The Russian's Greed Cap Daniels (best inspirational books .txt) đ
- Author: Cap Daniels
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He impatiently drummedhis fingers on the table. âWhen you are certain youâve found themall, come find me. I will be in the vault or in my office, which isdirectly opposite your office. I have something special for you towork on.â
Without another word,Anya moved her light back into place and returned to her task ofmatching stones.
Another half hour ofpeering through her magnifying loupe yielded three more matches. Withthe unmatched stones back in their velvet bags, she stretched, turnedoff her light, and rubbed her eyes.
The electric kettle hadthe distilled water hovering just below two hundred degrees when shespooned in the honey and dipped the teabag. As she turned to go insearch of Volkov, she paused, turned back to the kettle, and pouredanother mug.
Viktor Volkovâsoffice was exactly where heâd said, but it most certainly was not amirror image of Anyaâs workspace. His desk looked like the deck ofan aircraft carrier, and glass cases with some of the worldâsrarest stones lined the walls.
He motioned for her tohave a seat as he finished a phone call in German, then he laid thehandset back into its cradle. âHow many more did you find?â
She placed the secondmug of tea on his desk. âThree, but there are other near matchesthat may be close enough for earrings that will never be seen closetogether.â
Volkov ignored the mugand turned away, apparently studying a Russian religious icon hangingwhere a window wouldâve been if his office were atop one ofManhattanâs ubiquitous skyscrapers instead of nestled in the cornerof a vacant warehouse on the Upper East Side. He stood and ran hisfinger along the edge of the clear glass case housing the metal frameof the icon. âHave you ever heard of Andrei Rublev?â
Anya scoured hermemory. âI have not.â
âIâm not surprised.His name is known only to historians of Russian art and the mostpious of Russian Orthodox scholars. Rublev was born in thirteensixty. The exact date of his death is unknown, but most scholarsbelieve he died between fourteen twenty-seven and fourteen thirty. Heis the most important painter of Russian icons who ever lived. Everyother icon ever painted would be compared to his work, and all wouldpale in comparison. Do you know why Iâm telling you this story?â
She took a drink tohopefully buy enough time to think of a reasonable answer. After along swallow, she said, âI do not.â
Volkov held the pads ofhis fingers against his lips, kissed them, and then pressed them tothe iconâs airtight enclosure. âBecause no matter how manythousands of icon painters came after Rublev, none could match theperfection of his work. He was finally glorified in nineteeneighty-eight. Do you know what this means?â
âNo, I am sorry. I donot.â
Volkov spent a longmoment of silence staring at the priceless religious artifact. âItmeans the Moscow Patriarchate officially recognized him as a saint.âHe turned from the painting and settled back into his luxuriouschair. âThank you for the tea.â Volkov touched the mug to hislips and let the smell of the aromatic tea fill his nostrils. Withouttasting the steaming liquid, he said, âThere is no such thing.â
A pained expressionovertook Anyaâs face. âThere is no such thing as what, a saint?â
Finally, he let thewarm liquid flow across his tongue and down his throat. âNo, myangel, saints are quite real, and anyone who believes otherwise is afool. What doesnât exist is the concept of âclose enough.â Yousee, thousands, perhaps even millions, of icons have been paintedsince the fourteenth century, but none have been close enough to thework of Rublev to gain their creatorâs glorification.â
Anya leaned back in herchair, studying Volkovâs cryptic words. âIs the same true ofdiamonds?â
Volkov raised his mugand smiled broadly. âYou were paying attention. Forget about âcloseenough.â Either stones match, or they do not.â
He slid a key into ametallic mechanism behind his desk and produced three diamonds, eachsignificantly larger than any Anya had matched in the previous twodays. He clamped each of the stones into locking tweezers and slidthem across the desk. Without being told to do so, Anya lifted eachprecious stone to her eye and examined them closely. When sheâdnearly committed each one to memory, she slid the loupe into herother hand and examined the three stones with her left eye.
Volkov watched,intrigued. âWhy did you change eyes?â
Anya stood, pocketedthe loupe, and replaced the clamped diamond to the desk. âStand anddance with me.â
âWhat do you mean,dance with you?â
She stepped away fromthe desk and held up her arms in the perfect ballroom dancerâsframe. âCome, come. Dance with me.â
Hesitantly, Volkovstood, stepped into her frame, and felt her right hand fold over hisleft. She softly hummed the Viennese Waltz and made the opening step.âYou are wonderful dance partner, Viktor.â
âAs are you, but Ifail to seeââ
âShh. Just dance. Andnow, close right eye.â
He did as sheinstructed, and as soon as she was confident his eye was trulyclosed, she moved her left hand to his cheek and laid the blade ofthe knife sheâd been palming against the skin of his face. âNow,open both eyes, but do not stop dancing.â
He reopened his eye andcaught the glisten from the tip of the razor-sharp blade. In aninstant, he recoiled and retreated several steps. âWhat is wrongwith you?â
She smiled and sheathedthe small blade. âNothing is wrong with me, but when we choose tosee the world with only one eye, we often overlook many of itsdangers.â
The look on his facemade it clear he never expected his âangelâ to bear a sword ofany length. âWhy do you have a knife?â
âBecause I ambeautiful girl in dangerous city . . . Or perhaps I am dangerous girlin beautiful city.â
Volkov returned to hisseat, never taking his eyes from Anya. He motioned toward the stoneson the desk. âHave you memorized these diamonds?â
âI have.â
âGood. Come with me,but keep that knife out of your hands.â
She followed him fromthe office and into the vault, where he pulled a ring of keys fromhis pocket. He opened a small door in the back wall of the vault andwithdrew a velvet pouch from inside. Anya took the pouch from hishand and poured its contents onto the table. As
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