streets are in a most miserable state. A van, containing the goods of some unfortunate family moving, has broken down close outside, and the whole scene is a picture of dreariness.
The children are quite well and very happy. I had Dora down this morning, who was quite charmed to see me. That Miss Ketteridge appointed two to-day for seeing the house, and probably she is at this moment disparaging it.
My father is very weak and low, but not worse, I hope, than might be expected. I am going home to dine with the children. By working here late to-night (coming back after dinner) I can finish what I have to do for the play. Therefore I hope to be with you to-morrow, in good time for dinner.
P.S.—Love to Georgy.
Devonshire Terrace, Thursday Morning, April 3rd, 1851.
I took my threatened walk last night, but it yielded little but generalities.
However, I thought of something for to-night, that I think will make a splendid paper. I have an idea that it might be connected with the gas paper (making gas a great agent in an effective police), and made one of the articles. This is it: "A Night in a Station-house." If you would go down to our friend Mr. Yardley, at Scotland Yard, and get a letter or order to the acting chief authority at that station-house in Bow Street, to enable us to hear the charges, observe the internal economy of the station-house all night, go round to the cells with the visiting policeman, etc., I would stay there, say from twelve to-night to four or five in the morning. We might have a "night-cap," a fire, and some tea at the office hard by. If you could conveniently borrow an hour or two from the night we could both go. If not, I would go alone. It would make a wonderful good paper at a most appropriate time, when the back slums of London are going to be invaded by all sorts of strangers.
You needn't exactly say that I was going in propriâ (unless it were necessary), and, of course, you wouldn't say that I propose to-night, because I am so worn by the sad arrangements in which I am engaged, and by what led to them, that I cannot take my
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