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highly educated gentleman, and puffing at intervals at his long churchwarden pipe, he proceeded to tell me some of the most horrible stories I have ever heard in my life: how one of the Eyres in the former ages had hanged his own father; and another had his wife scourged at the cart tail through the village; and another had set fire to a church full of children, and so on.

“Some of the tales, indeed, are not fit for public print; such as the story of the Scarlet Nuns, the abominable story of the Spotted Dog, or the thing that was done in the quarry. And all this red roll of impieties came from his thin, genteel lips rather primly than otherwise, as he sat sipping the wine out of his tall, thin glass.

“I could see that the big man opposite me was trying, if anything, to stop him; but he evidently held the old gentleman in considerable respect, and could not venture to do so at all abruptly. And the little priest at the other end of the-table, though free from any such air of embarrassment, looked steadily at the table, and seemed to listen to the recital with great pain⁠—as well as he might.

“ ‘You don’t seem,’ I said to the narrator, ‘to be very fond of the Exmoor pedigree.’

“He looked at me a moment, his lips still prim, but whitening and tightening; then he deliberately broke his long pipe and glass on the table and stood up, the very picture of a perfect gentleman with the framing temper of a fiend.

“ ‘These gentlemen,’ he said, ‘will tell you whether I have cause to like it. The curse of the Eyres of old has lain heavy on this country, and many have suffered from it. They know there are none who have suffered from it as I have.’ And with that he crushed a piece of the fallen glass under his heel, and strode away among the green twilight of the twinkling apple-trees.

“ ‘That is an extraordinary old gentleman,’ I said to the other two; ‘do you happen to know what the Exmoor family has done to him? Who is he?’

“The big man in black was staring at me with the wild air of a baffled bull; he did not at first seem to take it in. Then he said at last, ‘Don’t you know who he is?’

“I reaffirmed my ignorance, and there was another silence; then the little priest said, still looking at the table, ‘That is the Duke of Exmoor.’

“Then, before I could collect my scattered senses, he added equally quietly, but with an air of regularizing things: ‘My friend here is Doctor Mull, the Duke’s librarian. My name is Brown.’

“ ‘But,’ I stammered, ‘if that is the Duke, why does he damn all the old dukes like that?’

“ ‘He seems really to believe,’ answered the priest called Brown, ‘that they have left a curse on him.’ Then he added, with some irrelevance, ‘That’s why he wears a wig.’

“It was a few moments before his meaning dawned on me. ‘You don’t mean that fable about the fantastic ear?’ I demanded. ‘I’ve heard of it, of course, but surely it must be a superstitious yarn spun out of something much simpler. I’ve sometimes thought it was a wild version of one of those mutilation stories. They used to crop criminals’ ears in the sixteenth century.’

“ ‘I hardly think it was that,’ answered the little man thoughtfully, ‘but it is not outside ordinary science or natural law for a family to have some deformity frequently reappearing⁠—such as one ear bigger than the other.’

“The big librarian had buried his big bald brow in his big red hands, like a man trying to think out his duty. ‘No,’ he groaned. ‘You do the man a wrong after all. Understand, I’ve no reason to defend him, or even keep faith with him. He has been a tyrant to me as to everybody else. Don’t fancy because you see him sitting here that he isn’t a great lord in the worst sense of the word. He would fetch a man a mile to ring a bell a yard off⁠—if it would summon another man three miles to fetch a matchbox three yards off. He must have a footman to carry his walking-stick; a body servant to hold up his opera-glasses⁠—’

“ ‘But not a valet to brush his clothes,’ cut in the priest, with a curious dryness, ‘for the valet would want to brush his wig, too.’

“The librarian turned to him and seemed to forget my presence; he was strongly moved and, I think, a little heated with wine. ‘I don’t know how you know it, Father Brown,’ he said, ‘but you are right. He lets the whole world do everything for him⁠—except dress him. And that he insists on doing in a literal solitude like a desert. Anybody is kicked out of the house without a character who is so much as found near his dressing-room door.’

“ ‘He seems a pleasant old party,’ I remarked.

“ ‘No,’ replied Dr. Mull quite simply; ‘and yet that is just what I mean by saying you are unjust to him after all. Gentlemen, the Duke does really feel the bitterness about the curse that he uttered just now. He does, with sincere shame and terror, hide under that purple wig something he thinks it would blast the sons of man to see. I know it is so; and I know it is not a mere natural disfigurement, like a criminal mutilation, or a hereditary disproportion in the features. I know it is worse than that; because a man told me who was present at a scene that no man could invent, where a stronger man than any of us tried to defy the secret, and was scared away from it.’

“I opened my mouth to speak, but Mull went on in oblivion of me, speaking out of the cavern of his hands. ‘I don’t mind telling you, Father, because it’s really more defending the poor Duke than

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