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of Pandit Vidyanath, so now Aseem suspects that there is no such person, that Om Prakash himself is the unlikely mind behind the whole business.

But sometimes he is scared of finding the woman. He imagines himself saving her from death or a fate worse than death, realizing at last his purpose. But after that what awaits him? The oily embrace of the Yamuna?

Or will she save him in turn?

*

One of the things he likes about the city is how it breaks all rules. Delhi is a place of contradictions – it transcends thesis and anti-thesis. Here he has seen both the hovels of the poor and the opulent monstrosities of the rich. At major intersections, where the rich wait impatiently in their air-conditioned cars for the light to change, he’s seen bone-thin waifs running from car to car, peddling glossy magazines like Vogue and Cosmopolitan. Amid the glitzy new high-rises are troupes of wandering cows and pariah dogs; rhesus monkeys mate with abandon in the trees around Parliament House.

He hasn’t slept well – last night the police raided the Aurobindo Marg sidewalk where he was sleeping. Some foreign VIP was expected in the morning so the riffraff on the roadsides were driven off by stick-wielding policemen. This has happened many times before, but today Aseem is smarting with rage and humiliation: he has a bruise on his back where a policeman’s stick hit him, and it burns in the relentless heat. Death lurks behind the walled eyes of the populace – but for once he is sick of his proximity to death. So he goes to the only place where he can leave behind the city without actually leaving its borders – another anomaly in a city of surprises. Amid the endless sprawl of brick houses and crowded roads, within Delhi’s borders, there lies an entire forest: the Delhi Ridge, a green lung. The coolness of the forest beckons to him.

Only a little way from the main road, the forest is still, except for the subdued chirping of birds. He is in a warm, green womb. Under the acacia trees he finds an old ruin, one of the many nameless remains of Delhi’s medieval era. After checking for snakes and scorpions, he curls up under a crumbling wall and dozes off.

Some time later, when the sun is lower in the sky and the heat not as intense, he hears a tapping sound, soft and regular, like slow rain on a tin roof. He sees a woman – a young girl – on the paved path in front of him, holding a cane before her. She’s blind, obviously, and lost. This is no place for a woman alone. He clears his throat and she starts.

‘Is someone there?’

She’s wearing a long blue shirt over a salwaar of the same color, and there is a shawl around her shoulders. The thin material of her dupatta drapes her head, half-covering her face, blurring her features. He looks at her and sees the face in the printout. Or thinks he does.

‘You are lost,’ he says, his voice trembling with excitement. He’s fumbling in his pockets for the printout. Surely he must still be asleep and dreaming. Hasn’t he dreamed about her many, many times already? ‘Where do you wish to go?’

She clutches her stick. Her shoulders slump.

‘Naya Diwas Lane, good sir. I am traveling from Jaipur. I came to meet my sister, who lives here, but I lost my papers. They say you must have papers. Or they’ll send me to Neechi Dilli with all the poor and the criminals. I don’t want to go there! My sister has money. Please, sir, tell me how to find Naya Diwas.’

He’s never heard of Naya Diwas Lane, or Neechi Dilli. New Day Lane? Lower Delhi? What strange names. He wipes the sweat off his forehead.

‘There aren’t any such places. Somebody has misled you. Go back to the main road, turn right, there is a marketplace there. I will come with you. Nobody will harm you. We can make enquiries there.’

She thanks him, her voice catching with relief. She tells him she’s heard many stories about the fabled city, and its tall, gem-studded minars that reach the sky, and the perfect gardens. And the ships, the silver udan-khatolas, that fly across worlds. She’s very excited to be here at last in the Immaculate City.

His eyes widen. He gets up abruptly but she’s already fading away into the trees. The computer printout is in his hand, but before he can get another look at her, she’s gone.

What has he told her? Where is she going, in what future age, buoyed by the hope he has given her, which (he fears now) may be false?

He stumbles around the ruin, disturbing ground squirrels and a sleepy flock of jungle babblers, but he knows there is no hope of finding her again except by chance. Temporal coincidences have their own unfathomable rules. He’s looked ahead to this moment so many times, imagined both joy and despair as a result of it, but never this apprehension, this uncertainty. He looks at the computer printout again. Is it mere coincidence that the apparition he saw looked like the image? What if Pandit Vidyanath’s computer generated something quite random, and his quest, his life for the past few years has been completely pointless? That Om Prakash or Vidyanath (if he exists) are enjoying an intricate joke at his expense? That he has allowed himself to be duped by his own hopes and fears?

But beyond all this, he’s worried about this girl. There’s only one thing to do – go to Om Prakash and get the truth out of him. After all, if Vidyanath’s computer generated her image, and if Vidyanath isn’t a complete fraud, he would know something about her, about that time. It is a forlorn hope, but it’s all he has.

He takes the Metro on his way back. The train snakes its way under the city through the still-new tunnels, past brightly

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