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tall gallows frame adorned with upholsteries, and he stood behind it under its overhead row of hidden lights. The whole thing had a quite stylish look and was rather impressive. The audience was so sure that he was going to be funny that they took a dozen of his first utterances on trust and laughed cordially⁠—so cordially, indeed, that it was very hard for us to bear⁠—and we felt very much disheartened. Still, I tried to believe he would fail, for I saw that he didn’t know how to read. Presently the laughter began to relax; then it began to shrink in area; and next to lose spontaneity; and next to show gaps between; the gaps widened; they widened more; more yet; still more. It was getting to be almost all gaps and silence, with that untrained and unlively voice droning through them. Then the house sat dead and emotionless for a whole ten minutes. We drew a deep sigh; it ought to have been a sigh of pity for a defeated fellow craftsman, but it was not⁠—for we were mean and selfish, like all the human race, and it was a sigh of satisfaction to see our unoffending brother fail.

He was laboring now, and distressed; he constantly mopped his face with his handkerchief, and his voice and his manner became a humble appeal for compassion, for help, for charity, and it was a pathetic thing to see. But the house remained cold and still, and gazed at him curiously and wonderingly.

There was a great clock on the wall, high up; presently the general gaze forsook the reader and fixed itself upon the clock face. We knew by dismal experience what that meant; we knew what was going to happen, but it was plain that the reader had not been warned and was ignorant. It was approaching nine now⁠—half the house watching the clock, the reader laboring on. At five minutes to nine, twelve hundred people rose, with one impulse, and swept like a wave down the aisles toward the doors! The reader was like a person stricken with a paralysis; he stood choking and gasping for a few minutes, gazing in a white horror at that retreat, then he turned drearily away and wandered from the stage with the groping and uncertain step of one who walks in his sleep.

The management were to blame. They should have told him that the last suburban cars left at nine and that half the house would rise and go then, no matter who might be speaking from the platform. I think De Cordova did not appear again in public.

Ralph Keeler

Written about 1898

He was a Californian. I probably knew him in San Francisco in the early days⁠—about 1865⁠—when I was a newspaper reporter, and Bret Harte, Ambrose Bierce, Charles Warren Stoddard and Prentice Mulford were doing young literary work for Mr. Joe Lawrence’s weekly periodical, the Golden Era. At any rate, I knew him in Boston a few years later, where he comraded with Howells, Aldrich, Boyle O’Reilly, and James T. Fields, and was greatly liked by them. I say he comraded with them, and that is the proper term, though he would not have given the relationship so familiar a name himself, for he was the modestest young fellow that ever was and looked humbly up to those distinguished men from his lowly obscurity, and was boyishly grateful for the friendly notice they took of him, and frankly grateful for it; and when he got a smile and a nod from Mr. Emerson and Mr. Whittier and Holmes and Lowell and Longfellow, his happiness was the prettiest thing in the world to see. He was not more than twenty-four at this time; the native sweetness of his disposition had not been marred by cares and disappointments; he was buoyant and hopeful, simple-hearted, and full of the most engaging and unexacting little literary ambitions. Whomsoever he met became his friend and⁠—by some natural and unexplained impulse⁠—took him under protection.

He probably never had a home or a boyhood. He had wandered to California as a little chap from somewhere or other, and had cheerfully achieved his bread in various humble callings, educating himself as he went along, and having a good and satisfactory time. Among his various industries was clog-dancing in a “nigger” show. When he was about twenty years old he scraped together eighty-five dollars⁠—in greenbacks, worth about half that sum in gold⁠—and on this capital he made the tour of Europe and published an account of his travels in the Atlantic Monthly. When he was about twenty-two he wrote a novel called Gloverson and His Silent Partners; and not only that, but found a publisher for it. But that was not really a surprising thing, in his case, for not even a publisher is hardhearted enough to be able to say no to some people⁠—and Ralph was one of those people. His gratitude for a favor granted him was so simple and sincere and so eloquent and touching that a publisher would recognize that if there was no money in the book there was still a profit to be had out of it beyond the value of money and above money’s reach. There was no money in that book, not a single penny; but Ralph Keeler always spoke of his publisher as other people speak of divinities. The publisher lost two or three hundred dollars on the book, of course, and knew he would lose it when he made the venture, but he got much more than the worth of it back in the author’s adoring admiration of him.

Ralph had little or nothing to do, and he often went out with me to the small lecture towns in the neighborhood of Boston. These lay within an hour of town, and we usually started at six or thereabouts, and returned to the city in the morning. It took about a month to do these Boston annexes, and that was the

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